American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
The Fast and the Furious is a 1954 American crime drama B movie starring John Ireland and Dorothy Malone, co-directed by Ireland and Edward Sampson.
Missile to the Moon is a 1958 independently made American black-and-white science fiction film drama, produced by Marc Frederic, directed by Richard E. Cunha, that stars Richard Travis, Cathy Downs, and K. T. Stevens. The film was distributed by Astor Pictures and is a remake of an earlier Astor Pictures-distributed film, Cat-Women of the Moon (1953). Missile to the Moon was released in late 1958 as a double feature with Cunha's Frankenstein's Daughter.
I Was a Teenage Werewolf is a 1957 American science fiction horror film directed by Gene Fowler Jr., and starring Michael Landon as a troubled teenager, Yvonne Lime and Whit Bissell. Co-written and produced by cult film producer Herman Cohen, it was one of the most successful films released by American International Pictures (AIP).
King Kong Escapes is a 1967 kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film was a Japanese–American co-production between Toho and Rankin/Bass, and stars Rhodes Reason, Linda Miller, Akira Takarada, Mie Hama, Eisei Amamoto, with Haruo Nakajima as King Kong and Hiroshi Sekita as Mechani-Kong and Gorosaurus. The film is loosely based on Rankin/Bass' series The King Kong Show, and was the second and final Toho-produced film featuring King Kong, until its 2021 collaboration with Warner Bros on Godzilla vs. Kong. King Kong Escapes was released in Japan on July 22, 1967, and released in the United States on June 19, 1968. It is the fourth entry in the King Kong franchise.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
The Horror of Party Beach is a 1964 American horror film in the beach party genre, directed and co-produced by Del Tenney. The film is described as "a take-off on beach parties and musicals".
Flying Disc Man from Mars is a 1950 Republic Pictures 12-chapter black-and-white science fiction adventure film serial, produced by Franklin Adreon, directed by Fred C. Brannon, that stars Walter Reed, Lois Collier, Gregory Gaye, James Craven, Harry Lauter, and Richard Irving. Disc Man is considered a weak example of the serial medium, even compared to other post-World War II serials. In 1958 Republic edited the serial's 167 minutes of footage into a 75-minute feature, released under the new title Missile Monsters.
Man-Made Monster is a 1941 American science-fiction horror film directed by George Waggner and produced by Jack Bernhard for Universal Pictures. Filmed in black-and-white, it stars Lon Chaney Jr. and Lionel Atwill. Man-Made Monster was re-released under various titles including Electric Man and The Mysterious Dr. R. Realart Pictures re-released the film in 1953 under the title The Atomic Monster as a double feature with The Flying Saucer (1950). On the film's original main title, there is no hyphen; it's simply Man Made Monster.
The 1950s mark a significant change in the definition of the B movie. The transformation of the film industry due to court rulings that brought an end to many long-standing distribution practices as well as the challenge of television led to major changes in U.S. cinema at the exhibition level. These shifts signaled the eventual demise of the double feature that had defined much of the American moviegoing experience during Hollywood's Golden Age of the 1930s and 1940s. Even as the traditional bottom-of-the-bill second feature slowly disappeared, the term B movie was applied more broadly to the sort of inexpensive genre films that came out during the era, such as those produced to meet the demands of the burgeoning drive-in theater market.
Day the World Ended is a 1955 independently made black-and-white post-apocalyptic science fiction film, produced and directed by Roger Corman, that stars Richard Denning, Lori Nelson, Adele Jergens, Paul Birch (actor) and Mike Connors. Chet Huntley of NBC, later of The Huntley-Brinkley Report, served as the film's narrator. It was released by American Releasing Corporation as a double feature with The Phantom from 10,000 Leagues.
From Hell It Came is a 1957 American science-fiction horror film directed by Dan Milner and written by Richard Bernstein, from a story by Bernstein and Jack Milner. It was released by Allied Artists on a double bill with The Disembodied.
The Magnetic Monster is a 1953 independently made American black-and-white science fiction film, produced by Ivan Tors and George Van Marter, directed by Curt Siodmak and (uncredited) Herbert L. Strock. The film stars Richard Carlson, King Donovan, and Jean Byron. Strother Martin appears briefly in one scene as an airliner co-pilot. The film was released by United Artists.
Phantom from Space is a 1953 independently made American black-and-white science fiction film produced and directed by W. Lee Wilder that stars Ted Cooper, Noreen Nash, Dick Sands, and Burt Wenland. The original screenplay was written by William Raynor and Myles Wilder. Working with most of the same crew, this was one of several early 1950s films made by Wilder and son Myles on a financing-for-distribution basis with United Artists and, on occasion, RKO Radio Pictures.
The Hideous Sun Demon is a 1958 American science fiction horror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
The Beast with a Million Eyes is a 1955 independently made American black-and-white science fiction film, produced and directed by David Kramarsky, that stars Paul Birch, Lorna Thayer, and Dona Cole. Some film sources have said that the film was co-directed by Lou Place. The film was co-produced by Roger Corman and Samuel Z. Arkoff. and was released by American Releasing Corporation, which later became American International Pictures.
Apache Woman is a 1955 American Western directed by Roger Corman and starring Lloyd Bridges. It was Corman's second film as director, following Five Guns West. It was one of four Westerns he made for American International Pictures, the other being Five Guns West, The Oklahoma Woman (1955) and Gunslinger (1956). Corman says Apache Woman and Oklahoma Woman were from ideas by AIP whereas the others were his ideas. This was the first film from Golden State Productions, a company headed by Alex Gordon.
Lou Rusoff was a Canadian-born screenwriter and producer best known for his work with American International Pictures.
Curucu, Beast of the Amazon is a 1956 American adventure/monster film, directed and written by Curt Siodmak and starring John Bromfield, Beverly Garland and Tom Payne. The title creature is pronounced "Koo-Ruh-SOO". The film was distributed in the United States as a double feature with The Mole People.
