The Toronto Rap Project | |
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Directed by | Richard Budman |
Produced by | John Bortolotti |
Music by | Jeru the Damaja, Maestro Fresh Wes, Kardinal Offishall, The Dope Poet Society |
Release date |
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Country | Canada |
The Toronto Rap Project is a 2006 documentary directed by Richard Budman, about rap music culture and violence in Toronto, Ontario, Canada. It was produced by John Bortolotti for D.C.R. Productions [1] and premiered April 20, 2006 at the ReelWorld Film Festival in 2006. [2] [3]
On November 22, 2005, MP Dan McTeague asked Immigration Minister Joe Volpe to restrict rapper 50 Cent from entering Canada, citing the death of a constituent at the performer's previous concert in Toronto in 2004. [4] 50 Cent's tour went on as scheduled but McTeague's intervention succeeded in seeing at least half of the accompanying members of the rapper's troupe, the G-Unit, banned in Canada as a result of the objections. [5]
The documentary travels to diverse neighbourhoods including Jane-Finch, Cataraqui Park in Scarborough, and ends up at the 50 Cent concert in Toronto. [6] It features commentary and interviews from both aspiring rappers and established music stars Kardinal Offishall and Wes “Maestro” Williams, Reverend Eugene Rivers, BBC documentary filmmaker Don Letts, journalists, politicians, and the everyday person on the streets of Toronto also weigh in on the debate. [7]
The Toronto Rap Project Soundtrack was released in April, 2006, produced by John Bortolotti and distributed by D.C.R. Productions. The soundtrack featured songs inspired by and used in the documentary, including music by such prominent rap artists such as Jeru the Damaja, Maestro Fresh Wes, Kardinal Offishall and The Dope Poet Society, along with many underground rappers from areas that the documentary covered. The Canadian urban magazine Urbanology called the soundtrack "the hottest movie soundtrack since The Show ", and the soundtrack was called "a remarkable soundtrack" by the Brock Press.
The Toronto Rap Project won the StarTV audience choice award for best film and the best director award at the festival, while selling out both of the screenings of the film. The film was also awarded a four-star review by Now Magazine and received positive reviews in The Toronto Star and National Post. It was also a feature story on CBC News and MTV Canada.
The Toronto Rap Project also played several other film festivals, receiving rave reviews at both its Brunswick House Screening and at the 2006 Commfest Gala with Harold Stoute. [8] The Rap Project also hosted a Jane and Finch community screening at Driftwood Community Center with Rap Project Star Blacus Ninjah. [9]
The Toronto Rap Project was eventually distributed on-line through the Rap Project website and through social networking sites such as YouTube, Myspace, and Facebook. The success of The Toronto Rap Project led D.C.R. Productions to continue the premise of the documentary as a running on-line show, called RAPproject TV. RAPproject TV has featured interviews with such hip-hop heavyweights as Russell Simmons, Chuck D and RZA. [10]
Drop the Beat was a Canadian television series produced by Back Alley Film Productions, which aired on CBC Television in 2000 and 2001. A short-run dramatic series, the show was one of the first television series in the world centred around hip hop music and culture.
Wesley "Wes" Williams is a Canadian rapper, record producer, actor, and author. He is known professionally by his stage names Maestro Fresh Wes or Maestro as a musician, and is credited by his birth name as an actor. One of the earliest Canadian rappers to achieve mainstream success, he is credited as the "Godfather of Canadian hip hop". His debut album, Symphony in Effect (1989), was the first certified platinum album by a Black Canadian artist.
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"Money Jane" is a song recorded by Canadian DJ group Baby Blue Soundcrew featuring Canadian rapper Kardinal Offishall, Jamaican musician Sean Paul, and Canadian singer-songwriter Jully Black. It was released by Universal Music Canada in 2000, and was the first single from the group's debut studio compilation album Private Party Collectors Edition; a remix was included on Offishall's 2001 album Quest for Fire: Firestarter, Vol. 1. "Money Jane" is a Canadian hip hop and dancehall song with lyrics about a wealthy woman who provides financial and material support for her male companion. The song is noted for its influence on Toronto's hip hop music scene, and is credited with launching Paul's international music career.
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