The Phantom in the House | |
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Directed by | Phil Rosen |
Written by |
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Produced by | Trem Carr |
Starring | See below |
Cinematography | Herbert Kirkpatrick |
Music by | |
Production company | Trem Carr Productions |
Distributed by | Continental Talking Pictures |
Release dates |
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Running time | 64 minutes |
Country | United States |
Language | English |
The Phantom in the House is a 1929 American pre-Code talking film directed by Phil Rosen and starring Ricardo Cortez. A silent version was prepared for release in theatres not yet equipped for sound. [1] [2]
This is a surviving film in a European archive and is available on home video. [3]
The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909–2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The first cut of the film was previewed in Los Angeles on January 26, 1925. The film was released on September 6, 1925, premiering at the Astor Theatre in New York.
The Private Life of Helen of Troy is a 1927 American silent comedy adventure film about Helen of Troy based on the 1925 novel of the same name by John Erskine, and adapted to screen by Gerald Duffy. The film was directed by Alexander Korda and starred María Corda as Helen, Lewis Stone as Menelaus, and Ricardo Cortez as Paris.
Ricardo Cortez was an American actor and film director. He was also credited as Jack Crane early in his acting career.
The Last Warning is a 1928 sound part-talkie American mystery film directed by Paul Leni, and starring Laura La Plante, Montagu Love, and Margaret Livingston. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film apparently only survives in a cut-down edited silent version which was made for theaters that had not yet converted to sound. The soundtrack for the sound version, which was also released on sound-on-disc format, survives in private hands on Vitaphone type discs.
The Next Corner is a 1924 American silent romantic melodrama film directed by Sam Wood. The film starred Dorothy Mackaill and Lon Chaney. Based on the romance novel of the same name by Kate Jordan, the film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Younger Generation is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
The Pony Express is a 1925 American silent Western film produced by Famous Players–Lasky and distributed by Paramount Pictures. The film was directed by James Cruze and starred his wife, Betty Compson, along with Ricardo Cortez, Wallace Beery, and George Bancroft. Prints of this film survive, and it has been released on DVD.
The Man with Two Faces is an American drama film directed by Archie Mayo, and starring Edward G. Robinson and Mary Astor. The supporting cast features Ricardo Cortez, Louis Calhern, Mae Clarke, and David Landau. The story was adapted by Tom Reed and Niven Busch from the play The Dark Tower by George S. Kaufman and Alexander Woollcott.
Scarlet Pages is a 1930 pre-Code American crime drama film with songs starring Elsie Ferguson and directed by Ray Enright. It was produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Elsie Ferguson, John Halliday, Grant Withers and Marian Nixon. Scarlet Pages is based on a 1929 Broadway play of the same name that Ferguson also starred in. It is similar in theme to the better remembered Five Star Final, also by Warners released a year later. The film simultaneously marked the first time Ferguson appeared in a sound film and the last film she ever made.
Excess Baggage is a lost 1928 American synchronized sound comedy film directed by James Cruze and distributed by MGM. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on the 1927 play of the same name by John McGowan. The film starred William Haines, Josephine Dunn and Kathleen Clifford.
Volcano! is a 1926 American silent drama film directed by William K. Howard and starring Bebe Daniels, ricardo Cortez, and Wallace Beery. The picture was produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on a 1920 Broadway play Martinique by Laurence Eyre. It is preserved in the Library of Congress, UCLA Film and Television Archives, and The Museum of Modern Art.
Argentine Love is a 1924 American silent romantic drama film directed by Allan Dwan and based on a short story by Vicente Blasco Ibanez that stars Bebe Daniels.
The Bedroom Window is a 1924 American silent mystery film directed by William C. deMille and starring May McAvoy. It was produced by Famous Players–Lasky and distributed through Paramount Pictures.
The Woman on Trial is a 1927 American silent drama film directed by Mauritz Stiller, starring Pola Negri, and based on the play Confession by Erno Wajda. Adolph Zukor, Jesse L. Lasky, and B. P. Schulberg produced for Paramount Pictures. Ricardo Cortez was originally cast in Hanson's part until he was replaced.
The Cat's Pajamas is a 1926 American silent comedy film directed by William A. Wellman and written by Louis D. Lighton, Hope Loring, and Ernest Vajda. The film stars Betty Bronson, Ricardo Cortez, Arlette Marchal, Theodore Roberts, Gordon Griffith, and Tom Ricketts. The film was released on August 29, 1926, by Paramount Pictures.
The Lost Zeppelin is a 1929 sound adventure film directed by Edward Sloman and produced and distributed by Tiffany-Stahl. The film stars Conway Tearle, Virginia Valli and Ricardo Cortez.
The Grain of Dust is a 1928 silent drama film directed by George Archainbaud and starring Ricardo Cortez and Claire Windsor. It was produced by John M. Stahl and released through Tiffany Pictures.
New Orleans is a 1929 American sound part-talkie drama film directed by Reginald Barker and starring Ricardo Cortez, William Collier Jr., Alma Bennett. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. The film was produced and distributed by the independent Tiffany Pictures.
Midstream is a 1929 American sound part-talkie science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.