The Docks of New York is a 1928 American silent drama film directed by Josef von Sternberg and starring George Bancroft, Betty Compson, and Olga Baclanova. The movie was adapted by Jules Furthman from the John Monk Saunders story The Dock Walloper.
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
Francis Healey Albertson was an American actor who had supporting roles in films such as It's a Wonderful Life (1946) and Psycho (1960).
Edward Coit Albertson was an American stage and film actor.
Marin Sais was an American actress whose career was most prolific during the silent film era of the 1910s and 1920s. Sais' acting career spanned over four decades and she is possibly best recalled for appearing in Western themed films.
George Fitzmaurice was a French-born film director and producer.
Virginia Valli was an American stage and film actress whose motion picture career started in the silent film era and lasted until the beginning of the sound film era of the 1930s.
Roxie Hart is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
Barbara Bedford was an American actress who appeared in dozens of silent movies. Her career declined after the introduction of sound, but she continued to appear in small roles until 1945.
Florence Auer was an American theater and motion picture actress whose career spanned more than five decades.
Claire McDowell was an American actress of the silent era. She appeared in 350 films between 1908 and 1945.
Jean Marie "Jeff" Donnell was an American actress.
Proud Flesh is a 1925 American silent comedy-drama film directed by King Vidor and starring Eleanor Boardman, Pat O'Malley, and Harrison Ford in a romantic triangle.
Carmen Phillips was an American actress of the silent era. She appeared in more than 60 films between 1914 and 1926, frequently as a "vamp".
The Charm School is a lost 1921 American silent comedy film starring Wallace Reid. Produced by Famous Players–Lasky and distributed through Paramount Pictures this James Cruze directed film was based on a 1920 Broadway stage play and novel by Alice Duer Miller that starred veteran actress Minnie Dupree. It is currently a lost film. It was filmed on the campus of Pomona College in Claremont, California.
The Drag Net, also known as The Dragnet, is a 1928 American silent crime drama produced by Famous Players–Lasky and distributed by Paramount Pictures based on the story "Nightstick" by Oliver H.P. Garrett. It was directed by Josef von Sternberg from an original screen story and starring George Bancroft and Evelyn Brent.
Why Girls Leave Home is a lost 1921 American silent drama film produced by Harry Rapf for Warner Bros. It was the only film from the studio to make a profit in 1921. The poster for the film was featured in the 1962 film Gypsy.
Those Who Dance is a 1924 American silent drama film produced by Thomas H. Ince and directed by Lambert Hillyer. Released by Associated First National, the film stars Blanche Sweet, Bessie Love, and Warner Baxter. It is based on a story by George Kibbe Turner.
Natalie Moorhead was an American film and stage actress of the 1920s and 1930s. She was known for distinctive platinum blond hair.
