We Can't Have Everything was a 1918 American silent drama film directed and written by Cecil B. DeMille based upon a novel by Rupert Hughes. The film is considered to be lost.
The Lost House is a lost 1915 American short drama film directed by Christy Cabanne and starring Lillian Gish.
The Village Blacksmith is a 1922 American silent melodrama film directed by John Ford and produced and distributed by Fox Film Corporation. One of the eight reels survives at the UCLA Film and Television Archive, and therefore the film is considered to be lost. It was loosely adapted from the poem of the same name by Henry Wadsworth Longfellow.
Rent Free is a 1922 American silent comedy feature film produced by Famous Players–Lasky and distributed through Paramount Pictures. The film starred Wallace Reid and his current regular co-star Lila Lee. It was directed by Howard Higgin and adapted by Elmer Rice from a story written directly for the screen by Izola Forrester and Mann Page. Currently this film is lost.
Clarence is a 1922 American silent comedy drama, based on the 1919 play by Booth Tarkington, produced by Famous Players–Lasky and distributed through Paramount Pictures. It was directed by William C. deMille and starred Wallace Reid in his penultimate screen appearance.
Sick Abed is a 1920 silent comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures/Artcraft, an affiliate of Paramount. It was directed by Sam Wood and stars matinee idol Wallace Reid. It is based on a 1918 Broadway stage play Sick-a-bed by Ethel Watts Mumford starring Mary Boland. The spelling of the movie varies from the spelling of the play.
Hawthorne of the U.S.A. is a 1919 American silent comedy adventure film directed by James Cruze and starring Wallace Reid and Lila Lee. The film is based on the play of the same name by James B. Fagan. It had run on Broadway in 1912 with Douglas Fairbanks in the title role. The scenario for the film was written by Walter Woods. The film was produced by Famous Players–Lasky, and distributed by Famous Players under the Paramount-Artcraft Picture banner.
Excuse My Dust! is a surviving 1920 American silent comedy-drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based upon a Saturday Evening Post short story "The Bear Trap" by Byron Morgan. Sam Wood directed Wallace Reid. Reid's young son, Wallace Jr., makes his first screen appearance here. This film is preserved in the Library of Congress.
Big Timber is a 1917 American silent film Northwoods/drama produced by the Oliver Morosco Company and distributed by Paramount Pictures. It was directed by William Desmond Taylor and starred Kathlyn Williams and Wallace Reid. It is not known whether the film currently survives, and it may be a lost film.
Single Wives is a 1924 American silent drama film directed by George Archainbaud and produced by and starring Corinne Griffith. It was distributed by First National Pictures.
Old Loves and New is a 1926 American silent drama film directed by Maurice Tourneur in one of his final American films.
Trimmed in Scarlet is a 1923 American silent drama film directed by Jack Conway and produced and distributed by Universal Pictures. It is based on the 1920 Broadway play, Trimmed in Scarlet, by William Hurlbut and starring Broadway's Maxine Elliott. This play marked the last time Maxine Elliott appeared on Broadway. Her role in the film is played by veteran cinema star Kathlyn Williams. All prints of this film are believed lost.
Double Speed is a lost 1920 American silent comedy-drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was the debut directorial effort of Sam Wood and starred Wallace Reid in another of his racing car films.
The Dancin' Fool is a surviving 1920 American silent romantic comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures. Sam Wood directed this one of his earliest efforts. Wallace Reid and Bebe Daniels star, at the time Paramount was making them a popular team in replacement of Reid's previous female lead Ann Little. A copy of this film survives in the collection of the Museum of Modern Art, New York.
The Lottery Man is a lost 1919 American silent comedy film directed by James Cruze and starring Wallace Reid and Wanda Hawley. It is based on a 1909 Broadway play, The Lottery Man, by Rida Johnson Young. In the play Cyril Scott and Janet Beecher played the roles that Reid and Hawley play in the film. Famous Players–Lasky produced and Paramount Pictures distributed.
Locked Doors is a 1925 American silent romantic drama film directed by William C. deMille and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Redeeming Love is a 1916 American drama silent film directed by William Desmond Taylor and written by Gardner Hunting and L. V. Jefferson. The film stars Kathlyn Williams, Thomas Holding, Wyndham Standing, Herbert Standing, Jane Keckley and Helen Jerome Eddy. The film was released on December 28, 1916, by Paramount Pictures.
Too Many Millions is a lost 1918 American silent comedy film directed by James Cruze and written by Gardner Hunting based upon the novel by Porter Emerson Browne. The film stars Wallace Reid, Ora Carew, Tully Marshall, Charles Ogle, James Neill, and Winifred Greenwood. The film was released on December 8, 1918, by Paramount Pictures.
Her Beloved Villain is a lost 1920 American comedy film directed by Sam Wood and written by Alice Eyton. The film stars Wanda Hawley, Ramsey Wallace, Templar Powell, Tully Marshall, Lillian Leighton and Gertrude Claire. The film was released on December 10, 1920, by Realart Pictures Corporation.
Mothers of Men is a 1917 silent film directed by Willis Robards, promoting woman's suffrage. The seven-reel drama is considered lost. A five-reel re-edited version also directed by Robards was released in 1921—following ratification of the Nineteenth Amendment—under the title Every Woman's Problem. This version survives through a single 35mm print preserved by the British Film Institute. The 1921 re-release was restored in 2016, in a collaboration between the BFI and the San Francisco Silent Film Festival.
