The Sneetches | |
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Background information | |
Origin | San Francisco, California, United States |
Genres | Indie pop, power pop |
Years active | 1985–1995 |
Labels | Kaleidoscope Sound, Creation, Alias, Bus Stop, spinART, Omnivore Recordings |
Past members | Mike Levy Matt Carges Daniel Swan Alejandro "Alec" Palao |
The Sneetches were an American indie pop/power pop band formed in San Francisco, California, United States, in 1985, who released several albums before splitting up in the mid-1990s. The band was described by Trouser Press as "one of the most tasteful, consistently tuneful pop bands on the American scene". [1] In 2017, All Music described The Sneetches as "one of the best classic guitar pop bands in the late '80s/early '90s."
The Sneetches stood out amongst the contemporary grunge, industrial and hardcore scenes in the 1980s. Remaining obscure until their breakup during the peak of Britpop, The Sneetches have since gained a cult following. [2]
The initial line-up was Mike Levy (vocals, bass) and Matt Carges (guitar) adding English drummer Daniel Swan, formerly of The Cortinas by 1986. [3] [4] The band showed influences from the likes of The Zombies, The Left Banke and The Easybeats, all of whom had tracks covered by The Sneetches. [1] They signed to the London-based Kaleidoscope Sound label, and debuted in 1987 with "Only For a Moment", followed by the mini-album Lights Out! With The Sneetches. They were then signed by Creation Records in the UK and Alias Records in the United States, who issued the band's debut full-length album, Sometimes That's All We Have, in 1989, described by Allmusic as "a masterful album highly recommended to all fans of the style". [3] [4] Levy switched to guitar with the recruitment of former Sting-ray Alejandro "Alec" Palao in 1988. [3] Slow followed on Alias in 1990, the band then moving on to the Bus Stop label for three singles between 1991 and 1993, later compiled on the Think Again compilation. [1]
In 1993, the band recorded a mini-album with Chris Wilson of The Flamin' Groovies, and recorded a final album, Blow Out the Sun, in 1994, before splitting up. [3] A posthumous mini-set, Starfucker, comprising demo recordings of tracks that were not included on Blow Out the Sun, was released by Bus Stop in 1995. [5]
Levy began work on a solo album in 1995, Fireflies, which was eventually released in 2000. [6]
A 2017 retrospective album Form of Play was reviewed by Coachella Valley Weekly .. "This is a nearly flawless introduction, a perfect addition for anyone who’s worn out their Big Star and Left Banke records. The Sneetches may have never topped the charts, but their quiescent charms continue to resonate." Vinyl District reviewed as follows: "I would submit that Form of Play exemplifies the smart guitar-based pop of a bygone era without succumbing to retread, an appealing trait during their ’80s-’90s existence and even more so now."
This section contains too many or overly lengthy quotations .(June 2017) |
"While they may have been an underground sensation, Omnivore Recordings collected the best songs from The Sneetches for their first ever career compilation titled "Form Of Play: A Retrospective."" (JP' Music Blog) [7]
"Form of Play may not be my dream roster of Sneetches songs, but first-person perspective aside it's a representative assemblage of what made these Bay-era popmeisters tick. The few previously unreleased sections are predominantly culled from live performances, but a concluding acoustic demo of "How Does It Feel" channeling Big Star says volumes about where the Sneetches were emanating from." (Willfully Obscure). [8]
"this is a special collection of songs, and while it might not contain everyone’s favorites, what it does offer is a look at a band who deserved far more appreciation than they received. Absolutely essential for all Sneetches fans!" (Elizabeth Klisiewicz] - The Big Take Over" [9]
"Whether you're late on this band or were right on time you'll dig this either way as great songs are great songs." [10] [11]
"Amid the post-punk, indie-rock and the phoenix-like rise of grunge, there was a thread of late-80s pop that focused on melody and craft. The dB’s, Game Theory and Bongos were more cerebral than their power-pop counterparts but no less fetching to listen to. And standing tall artistically, if not in record sales, was San Francisco’s Sneetches. At twenty-two tracks, clocking in at seventy-seven minutes, this is a good buy for those just meeting the band, but also those who collected everything along the way." [12]
"Although these tracks were originally recorded in the ‘80s and ‘90s, they don't sound dated in the least; rather, it's song after song of smart, well-constructed, hooky guitar pop that should have attracted a much larger audience. Tracks such as “...and I'm Thinking” and “I Don't Expect Her For You (Look at That Girl)” still burn with a melodic intensity while also sounding polished (but never slick) – and they're the rule and not the exception." [13]
Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens (drums), and Andy Hummel (bass). The group broke up in late 1974, and reorganized with a new lineup 18 years later following a reunion concert at the University of Missouri. In its first era, the band's musical style drew on the Beatles, the Rolling Stones, and the Byrds. Big Star produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations", in the words of Rolling Stone, as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". Three of Big Star's studio albums are included in Rolling Stone's list of the Top 500 Albums of All-Time.
Power pop is a subgenre of rock music and a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early-to-mid 1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.
Spilt Milk is the second and last studio album by American rock band Jellyfish, released on February 9, 1993, by Charisma Records. It features a harsher and more ornate sound than their previous, Bellybutton (1990). As with Bellybutton, Spilt Milk was written and co-produced by founding members Andy Sturmer and Roger Manning. Albhy Galuten and Jack Joseph Puig also returned as producers.
The Left Banke was an American baroque pop band, formed in New York City in 1965. They are best remembered for their two U.S. hit singles, "Walk Away Renée" and "Pretty Ballerina". The band often used what the music press referred to as "baroque" string arrangements, which led to their music being variously termed as "Bach-rock", "baroque rock" or "baroque pop". The band's vocal harmonies borrowed from contemporaries such as the Beatles, the Zombies and other British Invasion groups.
Lone Justice was an American country rock band formed in 1982 by guitarist Ryan Hedgecock and singer Maria McKee in Los Angeles. The band released two albums, Lone Justice in 1985 and Shelter the following year, before disbanding in 1987.
Permanent Vacation is the ninth studio album by American rock band Aerosmith, released by Geffen Records on August 25, 1987. The album marks the band's shift to a pop-metal sound that they would maintain up to 1993's Get a Grip.
Game Theory was an American power pop band, founded in 1982 by singer/songwriter Scott Miller, combining melodic jangle pop with dense experimental production and hyperliterate lyrics. MTV described their sound as "still visceral and vital" in 2013, with records "full of sweetly psychedelic-tinged, appealingly idiosyncratic gems" that continued "influencing a new generation of indie artists." Between 1982 and 1990, Game Theory released five studio albums and two EPs, which had long been out of print until 2014, when Omnivore Recordings began a series of remastered reissues of the entire Game Theory catalog. Miller's posthumously completed Game Theory album, Supercalifragile, was released in August 2017 in a limited first pressing.
Strangers on a Train is the third and final studio album by American baroque pop band the Left Banke and was released in March 1986.
Two Steps from the Middle Ages (1988) is the fifth studio album by power pop band Game Theory.
Scott Warren Miller was an American singer, songwriter and guitarist, best known for his work as leader of the 1980s band Game Theory and 1990s band The Loud Family, and as the author of a 2010 book of music criticism. He was described by The New York Times as "a hyperintellectual singer and songwriter who liked to tinker with pop the way a born mathematician tinkers with numbers", having "a shimmery-sweet pop sensibility, in the tradition of Brian Wilson and Alex Chilton."
"If You Want My Love" is a song by American rock band Cheap Trick, released in 1982 as the lead single from their sixth studio album One on One. It was written by guitarist Rick Nielsen and produced by Roy Thomas Baker. It reached number 45 on the US Billboard Hot 100 and number 2 on the Australian Kent Music Report chart.
2011 is the eleventh studio album by American rock band The Smithereens, released on April 5, 2011 by eOne Music.
"Tonight It's You" is a song by American rock band Cheap Trick, which was released in 1985 as the lead single from their eighth studio album Standing on the Edge. It was written by Rick Nielsen, Robin Zander, Jon Brant and Mark Radice, and produced by Jack Douglas. "Tonight It's You" reached No. 44 on the US Billboard Hot 100 and No. 8 on the Billboard Top Rock Tracks Chart.
Bradley Joel Skaught is the principal songwriter, guitarist, and lead vocalist for The Bye Bye Blackbirds, an Oakland, California-based indie rock and power pop band. Skaught's vocals have been called "distinctive and lovely", "a unique drawl reminiscent of Tom Petty", and likened to John Lennon. The San Francisco Chronicle described his band's work as "British Invasion guitar-pop with a twinge of country and roots," in which "disparate rock influences – '60s rock, '70s power pop, '80s college radio and indie rock – come together for catchy, harmony-laden songs."
Real Nighttime is the second full-length album from Game Theory, a California power pop band founded by guitarist and singer-songwriter Scott Miller. Released in 1985, the album is cited as "a watershed work in '80s paisley underground pop." A 30th anniversary reissue was released in March 2015, on CD and in a limited first pressing on red vinyl, with 13 bonus tracks.
Distortion is a 1984 five-song EP by Game Theory, a California power pop band fronted by guitarist and singer-songwriter Scott Miller. A remastered reissue of Distortion was released by Omnivore Recordings in November 2014 as a 10-inch EP on green vinyl, with four of the songs released on CD as part of Omnivore's reissued Dead Center compilation.
Blaze of Glory is the 1982 debut album from Game Theory, a California power pop band founded by guitarist and singer-songwriter Scott Miller. After Miller's death in 2013, the album was reissued by Omnivore Recordings in a remastered edition with 15 bonus tracks which was released on CD and vinyl in 2014.
Third is the second studio album by Cait Brennan, released by Omnivore on April 21, 2017. The follow-up to 2016's critically lauded Debutante, Third was recorded at Ardent Studios in Memphis, in the same studio and using many of the same instruments Big Star used during its Ardent heyday in the early 1970s.
Across the Barrier of Sound: PostScript is a 2020 compilation album consisting of material recorded in 1989 and 1990 by Game Theory, a California power pop band founded in 1982 by guitarist and singer-songwriter Scott Miller. The band's lineup during this period included Michael Quercio, who had previously fronted the Paisley Underground group The Three O'Clock.
Alejandro "Alec" Palao is a British musician, music historian, writer, and reissue producer. In addition to his musical output with groups like the Sting-rays, the Sneetches, and Mushroom, his works include hundreds of production credits and liner notes on important compilations of vintage rock and soul from Ace Records, Rhino Records, and others, plus a wide array of music-related print and film credits. Palao is unusual in that he normally supervises each aspect of the projects he compiles, including audio transfers and restoration as well as research and liner notes. Honors include five Grammy Award nominations for historical albums and liner notes.