Author | Anonymous |
---|---|
Language | English |
Genre | Christian, allegorical |
Publisher | "all the booksellers" |
Publication date | 1693 |
Publication place | United Kingdom |
Media type | Print (hardback) |
Preceded by | The Pilgrim's Progress: The Second Part by John Bunyan |
The Pilgrim's Progress: The Third Part is a pseudepigraphic sequel to John Bunyan's 1678 novel The Pilgrim's Progress , written by an anonymous author. It was published with Bunyan's work in editions from 1693 to 1852 because it was believed to be written by Bunyan. [1] It presents the pilgrimage of Tender-Conscience and his companions. In the 19th century it was bowdlerized to omit a few sexual situations and allusions.
Tender-Conscience, a native of the town of Vain Delights goes on the pilgrimage of Christian and Christiana to the Celestial City. He stops at some of the same places as they, but he encounters new places not visited by either Christian or Christiana and her party.
All of the lands that are outside of the Wicket Gate and the area encompassed by the "walls and borders of that region, wherein lay the way to the heavenly country" are known as the "Valley of Destruction." The time that Tender-Conscience begins his pilgrimage is a time of drought and heat, which is emblematic of a time of the persecution. Some of them are deterred in their progress, and return to their old homes in the Valley of Destruction during the night.
Tender-Conscience has a difficult time crossing the Slough of Despond, and he does not get by it without being covered in mud from it. This mud has the effect of weakening the body and blinding his eyes, and Tender-Conscience gropes along until he is overshadowed by a bright cloud from which a hand appears that washes away the mud enabling Tender-Conscience to continue his journey with vigor.
At the Wicket Gate Tender-Conscience does not escape the arrows shot against callers from Beelzebub's castle. These stick to his flesh and cause him to bleed profusely. Good-Will lets him in, and registers his name as a pilgrim. He gives Tender-Conscience a crutch that is made of wood from the Tree of Life (Lignum Vitæ). This crutch stanches the bleeding and strengthens Tender-Conscience, who must bear with the arrows of Beelzebub until he reaches the House of the Interpreter.
The Interpreter removes the arrows of Beelzebub from Tender-Conscience's body and lodges him for the night, showing him the same emblems and scenes enjoyed by Christian, Christiana, and their children and companions. The next day the Interpreter goes a little way with Tender-Conscience to where the King's Highway is walled on either side by the Wall of Salvation. Before they reach this wall they come to two farms on either side of the way. The farm on the right is well-cared for and the one on the left is not. The Interpreter tells Tender-Conscience that this provides an example to pilgrims that they should be like the caretaker of the farm on the right, who gradually improved his farm until it was in its present good condition.
Tender-Conscience when parted from the Interpreter comes to the place where Christian found the cross and the sepulchre. On either side of the cross were now erected two houses as competing lodging places for pilgrims. On the right was the House of Mourning, and on the left was the House of Mirth. The House of Mirth is like an ale house with carousing men, but the House of Mourning is tended by pious women called "matrons." Tender-Conscience decides to go to the House of Mourning despite the agitation induced in the men of the House of Mirth, who form a mob surrounding the House of Mourning demanding that Tender-Conscience be handed over to them. Three shining ones appear to Tender-Conscience promising to rescue him. The first shining one breathes on Tender-Conscience making him a new creature, the second clothes him in a white robe in place of his crimson clothes, and the third one gives him a sealed roll. With this change Tender-Conscience is able to get by unrecognized by the men from the House of Mirth and, so, go on his way.
At the Hill Difficulty Tender-Conscience had the choice of the three ways: the one going up the hill also called "Difficulty," the one going around the right hand of the hill called "Danger," and the one going around the left side of the hill called "Destruction." The broadness and pleasantness of the two byways induced Tender-Conscience to take the right-hand byway Danger. He thought that this way would also lead him to the top of the hill, but the growing denseness of the forest surrounding the way and the howlings of wild beasts that he heard induced him to go back to the foot of the hill. He then remembered the Bible passages that characterized the right way as narrow, so he chose to go up the hill by way of the steep and narrow path.
Working his way up the hill, he is taken into two caves tended by Good-resolution and Contemplation where he is shown alabaster statues of famous pilgrims from the Bible who had gone on before, and an image of the Celestial City from a carved diamond. He is given respite and food by Good-Resolution, who warns him about places he should avoid staying while on the hill, and then he continues on the path, where he is stopped by a flattering man Spiritual-Pride, who convinces him there is a quicker way to his award, and leads him to a tower of Lofty-Thoughts with the plans of throwing Tender-Conscience off it, and dashing upon the bottom of the hill below. Tender remembers the warnings from Good-resolution, and he runs away, going on further he is stopped by an old man, Carnal-Security, who also convinces him to turn from the road, and he leads to a grand palace tended by the old man's wife Intemperance and his daughters Wantonness and Forgetfulness, where he is enticed to drink wine, dabbles with Wantonness and fall asleep in Forgetfulness' arms. Servants carry him inside and put him on a bed, and music begins to play with the intent of keeping him asleep until he dies, in which case his corpse would be carried down the hill to the path of Destruction, tossed into the fiery Lake of Destruction at the end of the road and die the 'second death'. Tender's crutch awakens him, and he gets up, and a storm and voices in his ear urge him to escape. On the way he runs into Gluttony who tries to get him stay for a feast that is prepared for him; avoiding that, he runs into the old man, who tries to convince him to stay, and if he will not to take another drink of the grapes before he leaves. Tender continues to run from the debate, and as he passes the fountain in the palace courtyard Wantonness, who is bathing in it, arises out naked and tries to seduce Tender. He narrowly avoids her grasp to escape, and run back to the main highway on the hill, and reaches the House Beautiful and is let in due to his pass.
At the palace, Tender has long conversations with the virgins Discretion, Charity, Prudence, and Piety about how he escaped danger on the way up the hill, and then is taken to a feast, where he was served by others of the society (Temperance, Decency, Frugality and Bounty). He then has a conversation on how they came to that place themselves to take on their positions (they were devotees to the woman Religion who originally lived there, and promised to keep her rules), and the discussion of the role of healthy food and moderation in a Christian lifestyle.
Tender sets off again, reaching the Valley of Humuliation, which has been covered with traps, nets and gins set up by the prince of the air, to stop high-minded pilgrims from proceeding further. Tender realizes he has to crawl under them in order to make any progress. He reaches a bridge, and is met with men in rowboats he thought might be murderers and robbers who infested the place. They began to shoot arrows at him, some of which missed him, and others which hit the shield he had received from House Beautiful. The men shooting at him included Worldly-honour, Arrogancy, Pride, Self-conceit, Vain-glory, and Shame. The last of these wounded him in his cheek, but barely drew blood. He continued on until he was past the bridge, and could again walk upright, and then praised the Lord.
Tender finally reached the Valley of Shadow of Death...
The first part of the Pilgrim's Progress was very popular and elicited many anonymous second parts, few of which survive. Bunyan appeared to intend to write a third part but died before it could be completed. [2] This false third part was denounced as early as 1708 but remained quite popular.[ citation needed ]
The Hebrew term Abaddon, and its Greek equivalent Apollyon appear in the Bible as both a place of destruction and an angel of the abyss. In the Hebrew Bible, abaddon is used with reference to a bottomless pit, often appearing alongside the place Sheol, meaning the resting place of dead peoples.
John Bunyan was an English writer and Puritan preacher. He is best remembered as the author of the Christian allegory The Pilgrim's Progress, which also became an influential literary model. In addition to The Pilgrim's Progress, Bunyan wrote nearly sixty titles, many of them expanded sermons.
A pilgrim is a traveler who is on a journey to a holy place. Typically, this is a physical journey to some place of special significance to the adherent of a particular religious belief system. In the spiritual literature of Christianity, the concept of pilgrim and pilgrimage may refer to the experience of life in the world or to the inner path of the spiritual aspirant from a state of wretchedness to a state of beatitude.
Bunhill Fields is a former burial ground in central London, in the London Borough of Islington, just north of the City of London. What remains is about 1.6 hectares in extent and the bulk of the site is a public garden maintained by the City of London Corporation.
The Pilgrim's Progress from This World, to That Which Is to Come is a 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of theological fiction in English literature and a progenitor of the narrative aspect of Christian media. It has been translated into more than 200 languages and has never been out of print. It appeared in Dutch in 1681, in German in 1703 and in Swedish in 1727. The first North American edition was issued in 1681. It has also been cited as the first novel written in English. According to literary editor Robert McCrum, "there's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as William Hogarth, C. S. Lewis, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott, George Bernard Shaw, William Thackeray, Charlotte Bronte, Mark Twain, John Steinbeck and Enid Blyton." The words on which the hymn "To be a Pilgrim" is based come from the novel.
Ralph Vaughan Williams wrote his Symphony No. 5 in D major between 1938 and 1943. In style it represents a shift away from the violent dissonance of his Fourth Symphony, and a return to the gentler style of the earlier Pastoral Symphony.
The House of Mirth is a 1905 novel by American author Edith Wharton. It tells the story of Lily Bart, a well-born but impoverished woman belonging to New York City's high society in the 1890s. The House of Mirth traces Lily's slow two-year social descent from privilege to a lonely existence on the margins of society. In the words of one scholar, Wharton uses Lily as an attack on "an irresponsible, grasping and morally corrupt upper class."
The Pilgrim's Regress is a book of allegorical fiction by C. S. Lewis. This 1933 novel was Lewis's first published work of prose fiction, and his third piece of work to be published and first after he converted to Christianity. It charts the progress of a fictional character named John through a philosophical landscape in search of the Island of his desire. Lewis described the novel to his publisher as "a kind of Bunyan up to date," in reference to John Bunyan's 1678 novel The Pilgrim's Progress, recast with the politics, ideologies, philosophy, and aesthetic principles of the early 20th century. As such, the character struggles with the modern phoniness, hypocrisy, and intellectual vacancy of the Christian church, Communism, Fascism, and various philosophical and artistic movements.
The Slough of Despond is a fictional, deep bog in John Bunyan's allegory The Pilgrim's Progress, into which the protagonist Christian sinks under the weight of his sins and his sense of guilt for them.
The Pilgrim's Progress is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory The Pilgrim's Progress. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his second wife, Ursula Wood. His changes to the story included altering the name of the central character from 'Christian' to 'Pilgrim', so as to universalise the spiritual message.
Demas was a man mentioned by the Apostle Paul in the New Testament of the Bible, and appears to have been involved for a time in his ministry.
Beelzebub or Baʿal Zebub, also spelled Beelzebul or Belzebuth, and occasionally known as the Lord of the Flies, is a name derived from a Philistine god, formerly worshipped in Ekron. In some Abrahamic religions he is described as a major demon. The name Beelzebub is associated with the Canaanite god Baal.
The Holy War Made by King Shaddai Upon Diabolus, to Regain the Metropolis of the World, Or, The Losing and Taking Again of the Town of Mansoul is a 1682 novel by John Bunyan. Regarded as one of the early modern English novel written in the form of an allegory, it tells the story of the residents in a town called "Mansoul". Though the town along with its citizens is deemed perfect under the rule of Shaddai (Almighty), its citizens had been persuaded by Diabolus to rebel and throw off his reign, effectively crowning Diabolus as its ruler. During Diabolus' reign on Mansoul, Shaddai, seeking to restore his kingship, sends his son Emmanuel to reclaim it.
Pilgrim's Progress: Journey to Heaven is a 2008 Christian film based on John Bunyan’s classic 1678 novel The Pilgrim's Progress. It was written and directed by Danny Carrales, and starred Daniel Kruse as Christian. The film was featured at the Merrimack Valley Christian Film Festival.
The Pilgrim's Progress is a 2019 American animated Christian fantasy adventure film written and directed by Robert Fernandez and featuring the voices of David Thorpe, John Rhys-Davies and Kristyn Getty. It is based on John Bunyan's 1678 novel The Pilgrim's Progress.
Quidam Pilgrim is a Cuban musical duet formed in 2005 by vocalist Adela Rivas Cruz and keyboardist Félix Muñiz Penedo. Their music fuses elements of Celtic, new-age music, alternative rock and afro-Cuban music frequently making use of harmonised vocal melodies against orchestral backgrounds.
"The Celestial Railroad", 1843, is a short story by American author Nathaniel Hawthorne. In the allegorical tale, Hawthorne adopts the style and content of the seventeenth-century allegory The Pilgrim's Progress by John Bunyan. Where Bunyan's tale portrays a Christian's spiritual "journey" through life, Hawthorne's satirizes many contemporary religious practices and philosophies, including transcendentalism.
Killjoy Goes to Hell is a 2012 American black comedy slasher film and the fourth installment in the Killjoy series of movies by Full Moon.
Mellor's Gardens are the gardens of Hough Hole House and are located to the northwest of the village of Rainow, Cheshire, England. They were created by James Mellor, a local industrialist, their design being inspired by the teaching of Emanuel Swedenborg, and are a representation of John Bunyan's The Pilgrim's Progress. Having been neglected in the 20th century, they have been restored and are open to visitors by arrangement. The gardens are listed at Grade II in the Register of Historic Parks and Gardens, and contain a number of Grade II listed buildings.
A bronze statue of John Bunyan stands on St Peter's Green, Bedford, England. The statue was sculpted by Sir Joseph Edgar Boehm, it was erected in 1874, and unveiled on 10 June of that year. The statue was commissioned by the Ninth Duke of Bedford and presented by him to Bedford town.