The Punks | |
---|---|
Background information | |
Origin | Waterford, Michigan, United States |
Genres | |
Years active | 1973 | -1977
Labels | |
Past members |
|
The Punks were an American proto-punk band from Waterford, Michigan near Detroit, who were active from 1973-1977. They specialized in a hard-driving, sometimes thrashing sound that anticipated much mid-to-late 1970s punk rock and 1980s hardcore. The group came out of the last vestiges of the Detroit rock scene that produced bands such as MC5, Iggy and the Stooges, and Death, and with these acts they formed a musical bridge between the garage rock bands of the 1960s and the later punk movement that emerged in New York and London during the mid-1970s. In 1977 they changed their name to the End and moved to New York with hopes of making their mark in the burgeoning punk rock scene there, but were unsuccessful, and broke up shortly thereafter. Though relatively unknown outside of Detroit and New York in their day, they have more recently garnered the interest and accolades of underground rock enthusiasts who consider them to be pioneers in the early development of punk rock. Parts of their song "My Time's Comin'" were used in the soundtrack of two March 2016 episodes of the television series, Vinyl , co-created by the Rolling Stones’ Mick Jagger and director Martin Scorsese.
The Punks formed in Waterford, Michigan, outside of Detroit in 1973. [1] [2] [3] The band was fronted by the highly charismatic lead singer William "Frantic" Kuchon, who has sometimes been compared to Iggy Pop. [1] [2] [3] [4] The group came at the tail end of the Detroit rock scene that produced acts such as MC5 and Iggy and the Stooges, Alice Cooper and these groups were the Punks' primary influences, along with some of the earlier Detroit garage bands of the mid-1960s such as the Underdogs and the Unrelated Segments, as well as acts from elsewhere such as the Velvet Underground and Blue Cheer. [1] [2] [5] The rest of their lineup consisted of Alan Webber and Steve Rockey on guitars, Rod McMahon on bass, and Craig Webber (Alan's younger brother) on drums. [1] The band was known for its volume and energy and exciting live show. [1]
The group made use of occasional costumes and theatrics customary of the glam rock trends of the time. [1] They played gigs when available in the Detroit metro area, and were even touted by influential writer Lester Bangs in a piece for Creem magazine and in another piece that appeared in Creem in September 1976 Air-Wreck Genheimer said of the group: "The Punks played in such a gut grabbing manner that your ear bones feel like they're getting socked in the jaw and cunnilinguisized at the same time". [1] [3] According to Richard Blondy, their former manager and booking agent, "Their music was so intense and so strong, and their stage show was so exciting. It’s just like the guy said about (the Naughty Bits) on ‘Vinyl’--they smack you in the face and they get your attention". [1] In 1974, the group recorded a series of demos in the basement of Alan and Craig Webber's family house in Waterford Township. [1] [2] [3] Several of the tracks they recorded such as "My Time's Comin'", "Q1", and "Drop Dead" display a thrashing intensity indicative of future punk acts. [2] [6]
By 1974 the once thriving Detroit rock scene had dissipated and most of its venues either folded or switched their focus to other musical styles. [1] [5] According to Alan Webber, "We were left going, 'OK, there’s nothing more for us here. Let’s make our own noise." [1] Sensing the futility of trying to remain in Detroit, in early 1977, the band changed its name to the End, and re-located to New York in hopes of making it in the thriving punk rock scene there, but the band was unable to gain a sizable following or land a record deal and ended up out of money and disillusioned. [1] [2] They returned to Detroit and essentially became dormant, ceasing to play, except for occasional private get-togethers—in the words of Alan Webber "just to entertain ourselves...we never had an official, ‘Well, we’re done.’" [1] [2]
The former members of the group moved on to other endeavors. Vocalist William Kuchon, spent time working in the film industry in California. Guitarist Alan Webber is retired and living in Pontiac. [1] Bassist Rod McMahon is a heating and cooling contractor in Auburn Hills, and guitarist Steve Rockey is retired and living in Grand Blanc, Michigan. [1] Webber’s younger brother Craig, the Punks’ original drummer, died in 2011, though another younger brother, Paul, also plays drums. [1] At the turn of the millennium, a Detroit web site, MotorCityJams.com, chronicled the group's career and helped organize the 2003 release of a limited edition CD culled from some of the band's assorted demos and recordings entitled The Most Powerful Music on Earth. [1] [5] It was subsequently distributed by Italy's Rave Up Records on LP in 2005. [1] [7] Many of the tracks have made their way onto YouTube and other internet sites. [1]
The last time The Punks played together privately was in 2011 before drummer Craig Webber died. [1] They reunited again in 2015 (with Craig's brother Paul Playing drums), at the Motor City Music Awards, where they were introduced by Violent J of The Insane Clown Posse as "Detroit Legends". Toronto filmmaker Bennett Phillips, in association with Chains of Madness Motion Pictures, has begun work on a documentary about the band to be titled My Time’s Coming: The Story of The Punks. [1] [8] Their song "My Time's Comin'" was used in the soundtrack for the March 13th and 20th (2016) episodes of the television series, Vinyl , co-created by the Rolling Stones’ Mick Jagger and director Martin Scorsese, in which the Nasty Bits, a fictitious band headed by a lead singer and front man played by Mick Jagger's son James Jagger, attempt to record parts of the song." [1] [6] The show's creators indicate that other songs by the punks may be used in future episodes." [1] Alan Webber indicates that interest in the band could justify release of some of the other unreleased songs in their archive: "there were other recordings we did--I’ve got tons of material we did over the years...And the rest has been history--and possibly a future". [1]
Leslie Conway "Lester" Bangs was an American music journalist. He wrote for Creem and Rolling Stone magazines, and was a leading influence in rock music criticism. The music critic Jim DeRogatis called him "America's greatest rock critic".
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the perceived excesses of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often shouted political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.
The Stooges, originally billed as the Psychedelic Stooges, also known as Iggy and the Stooges, were an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop.
Suicide was an American musical duo composed of vocalist Alan Vega and instrumentalist Martin Rev, intermittently active between 1970 and 2016. The group's pioneering music used minimalist electronic instrumentation, including synthesizers and primitive drum machines, and their early performances were confrontational and often ended in violence. They were among the first acts to use the phrase "punk music" in an advertisement for a concert in 1970—during their very brief stint as a three-piece including Paul Liebegott.
The music of Michigan is composed of many different genres. The city of Detroit has been one of the most musically influential and innovative cities for the past 50 years, whether in Michigan or anywhere else in the United States. Impressively, for 48 straight years (1959–2007) a greater Michigan-area artist has produced a chart-topping recording. Michigan is perhaps best known for three developments: early punk rock, Motown, and techno.
Proto-punk is rock music played mostly by garage bands from the 1960s to mid-1970s that foreshadowed the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes.
Creem is an American rock music magazine and entertainment company, founded in Detroit, whose initial print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, Creem was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition.
Russel James Gibb was an American rock concert promoter, school teacher and disc jockey from Dearborn, Michigan, best known for his role in the "Paul is dead" phenomenon, a story he broke on radio station WKNR-FM in Dearborn, and as the owner of the Grande Ballroom, a major rock music venue in Detroit.
The Eyes of Alice Cooper, released in 2003, is the sixteenth solo album by American rock musician Alice Cooper. With this album, Cooper returned to his earlier hard rock sound, in the vein of The Last Temptation, and left the heavy industrial metal sound found in his last two studio albums. Of note is the album cover, which was released in four different versions, featuring alternate colours in Cooper's eyes and the crescent around the 'A' in the title. It was available in blue, green, purple and red.
Benjamin Jesse Blackwell is an American musician, writer, and record company executive. He is the creator and director of Cass Records, one of two drummers in the Detroit-based rock band The Dirtbombs, a co-founder and minority owner at Third Man Records, and the official archivist of The White Stripes.
Deniz Tek is a Turkish-American singer, guitarist and songwriter and a founding member of Australian rock group Radio Birdman. He has played in many of the underground rock bands of the 1970s, including Australian bands The Visitors and New Race, but is most known for exerting his burning Detroit-style guitar influence over the punk rock genre in Australia.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
Avant-punk is a punk music style characterized by "screeching experimentation", and a term by which critics used to describe the wave of American punk bands from the 1970s. It originated with the New York–based rock band the Velvet Underground, while antecedents included early Kinks and garage band one-shots collected on the Nuggets series of compilation albums. According to critic Robert Christgau, between 1966 and 1975, the only notable acts who could be categorized as "avant-punk" were the Velvets, The Fugs, MC5, Iggy Pop and the Stooges, the Modern Lovers, and the New York Dolls.
Gary Grimshaw was an American graphic artist active in Detroit and San Francisco who specialized in designing rock concert posters. He was also a radical political activist with the White Panther Party and related organizations.
Danny Fields is an American music manager, publicist, journalist and author. As a music industry executive from the 1960s to the 1980s, he was one of the most influential figures in the history of punk rock. He signed and managed Iggy and the Stooges, signed the MC5 and managed the Ramones, and worked in various roles with Jim Morrison, the Velvet Underground and the Modern Lovers. In 2014 The New York Times said, "You could make a convincing case that without Danny Fields, punk rock would not have happened."
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock.
Punk rock and hardcore punk in Brazil originated in the late 1970s, influenced by bands such as Sex Pistols, The Clash, Stiff Little Fingers and The Ramones. The first known Brazilian punk rock band was Restos de Nada, which appeared in mid-1978 and set the stage for the emergence of many other bands that formed the Brazilian punk scene.
Dennis Thompson is an American drummer, most famous for being a member of the 1960s–70s Detroit proto-punk/hard rock group MC5, which had a No. 82 US single with "Kick Out the Jams" and a No. 30 US album with the same name.
Detroit Rock City: The Uncensored History of Rock 'n' Roll in America's Loudest City is a book by Steve Miller, a Michigan-based journalist. It chronicles Detroit bands from 1967 to the 2000s. The book's narrative is told through verbatim quotes. It was released on June 25, 2013, by Da Capo Press.
Detroit Stories is the twenty-first solo and twenty-eighth overall studio album by American rock musician Alice Cooper. The album was released on February 26, 2021, by Earmusic. It crowned Billboard's Top Album Sales chart debuting at No. 1 and was the first chart-topper for Cooper in the 29-year history of the Top Album Sales chart. The album was produced by Bob Ezrin, who also added various instruments. As a solo album, it incorporates a variety of artists contributing on a number of instruments.