The Long Haul | |
---|---|
Directed by | Ken Hughes |
Written by | Ken Hughes |
Based on | novel The Long Haul by Mervyn Mills [1] |
Produced by | Maxwell Setton |
Starring | Victor Mature Diana Dors Patrick Allen Gene Anderson |
Cinematography | Basil Emmott |
Edited by | Raymond Poulton |
Music by | Trevor Duncan |
Production company | Marksman Films |
Distributed by | Columbia Pictures |
Release dates |
|
Running time | 88 mins. |
Country | United Kingdom |
Language | English |
Budget | over $1 million [2] |
The Long Haul is a 1957 British drama film directed by Ken Hughes and starring Victor Mature, Patrick Allen and Diana Dors. [3] It is based on the novel The Long Haul by Mervyn Mills.
Harry Miller, a U.S. army NCO, leaves Allied-occupied Germany after discharge and is persuaded by his English wife Connie to settle in Liverpool. Looking for work, he becomes a lorry driver. He soon comes into contact with criminals involved in theft from long-hauling trucks and draws close to Lynn, the beautiful blonde girlfriend of a major crime figure. Lynn falls in love with Harry. Miller, initially determined to remain honest, slips into crime.
The film was based on the 1956 novel by Mervyn Mills, his first novel. According to his obituary in The Independent newspaper, the novel "stemmed from his journeys through early post-war Britain on a moped, before the advent of the motorways, when he absorbed, on the Great North Road, something of the lives of the long-distance lorry drivers, their roadside cafes and the people, often women, who frequented them. The book was turned down by 12 publishers, then accepted by the 13th, and even then Mills had to fight for his artistic integrity with the director and general editor Lovat Dickson to retain the more colourful passages. After so many rejections, this took courage." [4]
The Irish Times called it "an exciting and unusually vivid book." [5]
Film rights were bought by Todon Productions, the film company of Tony Owen and Donna Reed, run by Maxwell Seton. Ken Hughes, who had made films for them before, signed to write and direct. [6]
In July 1956 Diana Dors agreed to play the female lead. [7] Like many Todon films, it was distributed through Columbia. The production was credited to Seton's company, Marksman Films. [8] Columbia were financing a number of films in Britain at the time. [9]
Robert Mitchum originally was announced as the male star. [10] In January 1957 Victor Mature signed. [11] Mature had just made three films in England for Warwick Productions, which also distributed through Columbia: Zarak , Safari and Interpol . Mature had driven trucks for his father's business when younger. [12]
Setton tried to get Raymond Burr to support Mature and Dors but was unable to secure him. [13] A lead role was played by newcomer Patrick Allen whom Setton signed to a three-picture contract over three years. [14]
Filming started 18 February and took place at British Lion studios in Shepperton. [15] There was location filming in the Scottish Highlands. [16]
Monthly Film Bulletin said "This dreary thriller is hardly recognisable as the work (screenplay and direction) of the once promising Ken Hughes. On the contrary, its script and zestless handling exploit almost every known melodramatic cliché in the pursuit of squalor and violence, while its depiction of road haulage is most unconvincing. Victor Mature and Diana Dors handle synthetic roles with mournful expressions and apparent indifference; of the variable supporting cast only Patrick Allen stands out as a villain of real power and substance. The authentic Northern backgrounds, well photographed by Basil Emmot, are fully utilised in a single gripping sequence in which a ten-ton truck is driven over mountains – an oasis in the desert of tedium." [17]
Leonard Maltin dismissed the film as "Minor fare", [18] whereas DVD Talk commended a "Completely satisfying British B-noir. Sure the story is familiar, but it's handled with cold, professional skill. The performers are perfectly cast here. I'm highly recommending The Long Haul." [19]
Filmink called it "a decent little movie, and Dors was as beautiful and warm as ever, reminding everyone what she was capable of." [20]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Unsavoury thriller, well photographed." [21]
In Spain, the original poster gave it the title 'El Precio de un Hombre', 'The Price of a Man'.
The Roots of Heaven is a 1958 American adventure film made for 20th Century Fox, directed by John Huston and produced by Darryl F. Zanuck. The screenplay by Romain Gary and Patrick Leigh Fermor is based on Romain Gary's 1956 Prix Goncourt-winning novel of the same name. The film stars Errol Flynn, Juliette Gréco, Trevor Howard, Eddie Albert, Orson Welles, Paul Lukas, Herbert Lom and Grégoire Aslan. Huston later said that Roots of Heaven "could have been a very fine film. And largely owing to me was not a good film at all."
Kenneth Graham Hughes was an English film director and screenwriter. He worked on over 30 feature films between 1952 and 1981, including the 1968 musical fantasy film Chitty Chitty Bang Bang, based on the Ian Fleming novel of the same name. His other notable works included The Trials of Oscar Wilde (1960), Of Human Bondage (1964), Casino Royale (1967), and Cromwell (1970). He was an Emmy Award winner and a three-time BAFTA Award nominee.
I Was Monty's Double is a 1958 film produced by the Associated British Picture Corporation and directed by John Guillermin. The screenplay was adapted by Bryan Forbes from the autobiography of M. E. Clifton James, an actor who pretended to be General Bernard Montgomery as a decoy during World War II.
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Warwick Films was a film company founded by film producers Irving Allen and Albert R. Broccoli in London in 1951. The name was taken from the Warwick Hotel in New York where Broccoli and his wife were staying at the time of the final negotiations for the company's creation. Their films were released by Columbia Pictures.
The Love Specialist is 1958 Italian-French movie directed by Luigi Zampa and starring Diana Dors and Vittorio Gassman.
Wicked as They Come is a 1956 British film noir directed by Ken Hughes and starring Arlene Dahl, Philip Carey and Herbert Marshall. It is based on a novel 1950 novel Portrait in Smoke by Bill S. Ballinger. The novel was also adapted for TV in 1950.
Nor the Moon by Night is a 1958 British drama film directed by Ken Annakin and starring Belinda Lee. It was based on the novel by Joy Packer and partly filmed in the Kruger National Park, South Africa. The title is a quote from the Old Testament passage ; "The sun shall not smite thee by day, nor the moon by night."
Town on Trial is a 1957 British mystery film directed by John Guillermin and starring John Mills, Charles Coburn, Barbara Bates and Derek Farr. A whole town comes under suspicion when two grisly murders are carried out—particularly members of the local sports club.
Portrait of Alison is a 1956 British crime film directed by Guy Green and starring Terry Moore, Robert Beatty and William Sylvester. It was written by Green and Ken Hughes based on the BBC television series Portrait of Alison which aired the same year.
An Alligator Named Daisy is a 1955 British comedy film directed by J. Lee Thompson and starring Donald Sinden, Jeannie Carson, James Robertson Justice, Diana Dors, Roland Culver and Stanley Holloway. It was written by Jack Davies based on the 1954 novel of the same name by Charles Terrot.
Take a Girl Like You is a 1970 British romantic comedy drama film directed by Jonathan Miller and starring Hayley Mills, Oliver Reed and Noel Harrison. Based on the 1960 novel Take a Girl Like You by Kingsley Amis, it was adapted by George Melly.
The Great Game is a 1953 British sports comedy-drama directed by Maurice Elvey and starring James Hayter, Thora Hird and Diana Dors. It was based on a play by Basil Thomas. Many of the scenes were shot at Griffin Park the home of Brentford F.C. Several professional football players made appearances in the film including Tommy Lawton.
Drop Dead Darling is a 1966 British-American black comedy film directed by Ken Hughes and starring Tony Curtis, Rosanna Schiaffino, Lionel Jeffries and Zsa Zsa Gabor.
Timeslip is a 1955 British black-and-white science fiction film directed by Ken Hughes and starring Gene Nelson and Faith Domergue. Produced by Alec C. Snowden, it is based on a script by Charles Eric Maine.
Beyond Mombasa is a 1956 British-American Technicolor adventure film directed by George Marshall and starring Cornel Wilde, Donna Reed and Leo Genn. It was set in Kenya and shot on location there and at the Elstree Studios near London. The film's sets were designed by the art director Elliot Scott.
Little Red Monkey is a 1955 British thriller film directed by Ken Hughes and starring Richard Conte, Rona Anderson and Russell Napier. The screenplay was by Hughes and James Eastwood, based on the 1953 BBC Television series of the same name written by Eric Maschwitz.
The Brain Machine is a 1956 British thriller film directed and written by Ken Hughes and starring Maxwell Reed, Elizabeth Allan and Patrick Barr.
Maxwell Setton was a British film producer, notably active in the 1950s. He was born in Cairo to British parents and studied law, becoming a barrister.
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