The Town | |
---|---|
Directed by | Josef von Sternberg |
Written by | Joseph Krumgold |
Produced by | Philip Dunne |
Cinematography | Larry Madison |
Production company | |
Release date |
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Running time | 12 minutes |
Country | United States |
Language | English |
The Town is a short propaganda film produced by the Office of War Information in 1943. The documentary, depicting the American Midwestern city of Madison, Indiana was filmed by Josef von Sternberg in 1943 and released in 1945.
The Town is a 1943 American documentary film whose subject is the Midwestern town of Madison, Indiana. Endorsed by the United States Office of War Information (OWI), which oversaw propaganda during World War II, the 11-minute film presents Madison “as the model American town where citizens embodied American ideals and values.” Filmed by the acclaimed Hollywood director Josef von Sternberg, the camera showcases the people of Madison – many of whom were European immigrants – in their “public libraries, corner drugstores, schoolhouses and public swimming pools.”
The Town was created as part of The American Scene series and “shown overseas to remind troops what they were fighting to preserve and to demonstrate American cultural values to foreigners. It was translated into 32 languages.” [1] [2]
The Academy Film Archive preserved The Town in 2012. [3] The film is part of the Academy War Film Collection, one of the largest collections of World War II era short films held outside government archives. [4]
Sternberg's portrait of Madison, Indiana in the sun-drenched summer of 1943 serves to artistically unite the Old World influences brought by European immigrants with the “progressive social and political ideas of the New World.” [5]
Sternberg opens the documentary show-casing “an Italian campanile, a palladian portico, a Renaissance fountain” as if these were features from a European travelogue. The audience is disabused of that impression when a narrator identifies the structures as the functional and egalitarian architecture of a small Mid-western community: “the fountain belongs to the local swimming pool, a courthouse, the portico to a courthouse and the campanile is the Madison Fire Brigade bell-tower.”
The citizenry of Madison, some identifiable ethnically as Austrian, Greek, Swedish and French are all active in work and social life. Employing tracking and dissolve shots, Sternberg's camera explores the social institutions in town and country, urban and rural, as well as quiet and secure suburban streets and homes. [6]
Commenting on Sternberg's approach to his wartime assignment, film critic John Baxter writes:
”The Town is a work of a happy man, reacting without bitterness to a project considerably beneath his own abilities.” [7]
The Docks of New York is a 1928 American silent drama film directed by Josef von Sternberg and starring George Bancroft, Betty Compson, and Olga Baclanova. The movie was adapted by Jules Furthman from the John Monk Saunders story The Dock Walloper.
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Josef von Sternberg was an Austrian-born filmmaker whose career successfully spanned the transition from the silent to the sound era, during which he worked with most of the major Hollywood studios. He is best known for his film collaboration with actress Marlene Dietrich in the 1930s, including the highly regarded Paramount/UFA production The Blue Angel (1930).
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The North Star is a 1943 pro-resistance war film starring Anne Baxter, Dana Andrews, Walter Huston, Walter Brennan and Erich von Stroheim It was produced by Samuel Goldwyn Productions and distributed by RKO Radio Pictures. It was directed by Lewis Milestone, written by Lillian Hellman and featured production design by William Cameron Menzies. The music was written by Aaron Copland, the lyrics by Ira Gershwin, and the cinematography by James Wong Howe. The film also marked the debut of Farley Granger.
Sergeant Madden is a 1939 film noir forerunner directed by Josef von Sternberg and starring Wallace Beery. The supporting cast in this dark police crime drama, noted for its imaginative and evocative cinematography, includes Tom Brown, Laraine Day, Alan Curtis, and Marc Lawrence.
Prisoner of Paradise is a 2002 documentary film directed by Malcolm Clarke and Stuart Sender. The film is an international co-production of Canada, the United States, and the United Kingdom, and tells the true story of Kurt Gerron, a German-Jewish cabaret and film actor in the 1920s and 1930s who was deported to the Theresienstadt concentration camp in Czechoslovakia during World War II. There, Gerron was ordered to write and direct a Nazi propaganda film.
Anatahan (アナタハン), also known by its on-screen title of The Saga of Anatahan, is a 1953 black-and-white Japanese war drama film directed by Josef von Sternberg, with special effects by Eiji Tsuburaya. It was adapted by Sternberg from Younghill Kang's English translation of Michiro Maruyama's nonfiction account of the seven years he and a group of World War II Japanese holdouts spent on Anatahan island, which was then part of the South Seas Mandate of Imperial Japan and is now one of the Northern Mariana Islands of the United States. This story also inspired the 1998 Japanese novel Cage on the Sea.
Crime and Punishment is a 1935 American drama film directed by Josef von Sternberg for Columbia Pictures. The screenplay was adapted by Joseph Anthony and S.K. Lauren from Fyodor Dostoevsky's 1866 novel of the same title. The film stars Peter Lorre in the lead role of Raskolnikov.
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