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Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874.
Jacques Offenbach was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.
Paul Claudel was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism.
Arthur Honegger was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably Antigone, composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive.
The Comédie-Française or Théâtre-Français is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris.
Jeanne d'Arc au bûcher is an oratorio by Arthur Honegger, originally commissioned by Ida Rubinstein. It was set to a libretto by Paul Claudel, and the work runs about 80 minutes.
L'Africaine is an 1865 French grand opéra in five acts with music by Giacomo Meyerbeer and a libretto by Eugène Scribe. Meyerbeer and Scribe began working on the opera in 1837, using the title L'Africaine, but around 1852 changed the plot to portray fictitious events in the life of the Portuguese explorer Vasco da Gama and introduced the working title Vasco de Gama, the French version of his name. The copying of the full score was completed the day before Meyerbeer died in 1864.
Platée is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto Platée ou Junon jalouse by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his Guide to Greece.
René Xavier Marie Alain Cuny was a French actor of stage and screen. He was closely linked with the works of Paul Claudel and Antonin Artaud, and for his performances for the Théâtre national populaire and Odéon-Théâtre de France.
Literaturoper, a term coined by the German music critic Edgar Istel, describes a genre of opera that emerged during the late 19th century. When an existing play for the legitimate theatre is set to music without major changes and without the intervention of a librettist, a “Literaturoper” is the result. Although the term is German, it can be applied to any kind of opera, irrespective of style or language.
The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior.
The Théâtre du Palais-Royal is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais.
Olivier Py is a French stage director, actor and writer.
Ève Francis was an actress and film-maker. She was born in Belgium but spent most of her career in France. She became closely associated with the writer Paul Claudel, and she was married to the critic and film-maker Louis Delluc.
The Satin Slipper is a 1985 Portuguese-French drama film based on the play by Paul Claudel. It was directed by Manoel de Oliveira and screened at the 42nd Venice International Film Festival.
An Adventurous Automobile Trip is a 1905 French short silent comedy film directed by Georges Méliès. The film, a spoof of the devil-may-care motoring exploits of King Leopold II of Belgium, features the King engaging in a manic, implausibly fast automobile ride from Paris to Monte Carlo. The singer-comedian Harry Fragson stars as the King, supported by a large cast of stage performers from the Folies Bergère cabaret and other venues, with two cameo appearances from Méliès himself.
Jean-Pierre Granval, stage name of Jean-Pierre Charles Gribouval, was a 20th-century French stage and film actor as well as a theatre director.
Yann Beuron is a French operatic tenor.
Pierre Lacotte was a French ballet dancer, choreographer, teacher, and company director. He specialised in the reconstruction of lost choreographies of romantic ballets.
References
- Edition critique : Le Soulier de satin by Paul Claudel, Antoinette Weber-Caflisch, Annales littéraires de l'Université de Besançon, n° 334, Les Belles Lettres, 1987.
