The Planet | ||||
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Studio album (mini-album)by | ||||
Released | January 27, 2015 | |||
Recorded | 2014 | |||
Genre | Synthpop | |||
Length | 24:04 | |||
Label | Driftless Recordings | |||
Producer | Joel Ford | |||
Young Ejecta chronology | ||||
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Singles from The Planet | ||||
The Planet is the first mini-album by American synthpop duo Young Ejecta (Leanne Macomber and Joel Ford). The second overall studio album by the group and the first to be released under Young Ejecta, which had been changed from simply Ejecta due to a conflict with another DJ named Ejeca, the six-track record contains influences of minimalist electronic music, euro disco and 1970s pop music. [4] On October 8, 2014, the band announced they had finished producing the album. [5] Three singles spawned from the record: "Welcome to Love", "Your Planet" and "Into Your Heart". “Welcome to Love” was used in the closing credits scene of season 7 episode 10 of Orange Is The New Black.
A mini-LP or mini-album is a short vinyl record album or LP, usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and a slightly longer running length. A mini-LP is not to be confused with the unique to Japan "mini LP sleeve" or "paper jacket" CD.
Young Ejecta is an American synthpop duo, consisting of Neon Indian's Leanne Macomber and producer Joel Ford of Ford & Lopatin. The band name was changed to Young Ejecta in 2014 due to the group getting a copyright notice from the closely named DJ Ejeca.
Minimal music is a form of art music that employs limited or minimal musical materials. In the Western art music tradition, the American composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass are credited with being among the first to develop compositional techniques that exploit a minimal approach. It originated in the New York Downtown scene of the 1960s and was initially viewed as a form of experimental music called the New York Hypnotic School. As an aesthetic, it is marked by a non-narrative, non-teleological, and non-representational conception of a work in progress, and represents a new approach to the activity of listening to music by focusing on the internal processes of the music, which lack goals or motion toward those goals. Prominent features of the technique include consonant harmony, hypnotic rhythmic pulses or steady drones, stasis or gradual transformation, and often reiteration of musical phrases or smaller units such as figures, motifs, and cells. It may include features such as additive process and phase shifting. Phase-shifting leads to what has been termed phase music. Minimal compositions that rely heavily on process techniques that follow strict rules are usually described as process music.
Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 77/100 [6] |
Review scores | |
Source | Rating |
The 405 | 7.5/10 [7] |
Allmusic | |
Earbuddy | 7.5/10 [9] |
Exclaim! | 8/10 [10] |
Paste | 7.2/10 [11] |
Pitchfork Media | 6.5/10 [12] |
Popmatters | |
Under the Radar |
Reviews of The Planet' were favorable. Andrew Darley of The 405 said that Young Ejecta achieved in proving they had an "ability in producing emotionally intelligent pop music with a knowing sense of enchanting melodies". [7] Exclaim! Scott Simpson scored the album an eight of ten, writing that it "works more than well enough as its own insular world, and is hopefully but a taste of more to come (Driftless)". [10] SLUG Magazine writer Allison Shephard called The Planet "good for those who aren’t ready for the full-on interstellar adventure and experienced explorers alike", [15] while Fast Forward Weekly critic Brock Thiessen described it as "hardly a big, bold addition to the world of electro-pop, but it is a pleasant one, further cementing Young Ejecta as a unique project worth both your time and attention." [16] However, in a more mixed review published in Popmatters, Colin Fitzgerald criticized The Planet for being "too morose and humorless to be really good pop music, and too upbeat and cheap to be taken very seriously." [13]
Exclaim! is a monthly Canadian music magazine that features in-depth coverage of new music across all genres with a special focus on Canadian and cutting-edge artists. Content is based on the monthly print publication, which publishes 9 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers. Their website, exclaim.ca, has an average of 675,000 unique visitors a month.
SLUG – an acronym for SaltLakeUnderGround, is a free monthly magazine based in Salt Lake City, Utah. SLUG Magazine features music, lifestyle, arts and events with interviews, reviews, and articles.
Fast Forward Weekly (FFWD) was a news and entertainment weekly which provides news, alternative viewpoints, entertainment information, review articles and specialized advertising. It was distributed throughout Calgary, Banff and Canmore. It is owned by Great West Newspapers, LP. With an assessed readership of 70,000 upon a distributed circulation of 30,000, the paper was one of the most widely circulated and well-respected alternative newspapers in Canada.
The Notwist are a German indie rock band. Formed in 1989, the band moved through several musical incarnations despite maintaining a relatively stable line-up. While their early records moved through heavy metal into dark indie rock, their recent efforts for which they have received the most attention have been strongly influenced by the electronica scene, along with the other groups on the record label Morr Music.
Matthew Arnold Thiessen is a Canadian-American musician, singer and songwriter known for being co-founder, lead singer, guitarist, pianist, and primary songwriter for the Christian rock band Relient K. With Relient K, he has released eight full-length albums, including three that were certified Gold, and three that peaked in the top twenty on the Billboard 200. Outside of his work with Relient K, Thiessen leads a side project called Matthew Thiessen and the Earthquakes, which released its debut album Wind Up Bird on August 31, 2018. In 2009, he co-produced and collaborated on Owl City's album Ocean Eyes.
Damien Jurado is an American singer-songwriter from Seattle, Washington, United States. Over the years, he has released albums on Sub Pop, Secretly Canadian and currently on Mama Bird Recording Co. and Loose.
Relient K is an American rock band formed in 1998 in Canton, Ohio, by Matt Thiessen, Matt Hoopes, and Brian Pittman during the band members' third year in high school and their time at Malone University. The band is named after guitarist Hoopes' automobile, a Plymouth Reliant K car, with the spelling intentionally altered to avoid trademark infringement over the Reliant name.
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The Glow Pt. 2 is the third studio album by American indie rock band The Microphones, released on September 25th, 2001 through K Records. It is considered by many to be The Microphones' definitive work. "The Glow" was the title of the fourth track on the band's previous album It Was Hot, We Stayed in the Water. A reissue of the album which included a bonus disc of material was released by K Records in 2008.
Chad VanGaalen is a Canadian musician and artist from Calgary, Alberta.
Sharin Foo is a Danish musician and singer playing in the rock group The Raveonettes.
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4Minute was a five-member South Korean girl group formed in 2009 by Cube Entertainment. The members of the group were Nam Ji-hyun, Heo Ga-yoon, Jeon Ji-yoon, Kim Hyun-a, and Kwon So-hyun. The group was known for its edgy dance-pop style and "girl crush" image that attracted a large female fan base.
TR/ST is a Canadian electronic music project of Robert Alfons. It was formed as a band in 2010 when Alfons met Maya Postepski of Austra. The project has spawned three albums so far: TRST (2012), Joyland (2014) and The Destroyer – Part 1 (2019). Alfons has also produced remixes for Feist, Moby, Zhala and Jonna Lee.
Dominae is the debut studio album of American electronic duo Ejecta, consisting of Neon Indian singer Leanne Macomber and producer Joel Ford of Ford & Lopatin. The record consists of ten retro 1980s-style synthpop songs dealing with love, death and early adulthood struggles. Taking seven years to write, it was recorded in New York and Texas, beginning in the summer of 2012 and lasting 14 months, and released on November 4, 2013 by Driftless Recordings, Happy Death and Copyright Control. All the tracks were written by Macomber and produced by Ford, who also did co-writing. Critical reviews were positive upon release, with the record going as so far to rank number six on Gorilla vs. Bear's "40 Best Albums of 2013".
"Afraid of the Dark" is a song released by American synthpop duo Young Ejecta, consisting of Leanne Macomber and Joel Ford, under the name Ejecta. Written by Macomber and produced by Ford, the song was released in September 2013 as the second single from the duo's debut studio album Dominae (2013). The four-minute track lyrically addresses "someone, broken by love, who is building up strength to protect themselves in future", as stated by Polari Magazine. It earned positive reviews from music critics upon release and was played on the show The Vampire Diaries. In 2014, the group performed the song at the fourth annual Gorilla vs. Bear festival.
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