The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel Le Fantôme de l'Opéra, directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle, niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. The film's final budget was $632,357.
The Private Life of Helen of Troy is a 1927 American silent comedy adventure film about Helen of Troy based on the 1925 novel of the same name by John Erskine, and adapted to screen by Gerald Duffy. The film was directed by Alexander Korda and starred María Corda as Helen, Lewis Stone as Menelaus, and Ricardo Cortez as Paris.
Ricardo Cortez was an American actor and film director. He was also credited as Jack Crane early in his acting career.
The Last Warning is a 1928 American mystery film directed by Paul Leni, and starring Laura La Plante, Montagu Love, and Margaret Livingston.
Lucy Beaumont was an English actress of the stage and screen from Bristol.
The City That Never Sleeps is a 1924 American silent drama film directed by James Cruze.
The Next Corner is a 1924 American silent romantic melodrama film directed by Sam Wood. The film starred Dorothy Mackaill and Lon Chaney. Based on the romance novel of the same name by Kate Jordan, the film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Younger Generation is a 1929 American part-talkie drama film directed by Frank Capra and starring Ricardo Cortez. It was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. While mostly silent, the film has talking sequences, as well as a synchronized music score and sound effects. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
The Pony Express is a 1925 American silent Western film produced by Famous Players–Lasky and distributed by Paramount Pictures. The film was directed by James Cruze and starred his wife, Betty Compson, along with Ricardo Cortez, Wallace Beery, and George Bancroft. Prints of this film survive, and it has been released on DVD.
The Man with Two Faces is an American drama film directed by Archie Mayo, and starring Edward G. Robinson and Mary Astor. The supporting cast features Ricardo Cortez, Louis Calhern, Mae Clarke, and David Landau. The story was adapted by Tom Reed and Niven Busch from the play The Dark Tower by George S. Kaufman and Alexander Woollcott.
Excess Baggage is a lost 1928 American sound comedy film directed by James Cruze and distributed by MGM. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on the 1927 play of the same name by John McGowan. The film starred William Haines, Josephine Dunn and Kathleen Clifford.
Volcano! is a 1926 American silent drama film directed by William K. Howard and starring Bebe Daniels, ricardo Cortez, and Wallace Beery. The picture was produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on a 1920 Broadway play Martinique by Laurence Eyre. It is preserved in the Library of Congress, UCLA Film and Television Archives, and The Museum of Modern Art.
Argentine Love is a 1924 American silent romantic drama film directed by Allan Dwan and based on a short story by Vicente Blasco Ibanez that stars Bebe Daniels.
The Woman on Trial is a 1927 American silent drama film directed by Mauritz Stiller, starring Pola Negri, and based on the play Confession by Erno Wajda. Adolph Zukor, Jesse L. Lasky, and B. P. Schulberg produced for Paramount Pictures. Ricardo Cortez was originally cast in Hanson's part until he was replaced.
The Cat's Pajamas is a 1926 American silent comedy film directed by William A. Wellman and written by Louis D. Lighton, Hope Loring, and Ernest Vajda. The film stars Betty Bronson, Ricardo Cortez, Arlette Marchal, Theodore Roberts, Gordon Griffith, and Tom Ricketts. The film was released on August 29, 1926, by Paramount Pictures.
New York is a 1927 American silent drama film directed by Luther Reed and written by Barbara Chambers, Becky Gardiner, and Forrest Halsey. The film stars Ricardo Cortez, Lois Wilson, Estelle Taylor, William Powell, Norman Trevor, and Richard "Skeets" Gallagher. The film was released on January 30, 1927, by Paramount Pictures. It is considered a lost film.
The Lost Zeppelin is a 1929 sound adventure film directed by Edward Sloman and produced and distributed by Tiffany-Stahl. The film stars Conway Tearle, Virginia Valli and Ricardo Cortez.
The Grain of Dust is a lost 1928 silent film drama directed by George Archainbaud and starring Ricardo Cortez and Claire Windsor. It was produced by John M. Stahl and released through Tiffany Pictures.
Midstream is a 1929 American science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. A part-talkie with sound sequences, Once believed to be a lost film, one reel featuring a performance of the opera Faust was located in 2003 and included as an extra on the 2 DVD set of The Phantom of the Opera (1925), released by the Milestone Collection.
