Author | Gary Blackwood |
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Country | United States |
Language | English |
Series | The Shakespeare Stealer trilogy |
Genre | Historical fiction, young adult |
Published | 1998 (E. P. Dutton) |
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Pages |
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Awards |
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ISBN | 0-525-45863-8 |
Followed by | Shakespeare's Scribe |
The Shakespeare Stealer is a 1998 historical fiction novel by Gary Blackwood. Taking place in the Elizabethan-era England, it recounts the story of Widge, an orphan whose master sends him to steal Hamlet from The Lord Chamberlain's Men. It was an ALA Notable Children's Book in 1999. [2] Blackwood published two sequels, Shakespeare's Scribe (2000) and Shakespeare's Spy (2003).
In the late Elizabethan era, a fourteen-year-old orphan known only by his nickname, Widge, has learned shorthand, a method of rapid writing by means of abbreviations and symbols, from his previous master, a preacher who wants Widge to steal other preachers' sermons. Bass, his new master, wants to use Widge's skill to transcribe William Shakespeare's Hamlet before Shakespeare prints it. Widge sets off to London with Falconer, a ruthless man whom Bass assigns to ensure Widge succeeds. Hamlet's performance so enraptures Widge that he forgets part of his assignment, and when he returns for a second try, his notebook is stolen. Widge eventually settles into the acting troupe by posing as a hopeful player, and The Lord Chamberlain's Men accepts him. For the first time, Widge feels part of a real family. But it's hard for him knowing his duty is to not be a part of this family but to steal from them. Falconer continues to press Widge to steal the play, resulting in a constant cat and mouse chase between them. After Falconer, who turned out to be Bass in disguise, dies in a duel with The Lord Chamberlain's Men shareholder Robert Armin, Widge remains at The Globe to work toward his dream of being a player.
The novel's popularity led to two sequels, Shakespeare's Scribe (2000) and Shakespeare's Spy (2003). The three novels were published together as a trilogy in a single, 784-page volume in 2004. [4]
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642.
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. Originally he was responsible for overseeing royal festivities, known as revels, and he later also became responsible for stage censorship, until this function was transferred to the Lord Chamberlain in 1624. However, Henry Herbert, the deputy Master of the Revels and later the Master, continued to perform the function on behalf of the Lord Chamberlain until the English Civil War in 1642, when stage plays were prohibited. The office continued almost until the end of the 18th century, although with rather reduced status.
William Kempe, commonly referred to as Will Kemp, was an English actor and dancer specialising in comic roles and best known for having been one of the original stage actors in early dramas by William Shakespeare. Roles associated with his name may include the great comic creation, Falstaff, and his contemporaries considered him the successor to the great clown of the previous generation, Richard Tarlton.
Richard Burbage was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare.
This article contains information about the literary events and publications of 1601.
Robert Armin was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, The History of the Two Maids of More-clacke, as well as Foole upon Foole, A Nest of Ninnies (1608) and The Italian Taylor and his Boy.
Philip Henslowe was an Elizabethan theatrical entrepreneur and impresario. Henslowe's modern reputation rests on the survival of his diary, a primary source for information about the theatrical world of Renaissance London.
The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
Sir John Oldcastle is an Elizabethan play about John Oldcastle, a controversial 14th-/15th-century rebel and Lollard who was seen by some of Shakespeare's contemporaries as a proto-Protestant martyr.
The Lord Chamberlain's Men was a company of actors, or a "playing company", for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.
Richard Tarlton was an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as Tarlton's Jests.
The War of the Theatres is the name commonly applied to a controversy from the later Elizabethan theatre; Thomas Dekker termed it the Poetomachia.
Sir Edmund Tilney or Tylney (1536–1610) was a courtier best known now as Master of the Revels to Queen Elizabeth and King James. He was responsible for the censorship of drama in England. He was also instrumental in the development of English drama of the Elizabethan period. Tilney made the office of Master of the Revels into an institution.
Gary Blackwood is an American author who is known for The Shakespeare Stealer trilogy.
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade.
Alexander Cooke was an actor in the King's Men and the Lord Chamberlain's Men, the acting companies of William Shakespeare, John Heminges and Richard Burbage.
William Sly was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
Edward Knight was the prompter of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.
Fools and Mortals is a 2017 historical novel by Bernard Cornwell set in Elizabethan London. The protagonist is a younger brother of William Shakespeare.