The Strange Adventures of Prince Courageous | |
---|---|
Directed by | Frederick G. Becker [1] |
Screenplay by | Robert N. Lee [2] |
Produced by | Clem Beauchamp [2] |
Starring | Bessie Love Arthur Trimble |
Cinematography | Hal Mohr [1] |
Production company | Arthur Trimble Productions [3] |
Distributed by | Anchor Film Distributors |
Release date |
|
Running time | 2 reels [5] (each film) |
Country | United States |
Language | Silent (English intertitles) |
Budget | $22,000 [6] (each film) |
The Strange Adventures of Prince Courageous, also known as The Adventures of Prince Courageous, [7] is a 1923 American silent fantasy film series [8] starring Bessie Love and five-year-old [9] Arthur Trimble, directed by Frederick G. Becker.
Although it was planned to be a series of 12 two-reelers, [10] only three films were made: [11] [12] [13] The Little Knight, The Love Charm, and The Crown of Courage (also referred to as The Crown and Courage). [13] A fourth film, The Little Defender, is documented in publications from as early as the 1930s, [14] [15] [16] but is most likely an alternate title for The Crown of Courage.
The Little Knight is preserved at the Harvard Film Archive, [17] and The Little Defender is rare, but commercially available. [18] The preservation status of "Love Charm" is unknown.
Norman Kennedy was the art director for the series, [13] which re-used much of the sets and costumes from Douglas Fairbanks in Robin Hood (1922). [19] Director Frederick G. Becker had been an actor in Robin Hood.
The same cast was used throughout the series.
A knight (Butts) kills the giant son of a witch, and the witch (Coulson) retaliates by turning the knight into a little boy (Trimble). One day, King Lagg (Fabing) encounters the little knight in the forest, and invites him back to his castle, where the knight falls in love with the king's daughter Beatrice (Turner), who is to marry Duke Craven (Collins). The little knight saves princess from abduction, and the witch's spell is broken by the king's magicians. [22] [23] [24] [25]
When King Lagg leaves on a trip, and must take his Royal Guard with him, the castle is left unprotected. His son, the little prince (Trimble) takes on the responsibility of defending the castle when a band of renegades attacks the castle. The prince pulls together a ragtag army and saves the castle. [14] [16] [26]
Although it is unclear whether the films were formally screened in theaters, the first film was shown at Hollywood's Granada Theater, and the audience was asked to vote whether they liked it. 95% of the votes were positive. [27]
Juanita Horton, better known as Bessie Love, was an American-British actress who achieved prominence playing innocent, young girls and wholesome leading ladies in silent and early sound films. Her acting career spanned nearly seven decades—from silent film to sound film, including theatre, radio, and television—and her performance in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress.
Robert N. Lee was an American screenwriter. He wrote for 31 films between 1922 and 1945. He was nominated for an Academy Award for Adapted Screenplay at the 4th Academy Awards for Little Caesar. He was born in Butte, Montana and died in Hollywood, California from a heart attack.
The King on Main Street, also known as The King, is a 1925 American silent romantic comedy film directed by Monta Bell and starring Adolphe Menjou and Bessie Love. The film was adapted for the screen by Bell, and was based on the play The King, Leo Ditrichstein's adaptation of the 1908 French play Le Roi by Gaston Arman de Caillavet, Robert de Flers, and Emmanuel Arène. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Sundown is a 1924 American silent Western film directed by Laurence Trimble and Harry O. Hoyt, produced and distributed by First National Pictures, and starring Bessie Love. Frances Marion, Marion Fairfax, and Kenneth B. Clarke wrote the screenplay based on an original screen story by Earl Hudson. This film was the only production cinematographer David Thompson ever worked on. This film is presumed lost.
A Yankee Princess is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It was directed by David Smith and stars Bessie Love, who also wrote the screenplay. It is a lost film.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
Forget Me Not, also known as Forget-Me-Not, is a 1922 American silent melodrama film directed by W. S. Van Dyke and distributed by Metro Pictures. The film starred Bessie Love and Gareth Hughes. It is considered a lost film.
The Ghost Patrol is a 1923 American silent romantic melodrama film directed by Nat Ross from a short story by Sinclair Lewis, produced and distributed by Universal Pictures. It starred Ralph Graves and Bessie Love and is now considered lost.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
The Vermilion Pencil is a 1922 American silent drama film directed by Norman Dawn, and produced and distributed by Robertson–Cole. It is based on the eponymous 1908 novel by Homer Lea. The film stars Japanese actor Sessue Hayakawa in multiple roles, and white actors Ann May, Bessie Love, and Sidney Franklin, all in Asian roles. It is now a lost film.
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film.
A Little Sister of Everybody, sometimes called A Little Sister to Everybody, is a 1918 American silent comedy-drama film directed by Robert Thornby and starring Bessie Love and George Fisher. It was produced by Anderson-Brunton Company and distributed by Pathé.
Carolyn of the Corners is a 1919 American silent drama film directed by Robert Thornby, and starring Bessie Love, Charles Edler, and Charlotte Mineau.
The Little Boss is a 1919 American silent romantic comedy film directed by David Smith and produced by Vitagraph Studios. The story and screenplay were by Rida Johnson Young, and it starred Bessie Love and Wallace MacDonald.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
Penny of Top Hill Trail is a 1921 American silent Western comedy film based on the 1919 novel by Belle Kanaris Maniates. It was directed by Arthur Berthelet and stars Bessie Love. The film was produced by Andrew J. Callaghan Productions and distributed by Federated Film Exchanges of America. The film is presumed lost.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
Night Life in Hollywood, called The Shriek of Hollywood in Europe, is a 1922 American silent comedy film directed by Fred Caldwell. It starred J. Frank Glendon, Josephine Hill, and Gale Henry, and featured a number of cameo appearances of celebrities with their families.
Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.