The Past of Mary Holmes | |
---|---|
Directed by | Slavko Vorkapich Harlan Thompson |
Written by | Story: Rex Beach Screenplay: Eddie Doherty Marion Dix |
Produced by | Gordon Kay |
Cinematography | Charles Rosher |
Edited by | Charles L. Kimball |
Music by | Herman Stein |
Distributed by | RKO Pictures |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | English |
The Past of Mary Holmes is a 1933 American pre-Code drama film, directed by Harlan Thompson and Slavko Vorkapich, and released by RKO. The film is a remake of the silent film The Goose Woman (1925), which is based on a short story by Rex Beach, partly based on the Hall-Mills murder case. [1]
Mary Holmes, once a famous opera star known as Maria di Nardi, now lives in a run-down shanty and suffers from alcoholism. Known for her eccentric behavior, Mary breeds geese, and is thus known in her neighborhood as "the Goose Woman". She blames her grown son Geoffrey for the deterioration of her voice and does everything she can to destroy his life.
When Geoffrey, a commercial artist, tells her that he is going to marry actress Joan Hoyt, she becomes torn with jealousy and threatens to reveal to Joan that he is illegitimate. Not allowing his mother the satisfaction of destroying his life, Geoffrey decides to break the news to Joan himself. Joan, who has just ended an affair with a womanizing theatre backer, G. K. Ethridge, tells him that she wants to proceed with their wedding plans. Geoffrey then breaks ties with his mother and heads out to Chicago on an assignment.
Meanwhile, Jacob Riggs, a doorman at the Ethridge theatre, shoots and kills his boss on the evening when he is awaiting his final rendezvous with Joan, due to his constant affairs with innocent women. Mary, who lives next to the place where the crime is committed, sees opportunity in getting recognition and fame as Maria di Nardi, after hearing the gunshots. She fabricates a sensational story for the press and media, unaware that her story implicates Geoffrey as a prime suspect.
Following drunken testimony by Mary, Geoffrey is indicted on circumstantial evidence by a grand jury. Despite denying the testimony when she realizes what she is doing to Geoffrey, he is found guilty and sent to jail, awaiting the death penalty. Overcome with grief, Mary uses Joan's help to convince Jacob to turn himself in for the crime. Geoffrey is freed from jail and can finally marry Joan. Mary burns down her shanty as a symbolic gesture of leaving her past behind, in order to join Geoffrey and her daughter-in-law in a joyful future.
Based on the short story of the same name, the film was initially in production under the title The Goose Woman. [2] Initially, screenwriter Samuel Ornitz was to adapt the story with Marion Dix, but Eddie Doherty later took over. [2]
Produced on a low budget, the film was released as a double feature in cinemas along with The Big Cage (1933).
"Bluebeard" is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of the present one to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom", and "Fitcher's Bird" are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word Bluebeard the definition of "a man who marries and kills one wife after another". The verb bluebearding has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of women.
Mary Russell is a fictional character and the protagonist of the Mary Russell & Sherlock Holmes mystery series by American author Laurie R. King. She first appears in the novel The Beekeeper's Apprentice.
Rain is a 1932 pre-Code drama film that stars Joan Crawford as prostitute Sadie Thompson. Directed by Lewis Milestone and set in the South Seas, the production was filmed in part at Santa Catalina Island and what is now Crystal Cove State Park in California. The film also features Walter Huston in the role of a conflicted missionary who insists that Sadie end her evil ways, but whose own moral standards and self-righteous behavior steadily decay. Crawford was loaned out by MGM to United Artists for this film.
Arthur Hoyt was an American film character actor who appeared in more than 275 films in his 34-year film career, about a third of them silent films.
Eric Linden was an American actor, primarily active during the 1930s.
Frank Spottiswoode Aitken was a Scottish-American actor of the silent era. He played Dr. Cameron in D. W. Griffith's epic drama The Birth of a Nation.
Elisabeth Risdon was an English film actress. She appeared in more than 140 films from 1913 to 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
The Wicked Darling is a 1919 American silent crime film directed by Tod Browning, and starring Priscilla Dean, Wellington A. Playter and Lon Chaney as pickpocket "Stoop" Connors. This was the first time Lon Chaney appeared in a Tod Browning film, and many other collaborations between the two men would follow.
Ian Fleming was an Australian character actor with credits in over 100 British films. One of his best known roles was playing Dr Watson in a series of Sherlock Holmes films of the 1930s opposite Arthur Wontner's Holmes.
The Sign of Four is a 1932 British crime film directed by Graham Cutts and starring Arthur Wontner, Ian Hunter and Graham Soutten. The film is based on Arthur Conan Doyle's second Sherlock Holmes novel The Sign of the Four (1890). The film is also known as The Sign of Four: Sherlock Holmes' Greatest Case.
The Lady Says No is a 1951 American comedy film directed by Frank Ross, starring Joan Caulfield, David Niven and James Robertson Justice, photographed by James Wong Howe, and featuring sequences filmed at Fort Ord, Pebble Beach and Carmel, California. The supporting cast features Frances Bavier, who later played "Aunt Bee" on television's The Andy Griffith Show. Director Ross was married to Caulfield, the film's leading lady.
This article describes minor characters from the Sherlock Holmes stories by Sir Arthur Conan Doyle, and from non-canonical derived works. The list excludes the titular character as well as Dr. Watson, Professor Moriarty, Inspector Lestrade, Mycroft Holmes, Mrs. Hudson, Irene Adler, Colonel Moran, the Baker Street Irregulars, and characters not significant enough to mention.
Outcast is a 1922 American silent drama film directed by Chester Withey. The film starred Elsie Ferguson and David Powell. William Powell has a small supporting part in this which was his third film.
The Goose Woman is a 1925 American silent drama film directed by Clarence Brown and starring Louise Dresser with Jack Pickford as her son. The film was released by Universal Pictures.
Shadow of the Law is a 1926 American silent crime drama film starring Clara Bow as a woman sent to prison for a crime she did not commit. Directed by Wallace Worsley, the screenplay was written by Leah Baird and Grover Jones and was based on the novel Two Gates by Harry Chapman Ford.
Ivan F. Simpson was a Scottish film and stage actor.
Beulah Poynter was an American writer, playwright and actress. Though her career touched on Broadway and Hollywood, Poynter was better known for her starring roles with stock and touring companies and as a prolific writer of mystery and romance stories. Poynter was probably best remembered by theatergoers for her title role in Lena Rivers, a drama she reworked for the stage from the novel by Mary J. Holmes.
John Sheehan was an American actor and vaudeville performer. After acting onstage and in vaudeville for several years, Sheehan began making films in 1914, starring in a number of short films. From 1914 to 1916, he appeared in over 60 films, the vast majority of them film shorts.
Daring Daughters is a 1933 American pre-Code melodrama film, directed by Christy Cabanne. It stars Marian Marsh, Kenneth Thomson, and Joan Marsh, and was released on March 25, 1933.
The First Degree is a silent film from 1923 directed by Edward Sedgwick. The film is a rural melodrama starring Frank Mayo, Sylvia Breamer, and Philo McCullough. A Universal Pictures production, it is one of the Carl Laemmle-endorsed “The Laemmle Nine,” nine films released from Christmas 1922 to February 19, 1923. The screenplay by George Randolph Chester is based on the short story “The Summons” by George Pattullo. The cinematography is by Benjamin H. Kline.