The House Across the Lake | |
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![]() American release poster | |
Directed by | Ken Hughes |
Written by | Ken Hughes |
Based on | High Wray by Ken Hughes |
Produced by | Anthony Hinds |
Starring | Alex Nicol Hillary Brooke Susan Stephen |
Cinematography | Walter J. Harvey |
Edited by | James Needs |
Music by | Ivor Slaney |
Production company | |
Distributed by | Exclusive Films Lippert Pictures (US) |
Release date |
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Running time | 68 minutes |
Country | United Kingdom |
Language | English |
The House Across the Lake (U.S. title: Heat Wave) is a 1954 British film noir crime film directed and written by Ken Hughes and starring Alex Nicol, Hillary Brooke, Sid James and Susan Stephen. [1] It was produced as a second feature [2] by Hammer Films. It was released in the United States by Lippert Pictures .
An American pulp novelist, Mark Kendrick, meets his rich neighbours across the lake and is soon seduced by beautiful blonde Carol, the wife of Beverly Forrest, despite Beverly treating him as a friend. When Beverly is badly injured by a fall on his boat, Carol fails to persuade Mark to throw him overboard, so Carol does it.
After first refusing to go along with her plan to call it an accident, Mark agrees when Carol tells him that they will meet up again later and live off her dead husband's money. However, after the coroner rules the death an accident, Mark does not hear from her, but the still suspicious CID inspector on the case arranges for Mark to find out that Carol has secretly married another old flame and changed residences. Mark angrily confronts her, but she sneers that she only used him and that there is nothing he can do about it without implicating himself. Mark decides to confess, thinking that, although it will probably mean a prison sentence for him, it will mean the rope for Carol.
The film was based on the 1952 novel High Wray by Ken Hughes. [3] It was filmed at Bray Studios. [4] Nicol and Brooke were the only Americans in the cast, although Brooke played a British character. Her mastery of a "posh" accent caused her to be typecast as British in Hollywood films starting in the 1940s. [5] [6]
The Monthly Film Bulletin wrote: "Yet another vehicle for American stars, with British players in support. Alex Nicol plays adequately as Kendrick, Alan Wheatley gives a neat, incisive performance as the inspector, and the film is well constructed and photographed. Unfortunately, the plot revolves around the fatal charm of Carol Forrest, and Hillary Brooke cannot make this seem credible." [5]
Picturegoer wrote: "Maybe night life in the Lake District was never like this, but this Americanized version of a luxury-level killing makes elegant entertainment. A British-made film with American stars, it captures the ease and escapism of the smoothest thrillers." [7]
According to The Independent , "The film was praised by critics, and began Hughes's ascent into more important productions." [8]
Filmink said "It’s quite a fun movie, reminiscent of The Postman Always Rings Twice (1946); one is inclined to wonder if Nicol’s character, a writer under the pump and distracted by lust, was a Hughes self-portrait." [9]
Alastair George Bell Sim was a Scottish actor, who began his theatrical career at the age of thirty. He quickly became established as a popular West End performer, remaining so until his death in 1976. Starting in 1935, he also appeared in more than fifty British films, including an iconic adaptation of Charles Dickens’ novella A Christmas Carol, released in 1951 as Scrooge in Great Britain and as A Christmas Carol in the United States. Though an accomplished dramatic actor, he is often remembered for his comically sinister performances.
Hillary Brooke was an American film actress.
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Alexander Livingston Nicol Jr. was an American actor and film director. Nicol appeared in many Westerns including The Man from Laramie (1955). He appeared in more than forty feature films as well as directing many television shows including The Wild Wild West (1967), Tarzan (1966), and Daniel Boone (1966). He also played many roles on Broadway.
Kenneth Graham Hughes was an English film director and screenwriter. He worked on over 30 feature films between 1952 and 1981, including the 1968 musical fantasy film Chitty Chitty Bang Bang, based on the Ian Fleming novel of the same name. His other notable works included The Trials of Oscar Wilde (1960), Of Human Bondage (1964), Casino Royale (1967), and Cromwell (1970). He was an Emmy Award winner and a three-time BAFTA Award nominee.
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Portrait of Alison is a 1955 British crime film directed by Guy Green and starring Terry Moore, Robert Beatty and William Sylvester. It was written by Green and Ken Hughes based on the BBC television series Portrait of Alison which aired the same year.
An Alligator Named Daisy is a 1955 British comedy film directed by J. Lee Thompson and starring Donald Sinden, Jeannie Carson, James Robertson Justice, Diana Dors, Roland Culver and Stanley Holloway. It was written by Jack Davies based on the 1954 novel of the same name by Charles Terrot.
The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley. It was written by Jonathan Latimer based on the 1955 play of the same title by Philip Mackie.
As Long as They're Happy is a 1955 British musical comedy film directed by J. Lee Thompson and starring Jack Buchanan, Susan Stephen and Diana Dors. It was written by Alan Melville based on the 1953 play of the same name by Vernon Sylvaine. It was shot in Eastmancolor at Pinewood Studios near London with sets designed by the art director Michael Stringer.
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