| The Storming of the Teocalli by Cortez and His Troops | |
|---|---|
 | |
| Artist | Emanuel Leutze |
| Year | 1848 |
| Medium | Oil on canvas |
| Location | Wadsworth Atheneum, Hartford, Connecticut |
The Storming of the Teocalli by Cortez and his troops is an 1848 oil on canvas painting by the German American history painter, Emanuel Leutze.
The painting is based on William H. Prescott's description of events in his 1843 book, History of the Conquest of Mexico. [1] It was painted in Düsseldorf, Germany in 1848 and first exhibited in New York City in 1849, at a time when some believed it to be a commentary on the recent Mexican American War. In 1991 the painting was exhibited at the Smithsonian American Art Museum in Washington D.C. in The West as America Art Exhibition and brewed up new discussion as to whose side it takes in the conflict. [2]
Today the work is displayed as part of the permanent collection of the Wadsworth Atheneum in Hartford, Connecticut. [3]
Emanuel Gottlieb Leutze was a German-American history painter best known for his 1851 painting Washington Crossing the Delaware. He is associated with the Düsseldorf school of painting.
Albert Bierstadt was a German-American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Samuel Colman was an American painter, interior designer, and writer, probably best remembered for his paintings of the Hudson River.
A teocalli is a Mesoamerican pyramid surmounted by a temple. The pyramid is terraced, and some of the most important religious rituals in Pre-Columbian Mexico took place in the temple at the top of the pyramid.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Events from the year 1848 in art.
Thomas Worthington Whittredge was an American artist of the Hudson River School. Whittredge was a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford. He traveled widely and excelled at landscape painting, many examples of which are now in major museums. He served as president of the National Academy of Design from 1874 to 1875 and was a member of the selection committees for the 1876 Philadelphia Centennial Exposition and the 1878 Paris Exposition, both important venues for artists of the day.
John Mix Stanley was an artist-explorer, an American painter of landscapes, and Native American portraits and tribal life. Born in the Finger Lakes region of New York, he started painting signs and portraits as a young man. In 1842 he traveled to the American West to paint Native American life. In 1846 he exhibited a gallery of 85 of his paintings in Cincinnati and Louisville. During the Mexican–American War, he joined Colonel Stephen Watts Kearney's expedition to California and painted accounts of the campaign, as well as aspects of the Oregon Territory.
Westward the Course of Empire Takes Its Way is a 20-by-30-foot painted mural displayed behind the western staircase of the House of Representatives chamber in the United States Capitol Building. The mural was painted by Emanuel Gottlieb Leutze in 1861 and symbolizes Manifest Destiny, the belief that the United States was destined for Western exploration and expansion originating from the initial colonies along the Atlantic seaboard to the Pacific Ocean. A study measuring 33+1⁄4 by 43+3⁄8 inches hangs in the Smithsonian American Art Museum.
The Minnesota Marine Art Museum (MMAM) is an art museum in Winona, Minnesota, United States, specializing in marine art. The MMAM features six galleries of world-class art and artifacts including impressionism and Hudson River School paintings, marine art, folk art sculptures and traveling exhibits. Located on the banks of the Mississippi River, the museum is located in a unique, turn-of-the-century-style building and landscaped with over 60,000 native plants.
Richard Caton Woodville was an American artist from Baltimore who spent his professional career in Europe, after studying in Düsseldorf under the direction of Karl Ferdinand Sohn. He died of an overdose of morphine in London at the age of 30. He was the father of Richard Caton Woodville Jr., also a noted artist. In his short career he produced fewer than 20 paintings; but they were well known in their time through exhibition and prints and have remained prominent in the canon of American painters.
Enrico Glicenstein was a Polish-born sculptor who lived in Italy and the United States.
The West as America, Reinterpreting Images of the Frontier, 1820–1920 was an art exhibition organized by the Smithsonian American Art Museum in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of the American frontier. The goal of the curators of The West as America was to reveal how artists during this period visually revised the conquest of the West in an effort to correspond with a prevailing national ideology that favored Western expansion. By mixing New West historiographical interpretation with Old West art, the curators sought not only to show how these frontier images have defined American ideas of the national past but also to dispel the traditional beliefs behind the images.
The Capture of the Hessians at Trenton, December 26, 1776 is the title of an oil painting by the American artist John Trumbull depicting the capture of the Hessian soldiers at the Battle of Trenton on the morning of Thursday, December 26, 1776, during the American Revolutionary War. The focus is on General George Washington aiding the mortally wounded Hessian Colonel Johann Gottlieb Rall. Nearly 900 Hessians were captured at the battle. It is one of Trumbull's series of historical paintings on the war, which also includes the Declaration of Independence and The Death of General Mercer at the Battle of Princeton, January 3, 1777. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut.
Bridal Procession on the Hardanger is an 1848 oil painting by Hans Gude and Adolph Tidemand. Gude, aged just 23, painted the landscapes and Tidemand, a decade his senior, the bridal party. Each of the Norwegian artists had studied at the Kunstakademie Düsseldorf before they first met in Hardanger in 1843, and the painting was made in the winter of 1847–1848 in Düsseldorf. It measures 93 cm × 130 cm and has been held by the National Gallery in Oslo since 1895. It is one of the best known Norwegian paintings, and is considered to be an excellent example of romantic nationalism in Norway, combining a romanticised landscape with traditions of Norwegian life.
Washington Crossing the Delaware are three 1851 oil-on-canvas paintings by the German-American artist Emanuel Leutze.
The Old Stagecoach is an 1871 painting by American painter Eastman Johnson. Occasionally written as The Old Stage Coach or The Old Stage-Coach, the painting is considered one of Johnson's finest and best known works, second only to his Antebellum masterpiece Negro Life at the South.
The Passage of the Delaware is a large, Neoclassical 1819 oil-on-canvas painting by Thomas Sully. With attention to historical accuracy, the painting depicts George Washington on horseback observing the troops of the American Revolutionary Army in the process of crossing the Delaware River prior to the surprise attacks on Hessian troops on December 26, 1776 at the Battle of Trenton. The image is intended to capture the moment prior to George Washington dismounting his horse and joining his army in crossing the Delaware River.
The Art Collection of Marshall Owen Roberts was a collection of sculpture, antiques and paintings owned by New York industrialist Marshall Owen Roberts. The collection, which featured many prominent American artists and works, including Emanuel Leutze's Washington Crossing the Delaware, remained intact following his 1880 death until it was auctioned off in 1897.
Columbus Before the Queen is a 97.9 x 129.4 cm oil on canvas painting by German-American painter Emanuel Leutze. The painting is signed, and dated 1843. It is in the collection of the Brooklyn Museum, in New York, US.