The Subject of Tragedy: Identity and Difference in Renaissance Drama is a nonfiction book written by Catherine Belsey and published in 1985 by Methuen Publishing. It has since been republished by Routledge on July 14, 2015. [1] [2] [3] [4]
The Subject of Tragedy: Identity and Difference in Renaissance Drama is a nonfiction book written by Catherine Belsey and published in 1985 by Methuen Publishing. It has since been republished by Routledge on July 14, 2015. [1] [2] [3] [4]
The book is a literary critique and an innovative interpretation of Renaissance drama. Belsey takes into account the patriarchy and the suppressed female voices of that period. Also, Belsey "situates the protagonists between the 'discontinuous' subjects of medieval morality plays, who must await death before arriving at the absorption into God's salvationist plan, and the 'unified' heroes of classic realist drama, who represent the spurious unity affirmed by the triumph of 'liberal humanism.'" [5]
The book is divided into two parts: Part 1 Man consisting of chapters 2–4, and Part 2 Woman consisting of chapters 5–8. The chapter titles are: [6]
The book also contains a Notes chapter, a Bibliography and an Index.
The Metamorphoses is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines.
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956), or the literary Chinese classics or Chinese art, where the revival of classic styles is also a recurring feature.
Aristotle's Poetics is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama, lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes:
Postmodern feminism is a mix of post-structuralism, postmodernism, and French feminism. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through rejecting essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all woman of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
Jonathan G Dollimore is a British philosopher and critic in the fields of Renaissance literature, gender studies, queer theory, history of ideas, death studies, decadence, and cultural theory. He is the author of four academic books, a memoir, and numerous academic articles. With Alan Sinfield he was the co-editor of and key contributor to Political Shakespeare, and the co-originator of the critical practice known as cultural materialism. Dollimore is credited with making major interventions in debates on sexuality and desire, Renaissance literary culture, art and censorship, and cultural theory.
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's Edward IV, Schiller's Mary Stuart or the Dutch play Gijsbrecht van Aemstel.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
Catherine Belsey was a British literary critic and academic.
Allen J. Frantzen is an American medievalist with a specialization in Old English literature. Since retiring from Loyola University Chicago, he has been an emeritus professor.
Colin Robert Chase was an American academic. An associate professor of English at the University of Toronto, he was known for his contributions to the studies of Old English and Anglo-Latin literature. His best-known work, The Dating of Beowulf, challenged the accepted orthodoxy of the dating of the Anglo-Saxon poem Beowulf—then thought to be from the latter half of the eighth century—and left behind what was described in A Beowulf Handbook as "a cautious and necessary incertitude".
Patricia Akhimie is an associate professor Rutgers University who is known for her work on early modern women's travel writing and Shakespearean writing.
Sheila Murnaghan is the Alfred Reginald Allen Memorial Professor of Greek at the University of Pennsylvania. She is particularly known for her work on Greek epic, tragedy, and historiography.
This is a select bibliography of post-World War II English-language books and journal articles about the Early Slavs and Rus' and its borderlands until the Mongol invasions beginning in 1223. Book entries may have references to reviews published in academic journals or major newspapers when these could be considered helpful.
This is a select bibliography of post World War II English language books and journal articles about the history of Russia and its borderlands from the Mongol invasions until 1613. Book entries may have references to reviews published in academic journals or major newspapers when these could be considered helpful.
This is a select bibliography of post-World War II English language books and journal articles about the history of Russia and its empire from 1613 until 1917. It specifically excludes topics related to the Russian Revolution. Book entries may have references to reviews published in academic journals or major newspapers when these could be considered helpful.
The Oxford Illustrated History of Medieval Europe is a history of medieval Europe, first published by Oxford University Press in 1988 under the editorship of George Holmes. It is divided into six chapters by different authors, covering the period 400 to 1500 AD, each of which has either a northern or southern Europe focus. Reviewers welcomed the editor's decision to have only six tightly-focused chapters rather than the many divisions of other works, and felt that the structure of the book worked well, sufficient in itself as a history of the European medieval period and giving the reader enough background to explore the subject in more depth in other works. Despite the non-traditional structure, however, the book was criticised as perhaps too conservative in its perspective and neglecting a number of areas of growing importance in historical enquiry such as the role of women.
This is a select bibliography of English-language books and journal articles about the history of Ukraine. Book entries have references to journal reviews about them when helpful and available. Additional bibliographies can be found in many of the book-length works listed below. See the bibliography section for several additional book and chapter-length bibliographies from academic publishers and online bibliographies from historical associations and academic institutions.
This is a select bibliography of English language books and journal articles about the history of the Caucasus. A brief selection of English translations of primary sources is included. Book entries have references to journal articles and reviews about them when helpful. Additional bibliographies can be found in many of the book-length works listed below; see Further Reading for several book and chapter-length bibliographies. The External Links section contains entries for publicly available select bibliographies from universities. This bibliography specifically excludes non-history related works and self-published books.
This is a select annotated bibliography of scholarly English language books and journal articles about the subject of genocide studies; for bibliographies of genocidal acts or events, please see the See also section for individual articles. A brief selection of English translations of primary sources is included for items related to the development of genocide studies. Book entries may have references to journal articles and reviews as annotations. Additional bibliographies can be found in many of the book-length works listed below; see Further Reading for several book and chapter-length bibliographies. The External links section contains entries for publicly available materials on the development of genocide studies.
Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy is a non-fiction book by American historian Judith C. Brown, published by Oxford University Press on November 14, 1985, in hardback and on December 11, 1986, in paperback.