| The Real Sock Ray Blue! | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | March 23, 1999 | |||
| Genre | Rock and roll, rockabilly, roots rock | |||
| Label | Shanachie | |||
| Mojo Nixon chronology | ||||
| ||||
The Real Sock Ray Blue! is an album by the American musician Mojo Nixon, released on March 23, 1999. [1] [2] Nixon was signed by Shanachie Records, which hoped that he would attract rock listeners to the label. [3] He supported the album with a North American tour. [4]
The album was facetiously subtitled "Texas Prison Field Recordings, Vol. 3"; Nixon considered himself to be a folk musician working in a rock style. [5] [6] He was backed by his band, the Toadliquors. [7] "The Ballad of Country Dick", which borrowed from the folk song "Jesse James", is a tribute to the late musician Country Dick Montana; Nixon had to remove a line that mentioned Mike Curb. [8] [3] "Drunk-Divorced Floozie (The Ballad of Diana Spencer)" ridicules the global grief over the death of Diana Spencer. [9] Nixon's critique of the "Rock n' Roll Hall of Lame" includes an imitation of Bruce Springsteen. [10] "Orenthal James (Was a Mighty Bad Man)" touches on the musical structure of the standard "John Hardy". [11]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Austin Chronicle | |
| Slug | 3/5 [14] |
| Stereo Review | |
The Des Moines Register praised "Nixon's vulgar anarchist salvos that capture a true slice of rock 'n' roll by eschewing musical polish." [9] Newsday concluded that "Nixon's strengths are a likable drinking-buddy personality and funny one-liners about masturbation and vomiting... But his limitations persist. He and his venerable Toadliquors can't do much beyond by-the-numbers rockabilly". [10] The Washington Post noted, "The gruff-voiced singer-scold-writer still pens amusing roots-rock rants against modernity and commercialism, but if you've heard three or four such songs, you've heard them all." [16]
The Oregonian called Nixon "one half Howlin' Wolf and one half Henny Youngman". [17] Stereo Review opined that "You Can't Buy Cool" "deflates Madison Avenue as well as anyone has this year." [15] The Chicago Tribune said that "kitschy, redneck mean-spiritedness aside ... Mojo Nixon displays a true love for roots rock." [18] The Austin Chronicle noted, "Although Mojo Nixon often gets written off as a novelty act, this pigeonhole doesn't do justice to his extra-fiery brand of populist vitriol... Citizen Mojo's righteous indignation toward popular culture has only sharpened with time". [13]
| No. | Title | Length |
|---|---|---|
| 1. | "I Don't Want No Cybersex" | |
| 2. | "The Ballad of Country Dick" | |
| 3. | "Drunk-Divorced Floozie (The Ballad of Diana Spencer)" | |
| 4. | "U.P.S. My Heart to You" | |
| 5. | "Machines Ain't Music / I Got My Mojo Working" | |
| 6. | "Disney Is the Enemy" | |
| 7. | "Rock n' Roll Hall of Lame" | |
| 8. | "I Gotta Crazy Wife" | |
| 9. | "You Can't Buy Cool" | |
| 10. | "Tankman Blues" | |
| 11. | "Orenthal James (Was a Mighty Bad Man)" | |
| 12. | "Redneck Rampage" | |
| 13. | "When Did I Become My Dad" |