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The Rugbys are a rock band from Louisville, Kentucky, best known for their U.S. Top 40 hit "You, I". [1]
| | This article needs additional citations for verification .(January 2017) |
The Rugbys are a rock band from Louisville, Kentucky, best known for their U.S. Top 40 hit "You, I". [1]
The band was formed in 1965 in Louisville, doing mostly covers. But as competition among Louisville groups to write and record original music increased, the Rugbys recorded and released two singles in 1968, "Walking the Streets Tonight", [2] written by Doug Sahm of the Sir Douglas Quintet, [3] later included on the compilation album Highs in the Mid-Sixties, Volume 8 , and "Stay with Me", written by Steve McNicol. [4] Both songs were released locally and played on Louisville radio stations WAKY and WKLO.
The band found success later in 1968, when they decided to release the B-side of "Stay with Me", a song called "You, I", also written by McNicol. "You, I" climbed to #1 on both local radio stations. They were then signed to Shelby Singleton's Nashville, Tennessee, record label, Amazon Records, which re-released the single "You, I" in 1969, and the song became a national hit, climbing to #24 on the Billboard Hot 100, [5] #22 on the Cash Box magazine charts [6] and #18 on the Record World charts. [6] "You, I" was also released worldwide on labels from Spain (Exit Records), Italy (Akarma Records), England (Polydor Records) and Thailand (Thai Records). Akarma also released the album "Hot Cargo" on CD in a limited edition, which is very rare and hard to find on the Internet. [7] The song " You, I " was also covered by a couple of other international groups (The Pepper Smelter Group, from Peru, and the Climax, from Belgium).
The latter part of 1969 and all of 1970 were spent touring the midwest and northeast, playing on the same bill with artists like Bob Seger, Grand Funk Railroad, the James Gang, and many others. Later in 1969, the band released their only album, Hot Cargo, which received only mild success due to a complete lack of national promotion and a failure by Shelby Singleton in 1969–70 to recognize the upsurge of FM radio. "Wendegahl the Warlock" was the follow-up single to "You, I", but was not as successful, charting at #122 on the Cash Box charts [6] and #84 on Record World. [6] Hot Cargo would later be released on CD along with an album by a group named Lazarus on the same disc, called The Rugbys meet Lazarus. More recently, in 2007, Gear Fab Records released an anthology album with McNicol and the Rugby's previously unreleased original material called The Lost Sessions. [8]
NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass). Originally the "New Rhythm and Blues Quintet", the group was formed circa 1965. Adams disbanded it for a time, and the group re-formed in 1967. The quartet is known for its live performances, containing a high degree of spontaneity and levity, and blending rock, pop, jazz, blues and Tin Pan Alley styles. Its membership comprises the quartet of pianist Adams, bassist Casey McDonough, guitarist Scott Ligon, and drummer John Perrin. Some of the members in the band's long history are singer, writer and bassist Joey Spampinato, guitarists Al Anderson and Johnny Spampinato; drummers Tom Staley and Tom Ardolino; and vocalist Frank Gadler.
"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. It held that position on the Hot 100 for four weeks, from February 9 to March 8, 1969, and is remembered as one of the most popular songs of the 1960s. Billboard ranked it as the No. 5 song of 1969.
"MacArthur Park" is a song written by American singer-songwriter Jimmy Webb that was recorded first by Irish actor and singer Richard Harris in 1968. Harris's version peaked at number two on the Billboard Hot 100 chart and number four on the UK Singles Chart. "MacArthur Park" was subsequently covered by numerous artists, including a 1970 Grammy-winning version by country music singer Waylon Jennings and a number one Billboard Hot 100 disco arrangement by Donna Summer in 1978. Webb won the 1969 Grammy Award for Best Arrangement Accompanying Vocalist(s) for the Richard Harris version.
"The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album Music from Big Pink. It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as No. 41 on Rolling Stone's 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the 1960s, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song on Ramble at the Ryman (2011), Austin City Limits (2012), and Quick Hits (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring popularity as "an essential part of the American songbook."
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone. The single was released just prior to the band's high-profile performance at Woodstock, which greatly expanded their fanbase. The song peaked at number 2 on the U.S. Billboard Hot 100 pop singles chart, kept out of the number 1 spot by "I Can't Get Next to You" by The Temptations. "Hot Fun in the Summertime" also peaked at number 3 on the U.S. Billboard soul singles chart in autumn 1969. It is ranked as the seventh biggest U.S. hit of 1969, and the 65th in Canada.
"Marrakesh Express" is a song written by Graham Nash and performed by the band Crosby, Stills and Nash (CSN). It was first released in May 1969 on the self-titled album, Crosby, Stills and Nash, and released on a 45-RPM single in July of the same year, with another CSN song, "Helplessly Hoping", as its backing side. The single reached No. 28 on the Billboard Hot 100 on August 23, 1969. It reached the same position on the Easy Listening chart. The song was best received in the UK and Canada, reaching No. 17 in both nations.
"Baby It's You" is a song written by Burt Bacharach (music), Luther Dixon, and Mack David (lyrics). It was recorded by the Shirelles and the Beatles and was a hit for both. The highest-charting version of "Baby It's You" was by the band Smith, who took the track to number 5 on the US charts in 1969.
"Since I Don't Have You" is a song written and composed by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin, and Wally Lester. It was first a 1958 hit single for the doo-wop group the Skyliners on the Billboard Hot 100. Country music singer Ronnie Milsap had a hit with the song in 1991. American hard rock band Guns N' Roses also had some success in 1994 with their version of the song which reached the top 10 on the UK Singles Chart.
"Cotton Fields (The Cotton Song)" (also known as In Them Old Cotton Fields Back Home) is a song written by American blues musician Huddie Ledbetter, better known as Lead Belly, who made the first recording of the song in 1940.
"I Can Hear Music" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector for American girl group the Ronettes in 1966. This version spent one week on the Billboard Pop chart at number 100. In early 1969, the Beach Boys released a cover version as a single from their album 20/20 (1969), peaking at number 24 in the US.
"Come Go With Me" is a song written by C. E. Quick, an original member of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings in 1956 but not released until July 1957 on the Luniverse LP "Come Go With The Del Vikings". The final version of the song was released in the second week of January 1957 and was led by Gus Backus. When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US Billboard Top 100 Pop Charts. It also reached #2 on the R&B chart.
"I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States. Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James; with three of these four reaching the Top 10.
Margaret Louise Ebey, known professionally as Margie Singleton, is an American country music singer and songwriter. In the 1960s, she was a popular duet and solo recording artist, working with country stars George Jones and Faron Young. Singleton had her biggest hit with Young called "Keeping Up with the Joneses" in 1964. She managed a successful solo career in the 1960s.
"Going in Circles" is a song written by Jerry Peters and Anita Poree, and originally performed by The Friends of Distinction on their 1969 album Grazin', reaching number 15 on the U.S. Hot 100, and number three on the R&B chart. The song has since been covered numerous times by other artists, including Isaac Hayes and Luther Vandross. In addition, the song's co-composer, Jerry Peters released his own version of the tune on his 1972 solo album Blueprint for Discovery. The Friends of Distinction's original version is an R.I.A.A. Certified Million-Seller.
"Color Him Father" is a song written by Richard Lewis Spencer and recorded by American rhythm and blues group the Winstons. It was released in 1969 as their debut single for Metromedia and was a No.7 hit on the Billboard Hot 100 that year, representing the Winstons' highest entry there. A cover by American singer Linda Martell on Plantation Records also charted in the same year, reaching No. 22 on the Hot Country Songs chart.
"Spinning Wheel" is a song from 1968 by the band Blood, Sweat & Tears, written by Canadian lead vocalist David Clayton-Thomas and appearing on their eponymous album.
Born Free is the twentieth studio album by American pop singer Andy Williams and was released on April 10, 1967, by Columbia Records and includes half a dozen songs associated with movies or musicals. Two of these tracks, however, originated in the scores of the films indicated on the album jacket but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed, and "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago.
Johnny Mathis Sings the Music of Bacharach & Kaempfert is an album by American pop singer Johnny Mathis that was released in the fall of 1970 by Columbia Records. While one half of the two-record set was a compilation of tracks from his previous albums that were composed by Burt Bacharach, the other consisted of new recordings of songs composed by Bert Kaempfert, including a new version of "Strangers in the Night", which Mathis had already recorded in 1966 for his LP Johnny Mathis Sings. Although the Kaempfert tribute was similar to recent Mathis albums in that he was mainly covering songs made popular by other singers, it was absent of hits from the 12 months previous to its release that had become the pattern of his output at this point. The latest US chartings of any of the Kaempfert compositions as of this album's debut came from 1967 recordings of "Lady" by Jack Jones and "The Lady Smiles" by Matt Monro.
"But It's Alright" is a song co-written by J. J. Jackson and Pierre Tubbs that became a hit on the pop and soul charts in both 1966 and 1969.
Color Me Country is a studio album by American country music artist Linda Martell. It was released in August 1970 via Plantation Records and was produced by Shelby Singleton. The album contained three charting singles by Martell, including her cover of "Color Him Father". The album also reached a charting position following its original release. Color Me Country was the only album released in Martell's music career. It has since been reissued in several formats and has received positive reviews since its original release date.
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