Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Gerry’s Pacemakers, known until 2018 as Gerry and the Pacemakers, were a British beat group prominent in the 1960s Merseybeat scene. In common with the Beatles, they came from Liverpool, were managed by Brian Epstein, and were recorded by George Martin. Their early successes alongside the Beatles were instrumental in popularizing the Merseybeat sound and launching the wider British beat boom of the mid-1960s.
The Merseybeats are an English beat band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists.
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop.
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Thomas Harvey "Sean" Bonniwell was an American singer-songwriter/guitarist, who was known as the creative force behind the 1960s garage rock band, The Music Machine.
"All I've Got to Do" is a song written by John Lennon and performed by the English rock band the Beatles on their second British album, With the Beatles (1963). In the United States, "All I've Got to Do" originally appeared on Meet the Beatles! (1964). According to Dennis Alstrand, the song is the first time in rock and roll or rock music in which the bass player plays chords as a vital part of the song.
"Misery" is a song by the English rock band the Beatles from their 1963 debut album Please Please Me. It was co-written by John Lennon and Paul McCartney. According to Lennon, "It was kind of a John song more than a Paul song, but it was written together." McCartney was to say: "I don't think either one of us dominated on that one, it was just a hacking job."
Close is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who had been the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records. It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, Close was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.
The Bonniwell Music Machine is the second and final album by the American garage rock band, The Music Machine, recorded under the renamed moniker, The Bonniwell Music Machine, and released on Warner Bros. Records, on February 10, 1968. As with their debut LP, the album again saw the band blending garage and psychedelic rock influences, albeit with a greater emphasis on psychedelia than on their previous album release. Prior to completing its recording, all of the group's original members, except for its creative force, Sean Bonniwell, departed, though they would still appear on some of the album's tracks.
Mindrocker is an extensive series of compilation albums that was produced by the German record label Line Records in the 1980s. The complete series compacted nearly 200 songs of rare, and obscure material primarily from American garage and psychedelic rock musical artists that were originally recorded in the 1960s, and previously made available to only a handful of collectors. It was organized by record producer Hans-Hermann Pohle, named after a single by California band, Fenwyck, and initially distributed in Germany. The first volume was released in 1981 and by 1986 the thirteenth and final installment of the series was issued.
The Remains is the debut album by the American garage rock band the Remains, and was released on Epic Records in September 1966. Though the album was largely overlooked at the time of its original release, The Remains has since received recognition as one of the more cohesive efforts of the era.
The Guilloteens were an American garage rock band formed in Memphis, Tennessee in 1964. Much of the band's musical stance was distinguished for incorporating their homegrown Memphis influences with a hard-edged sound. Among the group's singles, the Guilloteens are most-known for their regional hit "I Don't Believe" and "Hey You". Although national success eluded the group, they are now considered one of the more accomplished garage rock acts to emerge from the era.
"It's Cold Outside" is a song by the American garage rock band the Choir, written by the Choir's drummer, Dan Klawon, and first released on Canadian-American Records in September 1966. It is considered a classic of the musical genre of garage rock, and became the group's only national hit. The song has since been featured on several compilation albums.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1992. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
The Beach Nuts were an American garage rock band formed in Point Pleasant Beach, New Jersey, in 1963. Performing as a popular cover band in the region, the Beach Nuts recorded one single in 1966. Its A-side, "My Iconoclastic Life", has since become considered a classic composition among 1960s garage acts. Music collectors sought more information on the band, initially mistaking them for a studio group of the same name, which was led by Lou Reed of Velvet Underground fame. However, over time the Beach Nuts' true history has been discovered and the band still sporadically arranges reunion performances.
The Rising Tydes were an American garage rock band formed in Philadelphia, Pennsylvania, in 1965. Hyped to be a breakout national success, the Rising Tydes appeared in numerous television programs and performed extensively throughout the city. Although such widespread success eluded the group, they are still remembered for their rebellious live appearances and a single, "Artificial Peace", which was released in 1967. Both songs on the record have since been re-released on a compilation album.
The E-Types were an American garage rock band formed in Salinas, California, in 1965. The group's sound combined striking three-part vocal harmonies and Jody Wence's jangling keyboards, with professional production techniques that were outside of the garage band norm. During the E-Types' recording career, the band released five singles, including their most notable record "Put the Clock Back on the Wall". Although the band was short-lived, the E-Types had a profound presence in San Francisco's live scene and, years after their disbandment, the group recorded a reunion album.
Anthony "Tony" Crane MBE is a British musician, who is best known as the co-founder of The Merseybeats. Tony has toured with the Merseybeats since its inception in 1961.
