The San Diego Door, (in former versions: Good Morning Teaspoon, Teaspoon Door, Door to Liberation, and Free Door) was an underground newspaper that thrived from January 1968 to August 1974 in San Diego and San Diego County, California. [1]
Alongside the San Diego Street Journal (formerly San Diego Free Press ) and the OB Rag, it dominated the underground genre. They all contained anti-war and anti-establishment articles on business interests in San Diego during the 1960s. The newspapers encompassed New Left issues, and the birth of the Chicano Movement and second-wave women's movement within San Diego. [1]
Founded by publisher Dale Herschler in January 1968 and published on a biweekly schedule, The San Diego Door was initially based in La Mesa and loosely connected to campus activism at nearby San Diego State University.
Good Morning, Teaspoon, began as a local underground which first published in October 1966, and was edited by Don Monkerud, Jim Willems, and Jon Gulledge. The new editor, Jim Milligan, published a citywide paper in February 1968. In the summer of 1968, Good Morning Teaspoon merged with and began being published under the titles Teaspoon and Door and Teaspoon Door for a few issues, before reverting to The San Diego Door.
In 1969 the paper became Door to Liberation, and after switching to free distribution in local drop boxes, with a 10,000 copy run, it became the Free Door to Liberation.
In May 1970, after 53 issues, The Door was rebooted with a staff shake-up. Dale Herschler left and the remaining staff adopted a gentler, more laid-back and hippie-ish look and feel for the paper. A few months later the San Diego Free Press was launched by students at the University of California, San Diego as a more strongly New Left politically oriented newspaper in the local underground press.
Reference to the long defunct underground San Diego Door newspaper was made in the 2000 film Almost Famous by Cameron Crowe . The film is a semi-autobiographical story of Crowe's early years writing for The Door and Rolling Stone magazine. Crowe was something of a young literary phenom writing for popular music industry magazines such as Creem and Rolling Stone at a very young age. However, before that he was a contributor to The San Diego Door, where a clip that he wrote caught the attention of Ben Fong Torres at Rolling Stone. [2]
Music critic and journalist Lester Bangs, who then lived in El Cajon, also had a connection to the newspaper before he became a freelance writer at Rolling Stone and Creem magazines. [1]
Other San Diego underground newspapers that dealt with related issues included: the OB People's Rag (food cooperatives and housing); State College Railroad (academic freedom and anti-war); Carpetbagger Express (regarding the 1972 Republican Convention in Miami); San Diego Wildcat (labor issues); Inside the Beast (third world-oriented articles); and Sunrise and Goodbye to All That (feminist issues).
The San Diego Door and others are part of a group of newspapers preserved in the San Diego Historical Society's Archives. [3] The archives contain a series of "underground press" newspapers from the late 1960s and early 1970s. An almost complete online archive of The Door can be found at revealdigital.org. [4]
Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".
Creem is an American rock music magazine and entertainment company, founded in Detroit, whose initial print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, Creem was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition.
The terms underground press or clandestine press refer to periodicals and publications that are produced without official approval, illegally or against the wishes of a dominant group. In specific recent Asian, American and Western European context, the term "underground press" has most frequently been employed to refer to the independently published and distributed underground papers associated with the counterculture of the late 1960s and early 1970s in India and Bangladesh in Asia, in the United States and Canada in North America, and the United Kingdom and other western nations. It can also refer to the newspapers produced independently in repressive regimes. In German occupied Europe, for example, a thriving underground press operated, usually in association with the Resistance. Other notable examples include the samizdat and bibuła, which operated in the Soviet Union and Poland respectively, during the Cold War.
Liberation News Service (LNS) was a New Left, anti-war underground press news agency that distributed news bulletins and photographs to hundreds of subscribing underground, alternative and radical newspapers from 1967 to 1981. Considered the "Associated Press" for the underground press, at its zenith the LNS served more than 500 papers. Founded in Washington, D.C., it operated out of New York City for most of its existence.
The East Village Other was an American underground newspaper in New York City, issued biweekly during the 1960s. It was described by The New York Times as "a New York newspaper so countercultural that it made The Village Voice look like a church circular".
The Underground Press Syndicate (UPS), later known as the Alternative Press Syndicate (APS), was a network of countercultural newspapers and magazines that operated from 1966 into the late 1970s. As it evolved, the Underground Press Syndicate created an Underground Press Service, and later its own magazine.
The Los Angeles Free Press, also called the "Freep", is often cited as the first, and certainly was the largest, of the underground newspapers of the 1960s. The Freep was founded in 1964 by Art Kunkin, who served as its publisher until 1971 and continued on as its editor-in-chief through June 1973. The paper closed in 1978. It was unsuccessfully revived a number of times afterward.
The Great Speckled Bird was a counterculture underground newspaper based in Atlanta from 1968 to 1976 and 1988 through 1990. Commonly known as The Bird, it was founded by New Left activists from Emory University and members of the Southern Student Organizing Committee, an offshoot of Students for a Democratic Society. Founding editors included Tom and Stephanie Coffin, Howard Romaine and Gene Guerrero Jr. The first issue appeared March 8, 1968, and within 6 months it was publishing weekly. By 1970 it was the third largest weekly newspaper in Georgia with a paid circulation of 22,000 copies. The paper subscribed to Liberation News Service, a leftist news collective. The office of The Great Speckled Bird at the north end of Piedmont Park was firebombed and destroyed on May 6, 1972. In a letter to the editor of the New York Review of Books, Jack Newfield et al. noted that the bombing occurred after the paper published an exposé of the mayor of Atlanta.
Tom Miller was an American author primarily known for travel literature. His ten books include The Panama Hat Trail, On the Border, Trading with the Enemy, and Jack Ruby's Kitchen Sink. He has written articles for the New York Times, Washington Post, The New Yorker, The Smithsonian, Natural History, Rolling Stone, Life, Crawdaddy and many other magazines.
Kaleidoscope was an underground newspaper that was published in Milwaukee, Wisconsin, USA. Founded by John Kois, the radio disk jockey Bob Reitman and John Sahli, it was published from October 6, 1967, to November 11, 1971, printing 105 biweekly issues. The paper's first issue was printed with a borrowed $250 in an edition of 3,500 copies, which sold out in two days.
The Rag was an underground newspaper published in Austin, Texas from 1966–1977. The weekly paper covered political and cultural topics that the conventional press ignored, such as the growing antiwar movement, the sexual revolution, gay liberation, and drug culture. It encouraged these political constituencies and countercultural communities to coalesce into a significant political force in Austin. As the sixth member of the Underground Press Syndicate and the first underground paper in the South, The Rag helped shape a flourishing national underground press.
Avatar was an American underground newspaper published in Boston, Massachusetts, in 1967–1968. The newspaper's first issues were published from the headquarters of Broadside magazine in Cambridge.
The Washington Free Press was a biweekly radical underground newspaper published in Washington, DC, beginning in 1966, when it was founded by representatives of the five colleges in Washington as a community paper for local Movement people. It was an early member of the Underground Press Syndicate. Starting in December, 1967 they shared a three-story house in northwest Washington with the Liberation News Service, the Washington Draft Resistance Union, and a local chapter of the anti-draft group Resistance. A print shop was in the basement, and other activist groups used the space and got their mail there. The paper's original founders and editors included Michael Grossman, Arthur Grosman and former State Department computer programmer William Blum, but the staff went through many changes and by 1969 nobody on the paper was even acquainted with any of the original founders.
Distant Drummer was a 1960s counterculture underground newspaper published in Philadelphia, Pennsylvania, United States from November 1967 to July 1979. It changed titles twice: from October 2, 1970 to August 12, 1971 it was Thursday's Drummer, and subsequently it was known simply as The Drummer until its demise in 1979, after a run of 568 issues. It was a member of the Underground Press Syndicate and also used material from the Liberation News Service.
Dallas Notes was a biweekly underground newspaper published in Dallas, Texas from 1967 to 1970, and edited by Stoney Burns, whose father owned a printing company in Dallas. Initially founded by Doug Baker at Southern Methodist University in March 1967, under the title NOTES from the Underground, the first issues were run off after hours on a copy machine at Texas Instruments.
The San Diego Free Press was an underground newspaper founded by philosophy students of Herbert Marcuse at the University of California, San Diego in November 1968, and published under that title biweekly until December 1969, when it became the weekly Street Journal starting with its 29th issue. The paper's contents were a mix of radical politics, alternative lifestyles, and the counterculture, reflecting in part Marcuse's Frankfurt School Marxist/Freudian ideas of cultural transformation.
John Charles Bryan was an American newspaper publisher, editor, and journalist best known for founding and running the Los Angeles alternative newspaper Open City. He also published the San Francisco-based Open City Press and the Sunday Paper. In 1981, the San Francisco Chronicle called Bryan "The King of the Underground Press." Warren Hinckle of the Chronicle called Bryan a "one-man-newspaper newspaperman," noting that his apartment was crammed with printing equipment. Paul Krassner said that Bryan was a journalist in the tradition of I.F. Stone.
Thorne Webb Dreyer is an American writer, editor, publisher, and political activist who played a major role in the 1960s-1970s counterculture, New Left, and underground press movements. Dreyer now lives in Austin, Texas, where he edits the progressive internet news magazine, The Rag Blog, hosts Rag Radio on KOOP 91.7-FM, and is a director of the New Journalism Project.
The OB Rag was an underground newspaper published between 1970 and 1975 in the Neighborhood of Ocean Beach, San Diego, California, United States. The O in the title is also a peace symbol. Other San Diego underground newspapers that dealt with similar issues include the San Diego Free Press and The San Diego Door.