The Long Haul | |
---|---|
Directed by | Ken Hughes |
Written by | Ken Hughes |
Based on | novel The Long Haul by Mervyn Mills [1] |
Produced by | Maxwell Setton |
Starring | Victor Mature Diana Dors Patrick Allen Gene Anderson |
Cinematography | Basil Emmott |
Edited by | Raymond Poulton |
Music by | Trevor Duncan |
Production company | Marksman Films |
Distributed by | Columbia Pictures |
Release dates |
|
Running time | 88 mins. |
Country | United Kingdom |
Language | English |
Budget | over $1 million [2] |
The Long Haul is a 1957 British drama film directed by Ken Hughes and starring Victor Mature, Patrick Allen and Diana Dors. [3] It is based on the novel The Long Haul by Mervyn Mills.
Miller, a U.S. army NCO, leaves Allied-occupied Germany after discharge and is persuaded by his English wife to settle in Liverpool. Looking for work, he becomes a lorry driver. He comes into contact with criminals involved in theft from long-hauling trucks and draws close to the moll of a major crime figure. The woman is falling in love with him. Miller, initially determined to remain honest, slips into crime.
The film was based on the 1956 novel by Mervyn Mills, his first novel. According to his obituary in The Independent newspaper, the novel "stemmed from his journeys through early post-war Britain on a moped, before the advent of the motorways, when he absorbed, on the Great North Road, something of the lives of the long-distance lorry drivers, their roadside cafes and the people, often women, who frequented them. The book was turned down by 12 publishers, then accepted by the 13th, and even then Mills had to fight for his artistic integrity with the director and general editor Lovat Dickson to retain the more colourful passages. After so many rejections, this took courage." [4]
The Irish Times called it "an exciting and unusually vivid book." [5]
Film rights were bought by Todon Productions, the film company of Tony Owen and Donna Reed, run by Maxwell Seton. Ken Hughes, who had made films for them before, signed to write and direct. [6]
In July 1956 Diana Dors agreed to play the female lead. [7] Like many Todon films, it was distributed through Columbia. The production was credited to Seton's company, Marksman Films. [8] Columbia were financing a number of films in Britain at the time. [9]
Robert Mitchum originally was announced as the male star. [10] In January 1957 Victor Mature signed. [11] Mature had just made three films in England for Warwick Productions, which also distributed through Columbia: Zarak , Safari and Interpol . Mature had driven trucks for his father's business when younger. [12]
Setton tried to get Raymond Burr to support Mature and Dors but was unable to secure him. [13] A lead role was played by newcomer Patrick Allen whom Setton signed to a three-picture contract over three years. [14]
Filming started 18 February and took place at British Lion studios in Shepperton. [15] There was location filming in the Scottish Highlands. [16]
Monthly Film Bulletin said "This dreary thriller is hardly recognisable as the work (screenplay and direction) of the once promising Ken Hughes. On the contrary, its script and zestless handling exploit almost every known melodramatic cliché in the pursuit of squalor and violence, while its depiction of road haulage is most unconvincing. Victor Mature and Diana Dors handle synthetic roles with mournful expressions and apparent indifference; of the variable supporting cast only Patrick Allen stands out as a villain of real power and substance. The authentic Northern backgrounds, well photographed by Basil Emmot, are fully utilised in a single gripping sequence in which a ten-ton truck is driven over mountains – an oasis in the desert of tedium." [17]
Leonard Maltin dismissed the film as "Minor fare", [18] whereas DVD Talk commended a "Completely satisfying British B-noir. Sure the story is familiar, but it's handled with cold, professional skill. The performers are perfectly cast here. I'm highly recommending The Long Haul." [19]
Filmink called it "a decent little movie, and Dors was as beautiful and warm as ever, reminding everyone what she was capable of." [20]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Unsavoury thriller, well photographed." [21]
In Spain, the original poster gave it the title 'El Precio de un Hombre', 'The Price of a Man'.
The House Across the Lake is a 1954 British crime film directed by Ken Hughes and starring Alex Nicol, Hillary Brooke, Sid James and Susan Stephen. A film noir it was produced as a second feature by Hammer Films and shot at the company's Bray Studios. It was released in the United States by Lippert Pictures under the title Heat Wave.
Kenneth Graham Hughes was an English film director, writer and producer. He was the co-writer and director of the children's film Chitty Chitty Bang Bang (1968). He has been called "a filmmaker whose output was consistently interesting and entertaining, and deserved more critical attention than it has received."
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The Secret Place is a 1957 British crime film that was the directorial debut of Clive Donner. It stars Belinda Lee, Ronald Lewis, and David McCallum in a supporting role.
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Little Red Monkey is a 1955 British thriller film directed by Ken Hughes and starring Richard Conte, Rona Anderson and Russell Napier. Detectives from Scotland Yard investigate a series of murders of leading nuclear scientists, and are intrigued by strange reports received about the crimes. The film was released in the United States by Allied Artists as TheCase of the Red Monkey.
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Maxwell Setton was a British film producer, notably active in the 1950s. He was born in Cairo to British parents and studied law, becoming a barrister.
Tony Owen was an American agent and producer, who was married to Donna Reed.