Cyril Raker Endfield was an American film director, who at times also worked as a writer, theatre director, magician and inventor. Born in Scranton, Pennsylvania, he worked in the New York theatre in the late 1930s before moving to Hollywood in 1940.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack's Absence of Malice, Brian De Palma's Blow Out, and Martin Scorsese's After Hours. The French term film noir translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements.
Frank Andrew Lovejoy Jr. was an American actor in radio, film, and television. He is perhaps best remembered for appearing in the film noir The Hitch-Hiker and for starring in the radio drama Night Beat.
The Lady from Shanghai is a 1947 American film noir produced and directed by Orson Welles and starring Rita Hayworth, Welles, Everett Sloane, and Glenn Anders. Welles's screenplay is based on the novel If I Die Before I Wake by Sherwood King.
Cry of the City is a 1948 American film noir starring Victor Mature, Richard Conte, and Shelley Winters. Directed by Robert Siodmak, it is based on the novel by Henry Edward Helseth, The Chair for Martin Rome. The screenwriter Ben Hecht worked on the film's script, but is not credited. The film was partly shot on location in New York City.
Kathleen Ryan was an Irish actress.
The Underworld Story is a 1950 American film noir crime film directed by Cy Endfield and starring Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva and Michael O'Shea. Da Silva plays the loud-mouthed gangster Carl Durham, one of his last roles before becoming blacklisted.
Beware, My Lovely is a 1952 American crime film noir directed by Harry Horner starring Ida Lupino, Robert Ryan and Taylor Holmes. The film is based on the 1950 play The Man by Mel Dinelli, who also wrote the screenplay.
The Undercover Man is a 1949 American crime film noir directed by Joseph H. Lewis and starring Glenn Ford, Nina Foch and James Whitmore.
O. Henry's Full House is a 1952 American anthology film made by 20th Century Fox, consisting of five films, each based on a story by O. Henry.
Film gris, a term coined by experimental filmmaker Thom Andersen, is a type of film noir which categorizes a unique series of films that were released between 1947 and 1951. They came in the context of the first wave of the communist investigations of the House Un-American Activities Committee, often made by associates, fellow travellers and supporters of the convicted Hollywood Ten.
The Sound and the Fury is a 1959 American drama film directed by Martin Ritt. It is loosely based on the 1929 novel of the same title by William Faulkner.
The Lawless is a 1950 American film noir directed by Joseph Losey and featuring Macdonald Carey, Gail Russell and Johnny Sands.
The Naked Street is a 1955 American crime film noir directed by Maxwell Shane. The drama features Farley Granger, Anthony Quinn and Anne Bancroft in a story about an enforcer who tries to control his sister's life by falsely clearing her boyfriend of murder.
Eight Iron Men is a 1952 American World War II drama film directed by Edward Dmytryk and produced by Stanley Kramer. It stars Bonar Colleano, Arthur Franz, Lee Marvin, Richard Kiley and Mary Castle. Lee Marvin's powerful performance as the squad's leader ratchets up the suspense along with Dmytryk's noir style direction and J. Roy Hunt's deft cinematography.
They Gave Him a Gun is a 1937 American crime drama film directed by W. S. Van Dyke and starring Spencer Tracy, Gladys George and Franchot Tone. The picture bears a resemblance to later films noir, with its dark theme regarding the struggles and failures of a man trying to take a criminal shortcut to the American dream. The screenplay was written by Cyril Hume, Richard Maibaum and Maurice Rapf, based on the 1936 book of the same name by William J. Cowen. On March 20, 1937, director W.S. Van Dyke "announced Henry Mahan was cast in 'They Gave Him A Gun', joining Sam Levene and Teddy Hart, the three swell comedians in the film version of Three Men on a Horse", but none of these actors appear in the final cut.
Woman in Hiding is a 1950 American melodrama thriller film starring Ida Lupino, Howard Duff and Stephen McNally. It was directed by Michael Gordon, with cinematography by William H. Daniels. Peggy Dow, John Litel, and Taylor Holmes, appear in support. Some observers regard the picture as a film noir, a view not universally embraced.
The System is a 1953 American film noir crime film directed by Lewis Seiler and starring Frank Lovejoy, Joan Weldon and Robert Arthur.
The Scarf is a 1951 American film noir written and directed by Ewald André Dupont starring John Ireland, Mercedes McCambridge, James Barton, and Emlyn Williams. The screenplay concerns a man who escapes from an insane asylum and tries to convince a crusty hermit, a drifting saloon singer, and himself that he is not a murderer.
Finger Man is a 1955 American crime film noir directed by Harold D. Schuster and starring Frank Lovejoy, Forrest Tucker and Peggie Castle.
