The School Girl is an Edwardian musical comedy, in two acts, composed by Leslie Stuart (with additional songs by Paul Rubens) with a book by Henry Hamilton and Paul M. Potter, and lyrics by Charles H. Taylor and others. It concerns a French school girl from a convent, who goes to Paris to help her lovesick friend. Through mistaken identity, she learns secrets that help her at the Paris stock exchange and ends up at a students' ball in the Latin Quarter. All ends happily.
The musical was first produced in 1903 by George Edwardes and Charles Frohman at the Prince of Wales Theatre in London and ran for 333 performances there. It starred Edna May, Marie Studholme and Billie Burke. [1] George Grossmith, Jr. succeeded G. P. Huntley as Ormsby St. Ledger. [2] The show also played successfully on Broadway in 1904, with May and Grossmith, [3] [4] and on the national and international touring circuits.
The most famous song from this show was "My Little Canoe".
Act I: Scene 1 – The Convent Lawn
Act I: Scene 2 – The Open Stock Exchange
Act II: Edgar Verney's Studio
The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally.
The Shop Girl was a musical comedy in two acts written by H. J. W. Dam, with Lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
The Messenger Boy is a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens. The story concerned a rascally financier who tries to discredit a rival in love. After a tryout in Plymouth, it opened at the Gaiety Theatre in London, managed by George Edwardes, on 3 February 1900 and ran for a very successful 429 performances. Harry Grattan and Edmund Payne starred. Marie Studholme later joined the cast. It had a Broadway run of 128 performances, at Daly's Theatre, from 16 September 1901 to 4 January 1902. The director was Herbert Gresham, and the musical director was Louis F. Gottschalk. The cast included Georgia Caine as Nora, Jobyna Howland as Lord Punchestown, May Robson as Mrs. Bang and Flora Zabelle as Isabel Blyth.
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
The Orchid is an Edwardian musical comedy in two acts with music by Ivan Caryll and Lionel Monckton, a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and additional numbers by Paul Rubens. The story concerns marital mix-ups and the quest of a wealthy man for a $2,000 Peruvian orchid to be sent to France. When foul play keeps the flower from reaching its destination, it is discovered that a nearly identical orchid is growing in the garden of the horticultural college.
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall, Harry Greenbank (lyrics) and Sidney Jones (music). It opened at Prince of Wales Theatre in London, produced by George Edwardes, on 14 October 1893 and ran for 413 performances. The show starred C. Hayden Coffin, Louie Pounds, Decima Moore, Eric Lewis, W. Louis Bradfield, and later Rutland Barrington, Scott Russell, Huntley Wright, Marie Studholme and George Grossmith, Jr. Topsy Sinden and later Letty Lind danced in the piece. Choreography was by Willie Warde. Percy Anderson designed the Japanese costumes for the musical, while the non-Japanese costumes were supplied by leading fashion houses. Blanche Massey was one of the Gaiety Girls in the piece. It also had a successful three-month Broadway run in 1894, followed by an American tour and a world tour.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G. Wodehouse's personal papers indicate that he wrote the lyrics for one song, "Our Little Way", but this was not included in the libretto of show, and he was not credited as a lyricist.
An Artist's Model is a two-act musical by Owen Hall, with lyrics by Harry Greenbank and music by Sidney Jones, with additional songs by Joseph and Mary Watson, Paul Lincke, Frederick Ross, Henry Hamilton and Leopold Wenzel. It opened at Daly's Theatre in London, produced by George Edwardes and directed by James T. Tanner, on 2 February 1895, transferring to the Lyric Theatre on 28 May 1895, and ran for a total of 392 performances. The piece starred Marie Tempest in the title role, Hayden Coffin, Letty Lind, Leonora Braham, Eric Lewis, Maurice Farkoa, Marie Studholme, and Louie Pounds. It also had a Broadway run at the former Broadway Theatre from December 21, 1895 through February 8, 1896.
The White Chrysanthemum is an English musical in three acts by Arthur Anderson and Leedham Bantock, with lyrics by Anderson and music by Howard Talbot. First produced at the Tyne Theatre, Newcastle, 23 April 1904, it opened at the Criterion Theatre, produced by Frank Curzon and directed by Austen Hurgon, on 31 August 1905 and ran for 179 performances, closing on 10 February 1906. The Japanese-themed musical starred Isabel Jay, Rutland Barrington, Lawrence Grossmith, and Henry Lytton. Louie Pounds later joined the cast. The musical enjoyed various international productions including one at the Kings Theatre in Melbourne, Australia in 1917 starring Barry Lupino.
The Girl Behind the Counter is an Edwardian musical comedy with a book by Arthur Anderson and Leedham Bantock, music by Howard Talbot and lyrics by Arthur Anderson.
The Belle of New York is a musical comedy in two acts, with book and lyrics by Hugh Morton and music by Gustave Kerker, about a Salvation Army girl who reforms a spendthrift, makes a great sacrifice and finds true love.
Three Little Maids is an English musical by Paul Rubens with additional songs by Percy Greenbank and Howard Talbot. The story concerns three simple curate's daughters who go to London to earn their livings serving tea in a Bond Street tea shop. They become the romantic rivals of three ladies of fashion but succeed because of their freshness.
George Grossmith Jr. was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in Haste to the Wedding (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert.
The Spring Chicken is an Edwardian musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith.
The Sunshine Girl is an Edwardian musical comedy in two acts with a book by Paul A. Rubens and Cecil Raleigh, lyrics and music by Rubens and additional lyrics by Arthur Wimperis. The story involves a working girl who falls in love with the heir to the factory. He is in disguise and wants to be loved for himself, not his position, so he gets his friend to pose as the heir, leading to complications for both men.
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War.
Caroline Maria Lupton, known professionally as Marie Studholme, was an English actress and singer of the Victorian and Edwardian eras, known for her supporting and sometimes starring roles in Edwardian musical comedy. Her attractive features made her one of the most popular postcard beauties of her day.
Havana is an Edwardian musical comedy in three acts, with a book by George Grossmith, Jr. and Graham Hill, music by Leslie Stuart, lyrics by Adrian Ross and additional lyrics by George Arthurs. It premiered on 25 April 1908 at the Gaiety Theatre, London, starring Evie Greene as Consuelo, W. H. Berry as Reginald Brown, Lawrence Grossmith as Don Adolfo and Mabel Russell as Pepita. A young Gladys Cooper was in the chorus.
Kissing Time, and an earlier version titled The Girl Behind the Gun, are musical comedies with music by Ivan Caryll, book and lyrics by Guy Bolton and P. G. Wodehouse, and additional lyrics by Clifford Grey. The story is based on the 1910 play, Madame et son Filleul by Maurice Hennequin, Pierre Véber and Henry de Gorsse. The story is set in contemporary France, with a glamorous actress at the centre of a farcical plot of imposture, intrigue and mistaken identity.
Lady Madcap is an Edwardian musical comedy in two acts, composed by Paul Rubens with a book by Paul Rubens and Nathaniel Newnham-Davis, and lyrics by Paul Rubens and Percy Greenbank. The story concerns a mischievous Earl's daughter who holds a ball at her father's castle without permission, pretends to be her own maid, and causes general confusion.