Marianne Hoppe was a German theatre and film actress.
Mathias Wieman was a German stage-performer, silent-and-sound motion picture actor.
Thirteen Old Donkeys is a 1958 West German comedy film directed by Hans Deppe and starring Hans Albers, Marianne Hoppe and Karin Dor. It was one of the final performances of the veteran star Albers. It was made at the Wandsbek Studios by the Hamburg-based Real Film. The film's sets were designed by the art directors Mathias Matthies and Ellen Schmidt.
The term state actor has had different meanings in recent German history. In Nazi Germany, it was the highest title that could be awarded to a stage actor. Since 1945, the meaning has changed. In Baden-Württemberg, it is no longer simply a title of honor, but an official position.
The Rider on the White Horse is a novella by German writer Theodor Storm. It is his last complete work, first published in 1888, the year of his death. The novella is Storm's best remembered and most widely read work, and considered by many to be his masterpiece.
The Eternal Mask is a 1935 Austrian-Swiss drama film directed by Werner Hochbaum and starring Peter Petersen, Mathias Wieman and Franz Schafheitlin. The film was amongst the best ten foreign films of the year judged by the 1937 American National Board of Review of Motion Pictures. It also ran in competition at the 3rd Venice International Film Festival.
Cadets is a 1939 German historical war film directed by Karl Ritter and starring Mathias Wieman, Carsta Löck, and Andrews Engelmann. The film is set in 1760, against the backdrop of the Austro-Russian Raid on Berlin during the Seven Years' War. It depicts a group of Prussian cadets holding off superior Russian forces.
Man Without a Name is a 1932 German drama film directed by Gustav Ucicky and starring Werner Krauss, Helene Thimig and Mathias Wieman. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was produced and distributed by UFA and premiered on 1 July 1932. It is inspired by the 1832 novel Colonel Chabert by Honoré de Balzac, updated to the modern era with the setting shifted from Restoration France to Weimar Germany. A separate French-language version Un homme sans nom was also produced.
Under the Lantern is a 1928 German silent film directed by Gerhard Lamprecht and starring Lissy Arna, Gerhard Dammann and Mathias Wieman. The film's art direction was by Otto Moldenhauer.
Diary of a Coquette is a 1929 German silent drama film directed by Constantin J. David and starring Fee Malten, Ernst Stahl-Nachbaur and Alfred Döderlein.
Suburban Cabaret is a 1935 Austrian musical drama film directed by Werner Hochbaum and starring Mathias Wieman, Luise Ullrich and Oskar Sima. It was shot at the Sievering Studios in Vienna. The film's sets were designed by the art director Alfred Kunz. It is based on the play Der Gemeine by Felix Salten.
Sergeant Schwenke is a 1935 German crime drama film directed by Carl Froelich and starring Gustav Fröhlich, Marianne Hoppe and Karl Dannemann. It was made at the former National Studios in Berlin's Tempelhof area which were now controlled by Froelich. The film's sets were designed by the art directors Franz Schroedter and Walter Haag. It is based on a novel of the same title by Hans Joachim Freiherr von Reizenstein. It was remade in 1955 as Sergeant Borck..
The War of the Oxen is a 1943 German historical film directed by Hans Deppe and starring Elfriede Datzig, Paul Richter and Wastl Lichtmanegger. It is an adaptation of Ludwig Ganghofer's 1914 novel of the same title.
The Empress and I is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'impératrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.
When the Alpine Roses Bloom is a 1955 West German drama film directed by Richard Häussler and Hans Deppe and starring Hertha Feiler, Claus Holm, and Marianne Hold. Along with As Long as the Roses Bloom, it was one of two follow-ups directed by Deppe to his hit 1953 heimatfilm When the White Lilacs Bloom Again.
How Do We Tell Our Children? is a 1944 German comedy film directed by Hans Deppe and starring Leny Marenbach, Mathias Wieman and Hilde Körber. The film was made by the major German studio UFA which was not released until 21 December 1949 in Berlin and 13 March 1951 in Austria.
Holiday From Myself is a 1934 German comedy film directed by Hans Deppe and starring Hermann Speelmans, Carola Höhn, and Georg H. Schnell.
Dreaming is a 1944 German historical musical drama film directed by Harald Braun and starring Hilde Krahl, Mathias Wieman and Friedrich Kayssler. It portrays the lives of the pianist Clara Schumann and her composer husband Robert Schumann.
When the Cock Crows is a 1936 German comedy film directed by Carl Froelich and starring Heinrich George, Hans Brausewetter and Marianne Hoppe. It was shot at the National Studios in Berlin. The film's sets were designed by the art directors Walter Haag and Franz Schroedter. It is based on a folk play of the same title by August Hinrichs.
The Lost Valley is a 1934 German-Swiss drama film directed by Edmund Heuberger and starring Mathias Wieman, Marieluise Claudius and Harry Hardt. It is based on the 1931 novel of the same title by Gustav Renker. The film's sets were designed by the art director Hans Jacoby. Location shooting took place around Poschiavo in Switzerland.
