Beat Happening is an American indie pop band formed in Olympia, Washington in 1982. Calvin Johnson, Heather Lewis, and Bret Lunsford have been the band's continual members. Beat Happening were early leaders in the American indie pop and lo-fi movements, noted for their use of primitive recording techniques, disregard for the technical aspects of musicianship, and songs with subject matters of a childish or coy nature.
Calvin Johnson is an American guitarist, vocalist, songwriter, music producer, and disc jockey. Known for his uniquely deep and droning singing voice, Johnson was a founding member of the bands Cool Rays, Beat Happening, Dub Narcotic Sound System, The Go Team and The Halo Benders.
Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1997. The band reunited for tours in 2019 and 2022, with Erica Dawn Lyle on guitar in place of Karren.
Bratmobile was an American punk band from Olympia, Washington, active from 1991 to 2003, and known for being one of the first-generation "riot grrrl" bands. The band was influenced by several eclectic musical styles, including elements of pop, surf, and garage rock.
Steve Fisk is an American, Washington-based audio engineer, record producer and musician. As a musician, he has been in bands such as the instrumental alternative/indie rock band Pell Mell and the electronic band Pigeonhed. He has long been associated with the Pacific Northwest music scenes, including grunge and the Sub Pop indie record label.
K Records is an independent record label in Olympia, Washington founded in 1982. Artists on the label included early releases by Beck, Modest Mouse and Built to Spill. The record label has been called "key to the development of independent music" since the 1980s.
The port city of Olympia, Washington, has been a center of post-hardcore, anti-folk, and other youth-oriented musical genres since the late 1970s. Before this period, Olympia's The Fleetwoods had several Billboard chart successes between 1959 and 1963. Olympia saw a rise in feminism in the music industry, where artists commonly addressed rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment in their songs. It was a centre for the riot grrrl movement of the early 1990s, which featured Bikini Kill and Bratmobile.
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991 is a book by Michael Azerrad. It chronicles the careers of several underground rock bands who, while finding little or no mainstream success, were hugely influential in establishing American alternative and indie rock, mostly through nearly constant touring and records released on small, regional independent record labels. Azerrad conducted many interviews with band members, and also conducted extensive research of old fanzines, as well as more mainstream newspapers and books.
The Go Team was a 1980s band from Olympia, Washington, consisting of Tobi Vail and Calvin Johnson of Beat Happening.
Lois Maffeo is an American musician and writer who lives in Olympia, Washington. She has been closely involved with and influenced many independent musicians, especially in the 1990s-era Olympia, Seattle and Washington, D.C. music scenes.
Jamboree is the second album by American indie rock band Beat Happening, released in 1988 through K Records and Rough Trade Records. All songs were produced by Steve Fisk with assistance from Screaming Trees members Mark Lanegan and Gary Lee Conner, except "Cat Walk," produced by Patrick Maley, and "The This Many Boyfriends Club," recorded live by Rich Jensen.
Tiger Trap was an American twee-pop foursome composed of high school friends Angela Loy and Rose Melberg, with Heather Dunn and Jen Braun. The group recorded for K Records. The name "Tiger Trap" comes from the very first Calvin and Hobbes cartoon, and was used prior to the formation of the band by Rose Melberg for a solo set in 1991 at the first night of the International Pop Underground Convention, Love Rock Revolution Girl Style Now, inspiring the Beat Happening song of the same name. Formed in Sacramento, California in 1992, they managed to garner something of a cult following before disbanding only a year later. Their last concert took place at Bottom of the Hill, San Francisco, in December 1993. Bands they played with include Heavenly, Unwound, Shadowy Men on a Shadowy Planet, Girl Trouble, Mecca Normal, Beat Happening, and Tsunami.
International Pop Underground Convention is a live compilation LP/CD/cassette which documents the 1991 music festival of the same name. Various recordings from the festival were compiled by K Records and released as a double album and CD, featuring music by twenty-one different bands.
“Bailey Park” is a song by Tullycraft, recorded with producer Pat Maley in the Capitol Theater at Yoyo Studios in Olympia, Washington. The birds heard at the beginning of the track are not a sample, Maley hung a second microphone out of a second floor theatre window while Tollefson was recording his vocals. The birds heard on the track are downtown Olympia birds recorded at the same time as the vocals. Guitarist Gary Miklusek once said: “'Bailey Park' ranks as a top song for me. Live it was a blast to play and almost a guaranteed string-breaker… perhaps my only sore memories of Tullycraft.”
International Hip Swing is a compilation CD released by the label K Records in 1993. It is centered on the alternative rock, indie pop and twee pop genres.
Heather Lewis is an American multi-instrumentalist and founding member of Beat Happening. Prior to her work with Beat Happening, Lewis was a member of the Supreme Cool Beings, who are notable for having the first ever release on K Records, 1982's Survival of the Coolest. She appeared as a guest vocalist on several songs from Land of the Loops, as well as The Wedding Present's album Watusi.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express themselves the same way men have been doing all along. To quote Liz Naylor, who would become the manager of riot grrrl band Huggy Bear:
There was a lot of anger and self-mutilation. In a symbolic sense, women were cutting and destroying the established image of femininity, aggressively tearing it down.
The International Pop Underground Convention was a 1991 punk and alternative rock music festival in Olympia, Washington. The six-day convention centered on a series of performances at the Capitol Theater. Throughout August 20–25, 1991, an exceptionally large number of independent bands played, mingled and collaborated at the Capitol and other venues within the Olympia music scene. A compilation of live music from the event was released later by the local record label K Records.
Candice Pedersen co-owned of the Olympia, Washington-based independent record label K Records from 1986 to 1999, along with Calvin Johnson of Beat Happening. In 1999, she sold her half of the label to Johnson.
Yoyo A Go Go, usually abbreviated to Yoyo and often typeset in various ways, was an independent music festival in Olympia, Washington, first held in 1994 and followed by successor festivals in 1997, 1999, and 2001. Five- and six-day concert marathons featured dozens of punk and indie rock acts stacked back to back, as well as a variety of associated entertainment and small-scale local retail. The concerts took place at the historic Capitol Theater and showcased performers from the local Olympia music scene, while also including national and international artists.
