William Earl "Bootsy" Collins is an American musician and singer-songwriter.
Bryan Kei Mantia, better known by his stage name Brain, is an American contemporary rock drummer and composer. He has played with bands such as Primus, Guns N' Roses, Praxis, and Godflesh, and with other performers such as Tom Waits, Serj Tankian, Bill Laswell, Bootsy Collins, and Buckethead. He has also done session work for numerous artists and bands.
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in hundreds of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub and ambient styles. He has played or produced hardcore punk and heavy metal.
Praxis was the name of an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Bryan "Brain" Mantia in nearly every incarnation of the band.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Enter the Chicken is the fourteenth studio album by musician Buckethead. The album was released on October 25, 2005 by Serj Tankian's label Serjical Strike. It has eleven songs, two of which are less than twenty seconds long. It contains appearances from such artists as Saul Williams, Maximum Bob, Efrem Schulz and Serj Tankian.
The Deli Creeps were an avant-garde band consisting of singer Maximum Bob, guitarist Buckethead, drummer Pinchface and various bass players, most recently Daniel Monti. Though Buckethead is the only member who makes a consistent effort to hide his identity, little is known about the other members of the band.
Bucketheadland is the debut studio album by solo artist Buckethead. It was released on John Zornʼs Japanese record label, Avant, in 1992. It features several samples of the 1960s Japanese television series, Giant Robot, amongst guitar riffs and several fast, technical solos. The concept of the album is a tour around the construction of Bucketheadʼs fictional amusement park, “Bucketheadland”. Because of this, the album is divided into sections that relate to distinct areas of the park.
Giant Robot is the second studio album by avant-garde guitarist Buckethead and loosely following the same "amusement park" concept as his previous album (Bucketheadland). It has some re-recorded songs from Buckethead's band Deli Creeps, as well his earlier demo tape Bucketheadland Blueprints. Giant Robot has a more professional sound than it's predecessor in terms of recording and production value; the re-recorded tracks have lost their initial "basement" or "video game" sounding beats and guitar licks. As with Bucketheadland, the album was originally only released in Japan.
DJ Disk is a San Francisco Bay Area turntablist of Panamanian, Colombian, and Nicaraguan descent. Born Luis Quintanilla on October 7, 1970, in San Francisco, Disk began scratching and mixing vinyl at a young age. In 1992 he joined his long-time friend DJ Qbert among the Rock Steady Crew DJs, later changing the group's name to the Invisibl Skratch Piklz.
Monsters and Robots is Buckethead's fifth studio album, released April 20, 1999, by Higher Octave records. A large part of the album was co-written with Les Claypool, who also plays bass on several tracks and lends his vocals to the track "The Ballad of Buckethead".
Crime Slunk Scene is the eighteenth studio album by Buckethead, and his fourth tour-only album. It was originally only sold on his 2006 tour, but was later made available on Travis Dickerson's record label TDRS music, until it eventually went out of print.
Bermuda Triangle is the eighth studio album by Buckethead. The album is primarily an electronica-based collaboration with Extrakd, who also produced and mixed the album.
Bucketheadland 2 is the tenth studio album by guitarist Buckethead. Released in 2003, it is a sequel to his debut album, Bucketheadland, a concept album about his fictional "abusement" park. The album, in addition to featuring contributions from musicians Dan Monti, Bootsy Collins and Bryan Mantia, is one of Buckethead's most experimental works, containing abrupt tempo changes, spoken word segments, samples and distorted keyboard parts, as well as his usual guitar riffs and solos.
Acoustic Shards is Buckethead's second special release. It consists of acoustic recordings culled from tapes that were reportedly recorded on July 2, 1991, when Buckethead was 22 years of age. This album is considered more of a special release rather than his latest effort.
Transmutation is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables and mixer.
Sacrifist is the second album of the Bill Laswell led project Praxis, released in 1993 on Laswell's label Subharmonic.
The Homing Beacon is an acoustic song by Buckethead in tribute to Michael Jackson's death, who was an early influence on Buckethead. The song has no lyrics, just music, described as "slow, almost peaceful" and has been called a "poignant guitar tribute to Michael Jackson".
This is the discography of American singer Bootsy Collins.
