Saying he has returned from time abroad, Tom Yately seeks work as a truck driver with Hawletts, a haulage company. Mr. Cartley, the depot manager, informs Tom that his drivers convey their ten-ton loads of gravel fast over bad roads. They are expected to deliver a minimum of twelve loads a day; if a driver falls behind, he is fired. Each run is 20mi (32km) round-trip; the top driver makes eighteen runs a day. Tom goes on a trial run with the depot mechanic, in truck 13. He narrowly avoids colliding head-on with two other Hawletts trucks speeding the other way.
Cartley hires Tom, and he's assigned truck 13. Tom meets the other drivers, including Irishman Red, the foreman and head driver. Lodging at the same house as various other drivers, Tom is befriended by Gino, an Italian driver who is in love with Lucy, Cartley's secretary. Red offers a £250 gold cigarette case to anyone who can make more runs than him in a day, and Tom is determined to try; however, he soon learns that Red has kept his place at the top by taking a dangerous shortcut that none of the other drivers are willing to risk.
One evening, the drivers go to a dance at a nearby hall and start a fight. When the police are called, Tom flees the scene. Red calls him a coward and, from then on, the other drivers (except Gino) turn on Tom, bullying him incessantly, impeding his runs, and calling him "yellow belly". Despite this, Tom doesn't retaliate.
Tom visits his brother Jimmy and mother in their tobacconist's shop. His mother refuses to accept money from Tom, blaming him for Jimmy's life-changing leg injury that requires him to use crutches.
When the drivers collect their pay packets, Tom realises he's been underpaid. A gleeful Red informs Tom his wages were docked to replace equipment damaged as a result of the drivers' bullying. A fistfight ensues, in which Tom beats Red. Gino offers to switch truck numbers with Tom the next day, so that the others can unwittingly harass Gino and therefore help Tom to win the cigarette case.
That night, Lucy breaks up with Gino. Expressing her feelings for Tom while he performs a vehicle check, Tom confesses that he hadn't actually been abroad but was instead serving a year-long prison sentence. Lucy drops off Tom at the drivers' digs, both unaware that Gino has seen them from his bedroom window.
The next day, Tom purchases a one-way train ticket to London. Lucy rushes into the waiting room and tells him that Gino has been seriously injured in a crash. Distraught, they rush to the hospital. While they wait anxiously outside Gino's room, Lucy tells Tom that Cartley and Red have been scamming money by hiring five fewer drivers than the company pays for and pocketing the difference. They're interrupted by a doctor, who informs them Gino is dying. Gino had switched the truck numbers as arranged, and tells Tom "I threw them off like we planned, for you to win. Crazy. You don't even come." Tom asks him if it was Red who caused his crash, but Gino dies without answering.
Tom returns to the depot and confronts Cartley. He tells him that Gino has died and he knows why, and that he knows about the scam. Cartley offers him a share of the stolen money and Red's place in truck 1. Tom is having none of it, but takes truck 1 to pick up a load. When Red turns up, he forces Cartley to join him in what they think is truck 3 and sets out to silence Tom. Red guesses that Tom will take the dangerous shortcut through the quarry, and they lie in wait there. When Tom appears with his truck full of ballast, Red sideswipes him several times, finally forcing him off the road and onto the edge of the quarry, where the truck dangles precariously, with Tom knocked unconscious. But the brakes on Red's truck, which Red finally realises is Tom's truck 13, fail and he and Cartley drive off the edge and are killed. Tom wakes up and escapes just before his own truck tumbles into the quarry. Lucy, who followed them in a jeep, runs to him.
Ben Williams as Harry, Hawlett's gateman (uncredited)
Ian Wilson as Gibson, Hawlett's paymaster (uncredited)
Actors
Hell Drivers is an early film for several actors who later developed high-profile careers. It provided early appearances for Jill Ireland and David McCallum, who met and married during the film's production. It featured Danger Man and The Prisoner actor Patrick McGoohan, and was the third film role for Sean Connery. William Hartnell was the first actor to play the role of the Doctor in the BBC's Doctor Who; Gordon Jackson appeared as George Cowley in The Professionals and the butler Hudson in ITV's Upstairs, Downstairs. Sid James was a regular supporting actor in British films at the time and appeared in most of the Carry On series. Herbert Lom starred in the ABC Weekend TV series The Human Jungle before playing the hapless Commissioner Dreyfus in The Pink Panther film franchise. Cy Endfield directed Stanley Baker in Zulu. Others including Robin Bailey, Charles Lamb, John Horsley and Wensley Pithey featured regularly in British films and television thereafter. Long-established actor Wilfrid Lawson also made an appearance. In 1966, he co-starred with Patrick McGoohan in the final black-and-white episode of Danger Man, "Not So Jolly Roger".
The vehicles used in the film were the Dodge 100 "Kew" parrot-nosed truck, with tipper body. They were lent for filming by W W Drinkwater of Willesden, north London.[citation needed]
The fleet of Dodge ‘parrot-nose’ or ‘Kew’ 100s, were built in Kew on the outskirts of London between 1949 and 1957.
Promotional film
Aqua/Rank produced a 14-minute promotional film Look in on Hell Drivers, directed by Bill Morton and introduced by Michael Ingrams, with professional lorry drivers vouching for the film's authenticity, clips from the film and interviews with Cy Endfield, co-writer John Kruse, Alfie Bass and Stanley Baker.[4]
Critical reception
Variety said: "Hell Drivers is a slab of unabashed melodrama. [...] Endfield’s direction is straightforward and conventional, but some of the speed sequences provide some tingling thrills. Acting is adequate, but uninspired. Baker gives a forceful performance of restrained strength and Herbert Lom has some neat moments as his Italian buddy. Patrick McGoohan gives an exaggerated study as the villain."[5]
Time Out wrote: "Energetic and violent trucking thriller marked by the raw, angry edge of the best of blacklist victim Endfield's Hollywood work, and by his appreciation [...] of the markedly out-of-the-mainstream talent of Stanley Baker."[6]
Leslie Halliwell opined: "Absurd, violent, hilarious and constantly surprising melodrama with the silliest of premises backed by a good cast and well-handled thrill sequences".[7]
In British Sound FilmsDavid Quinlan wrote that the film was "rough, tough stuff; basically unconvincing perhaps, but still a good thriller".[8]
Reviewing for Empire, Kim Newman said "Hell Drivers is a rare British crime film with the blazing excitement and working-class grit of the best American hardboiled thrillers. [...] Lom overdoes it somewhat as the sentimental Italian obviously doomed to become a plot sacrifice, but the rest of the hairy-knuckled blokes are spot on."[9]
In 2007 Network Distributing released the film on DVD in an anamorphically enhanced ratio of 1.77:1. A little of the original 1.96:1 VistaVision (wide-frame) image is cropped at the sides, just noticeable in a few shots. The DVD featured commentary by sound assistant Harry Fairbairn and journalist Andrew Robertson, and extras including Look in on Hell Drivers. On 20 March 2017, Network issued a Blu-ray with the film restored by the BFI, and the same extras as the DVD.
See also
The film's theme of the desperate, lorry driving man can be compared to that of The Long Haul (1957).
Related Research Articles
Patrick Joseph McGoohan was an American-born Irish actor, director, screenwriter, and producer of film, television, and theatre. Born in New York City to Irish parents, he was raised in Ireland and England, began his career in England during the 1950s and became well known for the titular role, secret agent John Drake in the ITC espionage programme Danger Man (1960–1968). He then produced and created The Prisoner (1967–1968), a surrealistic television series in which he featured as Number Six, an unnamed British intelligence agent who is abducted and imprisoned in a mysterious coastal village.
Herbert Charles Angelo Kuchačevič ze Schluderpacheru, known professionally as Herbert Lom, was a Czech-British actor with a career spanning over 60 years. His cool demeanour and precise, elegant elocution saw him cast as criminals or suave villains in his younger years, and professional men and nobles as he aged. Highly versatile, he also proved a skilled comic actor in The Pink Panther franchise, playing the beleaguered Chief Inspector Charles Dreyfus in seven films.
Cyril Raker Endfield was an American film director, who at times also worked as a writer, theatre director, magician and inventor. Born in Scranton, Pennsylvania, he worked in the New York theatre in the late 1930s before moving to Hollywood in 1940. His film career was interrupted by the Hollywood blacklist, and he resettled in London at the end of 1951. He is particularly known for The Sound of Fury/Try and Get Me! (1950), Hell Drivers (1957) and Zulu (1964).
Sir William Stanley Baker was a Welsh actor and film producer. Known for his rugged appearance and intense, grounded screen persona, he was one of the top British male film stars of the late 1950s, and later a producer.
Samuel John Kydd was a British actor. His best-known roles were in two major British television series of the 1960s, as the smuggler Orlando O'Connor in Crane and its sequel Orlando. He also played a recurring character in Coronation Street. Kydd's first film was The Captive Heart (1946), in which he played a POW. He made over 290 films, more than any other British actor, including 119 between 1946 and 1952.
Sidney Meltzer, known professionally as Sid Melton, was an American actor. He played the roles of incompetent carpenter Alf Monroe in the CBS sitcom Green Acres and Uncle Charlie Halper, proprietor of the Copa Club, in The Danny Thomas Show and its spin-offs. He appeared in about 140 film and television projects in a career that spanned nearly 60 years. Among his most famous films were Lost Continent with Cesar Romero, The Steel Helmet with Gene Evans and Robert Hutton, The Lemon Drop Kid with Bob Hope, and Lady Sings The Blues with Diana Ross and Billy Dee Williams. He was a regular on The Danny Thomas Show and Green Acres, and appeared in flashback on several episodes of The Golden Girls as Salvadore Petrillo, the long-dead husband of Sophia and father of Dorothy.
Robbery is a 1967 British crime film directed by Peter Yates and starring Stanley Baker, Joanna Pettet and James Booth. The story is a heavily fictionalised version of the 1963 Great Train Robbery. The film was produced by Stanley Baker and Michael Deeley, for Baker's company Oakhurst Productions.
All Night Long is a 1962 British neo noir drama film directed by Basil Dearden, and starring Patrick McGoohan, Marti Stevens, Paul Harris, Keith Michell, Richard Attenborough and Betsy Blair. The story, by Nel King and Paul Jarrico, writing under the name Peter Achilles, is an updated version of William Shakespeare's Othello, set in the London jazz scene of the 1960s. The action takes place in a single evening, during an anniversary party. The black-and-white film features performances by several prominent British jazz musicians – among them Tubby Hayes and John Dankworth – as well as the Americans Dave Brubeck and Charles Mingus, who were in the UK in 1961 when filming took place and were recruited to participate.
Hell Is a City is a 1960 British crime thriller film starring Stanley Baker, based on the 1954 novel of the same title by Maurice Procter.
Norman Mitchell Driver, known professionally as Norman Mitchell, was an English television, stage and film actor.
The Criminal is a 1960 British neo-noir crime film directed by Joseph Losey and starring Stanley Baker, Sam Wanamaker, Grégoire Aslan, Jill Bennett, and Margit Saad. Baker plays Johnny Bannion, a recently-paroled gangster who is sent back to prison after robbing a racetrack, with both the authorities and the criminal underworld looking for the money.
John Lovell Horsley was a British actor.
The Moonshine War is a 1970 American crime comedy-drama film directed by Richard Quine, based on the 1969 novel of the same name by Elmore Leonard. It stars Patrick McGoohan, Richard Widmark, Alan Alda, and Will Geer.
Peter Madden was a British actor who was born in Ipoh in the Federated Malay States.
Francis Thomas Sullivan, known professionally as Frank Sully, was an American film actor. He appeared in over 240 films between 1934 and 1968. Today's audiences know him best as the dumb detective in the Boston Blackie features, and as the foil in many Three Stooges comedies.
Wensley Ivan William Frederick Pithey was a South African character actor who had a long stage and film career in Britain.
Sea Fury is a 1958 British action film directed by Cy Endfield and starring Stanley Baker, Victor McLaglen, Luciana Paluzzi and Grégoire Aslan.
The Long Haul is a 1957 British drama film directed by Ken Hughes and starring Victor Mature, Patrick Allen and Diana Dors. It is based on the novel The Long Haul by Mervyn Mills.
Child in the House is a 1956 British drama film directed by Cy Endfield and starring Phyllis Calvert, Eric Portman and Stanley Baker. It is based on the novel A Child in the House by Janet McNeill. A girl struggles to cope with her uncaring relatives.
Frederick David Griffiths was an English film and television actor. A former London cabbie and wartime fire fighter discovered by director Humphrey Jennings, and cast in his documentary film Fires Were Started in 1943; and over the next four decades played supporting roles and bit parts in 150 films, including various Ealing, Boulting Brothers and Carry On comedies, before eventually retiring in 1984.
References
↑ "Hell Drivers". British Film Institute Collections Search. Retrieved 29 October 2023.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
