The Sword of Rhiannon

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The Sword of Rhiannon
TheSwordOfRhiannon.jpg
First book publication
Author Leigh Brackett
Cover artistRobert E. Schulz
CountryUnited States
LanguageEnglish
GenreScience fiction
Publisher Ace Books
Publication date
1953 (first book publication)
Media typePrint (Paperback)
Pages131
OCLC 4880559

The Sword of Rhiannon is a science fantasy novel by American writer Leigh Brackett, set in her usual venue of Mars. A 1942 Brackett story, "The Sorcerer of Rhiannon", also uses the name; however, it is the name of a place rather than a character.

Contents

Publication

The novel was first published in the June 1949 issue of Thrilling Wonder Stories as "Sea-Kings of Mars". Its first book publication was in the early Ace Double D-36 with Conan the Conqueror by Robert E. Howard. [1]

Summary

The protagonist is Matthew Carse, a 35-year-old former archaeologist-turned-thief in the Martian city of Jekkara. He is approached by Penkawr, who attempts to coerce Carse into helping him sell the Sword of Rhiannon; a relic stolen from a Martian tomb. Rhiannon was a legendary figure from the ancient Martian race of the Quiru who made the Promethean decision to share Quiru science with another race of Martians, the Dhuvians. Like Prometheus, his actions did not go unpunished: he was sealed in a tomb and became known to history as "The Cursed One". The Quiru left Mars to the Dhuvians and other hybrid races soon afterward.

Carse accompanies Penkawr into the tomb to loot it but is transfixed by a sphere he finds within. Penkawr pushes Carse into it, sending him back millions of years to the lush Mars of the Sea-Kings. The Sea-Kings are engaged in war with the Empire of Sark, descended from the Dhuvians and both sides wish to obtain the artifacts in Rhiannon's tomb. Carse, of course, is the only person who knows the location of the tomb, though he is uneasy. As he journeyed back, he felt that another presence had joined him.

Carse is taken captive by Lady Ywain of Sark and becomes a galley slave on her ship. Also serving as a galley slave is Boghaz, a fat, lazy criminal and merchant who initially seems more than happy to sell Carse out. However, Ywain realises that Carse possessed the Sword of Rhiannon and they attempt to extract the location of the tomb from his mind. Carse resists, with the aid of the mysterious presence and he leads the galley slaves in mutiny.

Arriving at the realm of the Sea-Kings, the noblewoman Emer senses the presence in Carse, who offers to reveal the location of the tomb. The presence in Carse's mind reveals itself to be Rhiannon himself, seeking atonement for the crimes he committed eons before and the last, desperate struggle to save the planet reaches its conclusion as the whole world changes around them.

Influence and reception

Rich Horton reviewed the Ace Double edition as "really wonderful pulp Sword and Sorcery, pitch perfect, beautifully written, twistily plotted. The resolution is deeply romantic, with a shadow of true sadness."

The Encyclopedia of Science Fiction described it as "perhaps the finest" of Brackett's Mars novels, "concisely and eloquently written ... admirably combines adventure with a strongly romantic vision of an ancient sea-girt Martian civilization, which is described with a remarkable combination of freshness and nostalgia." [2]

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Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. It became the most popular celestial object in fiction in the late 1800s as the Moon was evidently lifeless. At the time, the predominant genre depicting Mars was utopian fiction. Contemporaneously, the mistaken belief that there are canals on Mars emerged and made its way into fiction. The War of the Worlds, H. G. Wells' story of an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a large influence on the science fiction genre. Life on Mars appeared frequently in fiction throughout the first half of the 1900s. Apart from enlightened as in the utopian works from the turn of the century or evil as in the works inspired by Wells, intelligent and human-like Martians also began to be depicted as decadent, a portrayal that was popularized by Edgar Rice Burroughs in the Barsoom series and adopted by Leigh Brackett among others. Besides these, more exotic lifeforms appeared in stories like Stanley G. Weinbaum's "A Martian Odyssey". The theme of colonizing Mars replaced stories about native inhabitants of the planet in the second half of the 1900s following emerging evidence of the planet being inhospitable to life, eventually confirmed by data from Mars exploration probes. A significant minority of works nevertheless persisted in portraying Mars in a way that was by then scientifically outdated, including Ray Bradbury's The Martian Chronicles. Terraforming Mars to enable human habitation has been another major theme, especially in the final quarter of the century, with the most prominent example being Kim Stanley Robinson's Mars trilogy. Stories of the first human mission to Mars appeared throughout the 1990s in response to the Space Exploration Initiative. The moons of Mars—Phobos and Deimos—have made only sporadic appearances in fiction.

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References

  1. "D-series Ace Doubles". University of North Carolina Wilmington. Retrieved 2013-02-22.
  2. "Brackett, Leigh". The Encyclopedia of Science Fiction. Retrieved 2013-02-22.