The Proper Time | |
---|---|
Directed by | Tom Laughlin |
Written by | Tom Laughlin |
Produced by | Tom Laughlin |
Starring | Tom Laughlin Nira Monsour Norma Quine Richard Shannon Dennis O'Flaherty Kip King Ray Loza Connie Davis Al Randall Roger Rollie |
Cinematography | James Crabe |
Music by | Shelly Manne |
Distributed by | Lopert Films |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
The Proper Time is a 1961 film starring Tom Laughlin. [1] Shot for roughly $28,000 in 1958, it Laughlin's directorial and screenwriting debut. [2]
Laughlin stars as Mickey Henderson, a student at UCLA with a speech impediment that goes away when he is in contact with girls. He starts a friendship with Sue (Norma Quine), but is seduced by her roommate Doreen (Nira Monsour). He and Doreen soon get engaged, but when he finds she has been cheating on him, he breaks up with her. Sue convinces him to go to a clinic for help with his speech problem. [3]
The Proper Time | ||||
---|---|---|---|---|
Soundtrack album by Shelly Manne & His Men | ||||
Released | 1961 | |||
Recorded | December 7–14, 1959 & January 28, 1960 Contemporary Records Studio, Los Angeles, California | |||
Genre | Jazz | |||
Length | 46:31 | |||
Label | Contemporary M3587/S7587 | |||
Producer | Lester Koenig | |||
Shelly Manne chronology | ||||
|
The jazz score of The Proper Time was composed by Shelly Manne, recorded by his group Shelly Manne & His Men in late 1959 and early 1960, and released on the Contemporary label. [4]
Review scores | |
---|---|
Source | Rating |
Allmusic | [5] |
All compositions by Shelly Manne
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
At Shelly's Manne-Hole is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label. The trio featured Chuck Israels, who followed Scott LaFaro on bass in autumn 1961, and Larry Bunker on drums, who just joined the reformed trio, after Paul Motian had left. An additional eight performances recorded during the trio's May, 1963 engagement at Shelly's Manne-Hole were released on the album Time Remembered.
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
That's the Way It Is is a live album by American jazz vibraphonist Milt Jackson featuring performances recorded at Shelly's Manne Hole in 1969 for the Impulse! label.
Just the Way It Had to Be is a live album by American jazz vibraphonist Milt Jackson featuring performances recorded at Shelly's Manne-Hole in 1969 for the Impulse! label.
Four! is a 1958 album by Hampton Hawes, originally released on the Contemporary label and reissued in 1991 by Original Jazz Classics.
Live in 3⅔/4 Time is a live album by trumpeter Don Ellis recorded in 1966 at the Pacific Jazz Festival and Shelly's Manne-Hole in 1967 and released on the Pacific Jazz label. The title comes from the composition "Upstart", which is in 11
8 time with a 3+3+3+2 feel, cheekily referred to as 3+2⁄3
4 time.
Collaboration West is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 for the Prestige label. Four tracks from an earlier session were added to the 1993 CD release.
Pretty/Groovy is an album by jazz trumpeter Chet Baker recorded in 1953 and 1954 and released on the World Pacific label in 1958. The album compiles tracks previously released on the 1953 10-inch LP Chet Baker Quartet featuring Russ Freeman along with previously unissued recordings.
More Swinging Sounds is a jazz album by drummer Shelly Manne's group Shelly Manne & His Men, recorded in 1956 and released by the Contemporary label. Early releases of the album were labelled Vol 5, indicating it was the fifth volume of recordings released by the group.
The Gambit is an album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at sessions in 1957 and 1958 and released on the Contemporary label.
At the Black Hawk 3 is a live album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at the Black Hawk in San Francisco, California, in 1959 and released on the Contemporary label. The album was the third volume of four originally released in 1960. In 1991, the albums were re-released on CD with bonus tracks along with a fifth volume of unreleased recordings, and a Complete Live at the Black Hawk box set was released in 2010.
Some Like It Hot is an album by guitarist Barney Kessel performing adaptations music from Billy Wilder's 1959 film Some Like It Hot, recorded in 1959 and released on the Contemporary label.
Jazz Giant is an album by saxophonist Benny Carter that was recorded in 1957 and 1958 and released by Contemporary Records.
Sounds! is an album by drummer Shelly Manne and guitarist Jack Marshall released in early 1966 on the Capitol label. The album follows Sounds Unheard Of!, the duo's 1962 stereo test and demonstration record released on Contemporary.
The Swinging Mr. Rogers is an album by American jazz trumpeter, composer and arranger Shorty Rogers, released on the Atlantic label in 1955.
Way Up There is an album by American jazz trumpeter, composer and arranger Shorty Rogers, released on the Atlantic label in 1957.
The Festival Album is a live album by The Jazz Crusaders recorded in 1966 at Newport Jazz Festival in Rhode Island and Pacific Jazz Festival in California. It was released on the Pacific Jazz label that same year.
Get Ready, Set, Jump!!! is an album by jazz pianist Junior Mance, recorded in 1964 and released on the Capitol label.