Piero della Francesca was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
The Legend of the True Cross or The History of the True Cross is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo. It is his largest work, and generally considered one of his finest, and an early Renaissance masterpiece.
Sansepolcro, formerly Borgo Santo Sepolcro, is a town and comune founded in the 11th century, located in the Italian Province of Arezzo in the eastern part of the region of Tuscany.
Monterchi is a Comune (Municipality) in the Province of Arezzo in the Italian region of Tuscany, located about 80 kilometres (50 mi) southeast of Florence and about 20 kilometres (12 mi) east of Arezzo. It sits in the northern part of Valtiberina, the valley where the Tiber river runs going from Emilia-Romagna towards Rome. The valley runs through Romagna, Tuscany and Umbria, parallel to the Casentino Valley.
The decade of the 1460s in art involved some significant events.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.
The image of La Madonna del Parto is a religious depiction of the Blessed Virgin Mary as pregnant which was popularised in Tuscany, Italy during the 14th—century.
The Madonna di Senigallia is a painting by the Italian Renaissance master Piero della Francesca, finished around 1474. It is housed in the Galleria Nazionale delle Marche, in the Ducal Palace of Urbino.
The Baptism of Christ is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London.
The Polyptych of Perugia is a complex of paintings by the Italian Renaissance master Piero della Francesca, finished around 1470. It is housed in the Galleria Nazionale dell'Umbria, Perugia, Italy.
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. Catholic tradition places the Flagellation at the beginning of Via Dolorosa in Jerusalem, and the modern alternate Stations of the Cross locate it at the fourth station; it represents a Sorrowful Mystery of the Rosary. The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome is one of the churches claiming to possess the original column or parts of it.
The Brera Madonna is a painting by the Italian Renaissance master Piero della Francesca, executed in 1472–1474. It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon.
Arezzo Cathedral is a Roman Catholic cathedral in the city of Arezzo in Tuscany, Italy. It is located on the site of a pre-existing Palaeo-Christian church and, perhaps, of the ancient city's acropolis.
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
The Flagellation of Christ is a painting by Piero della Francesca in the Galleria Nazionale delle Marche in Urbino, Italy. Called by one writer an "enigmatic little painting," the composition is complex and unusual, and its iconography has been the subject of widely differing theories. Kenneth Clark called The Flagellation "the greatest small painting in the world".
The Cathedral of Sansepolcro is a Catholic church in Sansepolcro, Tuscany, central Italy.
The Museo Civico di Sansepolcro or Museo Comunale is the town or comune art gallery. It is housed in a series of linked palaces, including the medieval former Palazzo della Residenza, the Palazzo dei Conservatori del Popolo and the Palazzo del Capitano o Pretorio, located on Via Niccolò Aggiunti #65, near the center of Sansepolcro, formerly Borgo Santo Sepolcro, in the Province of Arezzo, region of Tuscany, Italy. The museum was founded in 1975.
Giovanni di Piamonte was a 15th-century Italian painter. The date and place of his birth are not known, but his name indicates that he was born in Piamonte near the present-day town of Pontassieve in Tuscany. He trained in the circle of Piero della Francesca and was one of his assistants.
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus, and is one of the latest surviving paintings made by the artist before his death in 1492. Held by the National Gallery in London, it measures 124.4 cm × 122.6 cm. It is a popular image on Christmas cards.
Saint Julian the Hospitaller is a fresco fragment of 1454–1458 by Piero della Francesca, originally in the former church of Sant'Agostino in Sansepolcro, Tuscany, and now in that city's Museo Civico alongside other works by the artist such as the Resurrection and Saint Louis of Toulouse.
