Anny Ondra was a Czech film actress. She began her career in 1920 and appeared in Czech, German, Austrian, French and English films. In 1933, she married German boxing champion Max Schmeling.
Victor and Victoria is a 1933 German musical comedy film written and directed by Reinhold Schünzel, starring Renate Müller as a woman pretending to be a female impersonator. The following year, Schünzel directed a French-language version of the film titled George and Georgette, starring Meg Lemonnier and a French cast.
Otto Heller, B.S.C. was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including Richard III (1955), The Ladykillers (1955) and Peeping Tom (1960).
The Theft of the Mona Lisa is a 1931 German drama film directed by Géza von Bolváry and starring Trude von Molo, Willi Forst, and Gustaf Gründgens. It is based on a true story. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Andrej Andrejew and Robert A. Dietrich.
Fritz Odemar was a German film actor. He appeared in more than 150 films between 1927 and 1955. He was born in Hannover, Germany and died in Munich, West Germany. Odemar's father was the actor Fritz Odemar Sr..
The English Marriage is a 1934 German comedy film directed by Reinhold Schünzel and starring Renate Müller, Anton Walbrook and Adele Sandrock. It was based on a novel of the same title by Ludwig von Wohl who also wrote the screenplay. The film's sets were designed by the art director Otto Hunte. Location shooting took place at Berlin's Tempelhof Airport and on Heligoland. It was made by Cine-Allianz and a number of those involved including its director, producers, screenwriter and star Anton Walbrook soon left Nazi Germany due to their Jewish backgrounds.
Tomfoolery is a 1936 German comedy film directed by Willi Forst and starring Renate Müller, Jenny Jugo and Anton Walbrook. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Kurt Herlth and Werner Schlichting. It premiered at the Gloria-Palast in Berlin on 12 June 1936.
Donogoo Tonka is a 1936 German comedy film directed by Reinhold Schünzel and starring Anny Ondra, Viktor Staal and Will Dohm. It is based on a play of the same name by Jules Romains. A separate French-language version Donogoo was also made. The film was produced by UFA at the Babelsberg Studios in Berlin, with sets designed by Otto Hunte and Willy Schiller.
The Young Count is a 1935 Czech-German comedy film directed by Carl Lamac and starring Anny Ondra, Hans Söhnker and Fritz Odemar. It is set around the circus, part of a subgenre of Circus films. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander.
Knockout is a 1935 German sports film directed by Carl Lamac and Hans H. Zerlett and starring Anny Ondra, Max Schmeling, and Hans Schönrath. After impressing a boxing trainer during a brawl over a woman, a young man is recruited and trained to be a boxer. He fights and defeats the British champion.
You Have to Be Beautiful is a 1951 German musical comedy film directed by Ákos Ráthonyi and starring Sonja Ziemann, Willy Fritsch and Anny Ondra. The film's sets were designed by art director Mathias Matthiess. It was Ondra's final film apart from a brief cameo role in The Affairs of Julie.
The Love Hotel is a 1933 German comedy film directed by Carl Lamac and starring Anny Ondra, Mathias Wieman and Peter Voß. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander. A separate French-language version was also made.
Little Dorrit is a 1934 German drama film directed by Karel Lamač and starring Gustav Waldau, Anny Ondra, and Hilde Hildebrand. It is an adaptation of Charles Dickens' 1857 Victorian era novel Little Dorrit, and made a sharp contrast to the light comedies and musicals that Ondra usually appeared in. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander.
The Cruel Mistress is a 1932 Austrian-German comedy film directed by Carl Lamac and starring Anny Ondra, Fritz Rasp and Lina Woiwode. A separate French-language version Should We Wed Them? was also released. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle.
Hannerl and Her Lovers is a 1936 Austrian comedy film directed by Werner Hochbaum and starring Olly von Flint, Albrecht Schoenhals and Hans Moser. It was based on a novel that had previously been adapted as a 1921 silent film of the same title.
Who Is This That I Love? is a 1950 West German musical comedy film directed by Géza von Bolváry and starring Jester Naefe, Adrian Hoven, and Iván Petrovich. It was shot at the Wiesbaden and Bavaria Studios and on location around Lake Starnberg. The film's sets were designed by the art directors Fritz Lück and Hans Sohnle.
The Irresistible Man is a 1937 German romantic comedy film directed by Géza von Bolváry and starring Anny Ondra, Hans Söhnker, and Trude Hesterberg.
Madame Pompadour is a 1931 German historical musical film directed by Willi Wolff and starring Anny Ahlers, Kurt Gerron, and Walter Jankuhn. Part of the tradition of operetta films, it portrays the relationship between Madame Pompadour and Louis XV of France. The film is not based on the operetta Madame Pompadour by Leo Fall. It was shot at the EFA Studios in Berlin while location filming took place at the Palace of Versailles. A separate French version A Caprice of Pompadour was also released.
Miracle of Flight is a 1935 German drama film directed by Heinz Paul and starring Ernst Udet, Jürgen Ohlsen and Käthe Haack. The film's sets were designed by the art director Robert A. Dietrich. It in the tradition of mountain films and was backed by the Ministry of Aviation whose chief Hermann Göring briefly appears in the film. Jürgen Ohlsen, who plays the aspiring aviator in the film, had previously starred in another Nazi propaganda film Hitler Youth Quex in 1933.
Fools in the Snow is a 1938 German comedy film directed by Hans Deppe and starring Anny Ondra, Paul Klinger and Gisela Schlüter. It was shot at the Johannisthal Studios in Berlin and on location in South Tyrol in the Dolomites. The film's sets were designed by the art directors Robert A. Dietrich and Artur Günther.
