La Prima Ballerina, ou L'embuscade or The Traveling Dancer (aka La Danseuse en voyage) is a ballet (choreographic episode) in one act, with choreography by Marius Petipa, music by Cesare Pugni and libretto by Paul Taglioni. It was based on a ballet created by Paul Taglioni for the Ballet of Her Majesty's Theatre, London first presented on June 14, 1849.
A variation from this ballet—composed by Petipa in 1905 for the Prima BallerinaOlga Preobrajenskaya—was the last choreography Petipa ever created (as noted in his Diaries).
Lev Ivanov produced a revival for the Imperial Ballet, with the composer/conductor Riccardo Drigo editing and making additions to Cesare Pugni's original score. First presented on July 26/August 7 (Julian/Gregorian calendar dates), 1893 for the Imperial court at the theatre of Krasnoe Selo. St. Petersburg, Russia.
Marius Ivanovich Petipa, born Victor Marius Alphonse Petipa, was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history.
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of Le Corsaire are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.
Carlotta Grisi was an Italian ballet dancer. Born in Visinada, Istria. Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle".
Cesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of Premier maître de ballet of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as Prima ballerina. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot's successors Arthur Saint-Léon and Marius Petipa, serving as the Imperial Theatre's official composer of ballet music until his death in 1870. He was also the grandfather of Russian painter Ivan Puni, also known as Iwan Puni and Jean Pougny.
Jules-Joseph Perrot was a dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including Pas de Quatre, La Esmeralda, Ondine, and Giselle with Jean Coralli.
Ondine, ou La naïade is a ballet in three acts and six scenes with choreography by Jules Perrot, music by Cesare Pugni, and a libretto inspired by the novel Undine by Friedrich de la Motte Fouqué. Pugni dedicated his score to Augusta, Duchess of Cambridge, a long-time balletomane and patron of the arts in London. Whilst the original London production used the title Ondine, ou La naïade, Perrot staged a revival of the ballet under the title, La naïade et le pêcheur, a title which was used for all subsequent productions of the ballet.
The Sergeyev Collection is a collection of choreographic notation, musical materials, designs for décor and costumes, theatre programs, photos and other items that document the repertory of the Imperial Ballet of St. Petersburg, Russia at the turn of the 20th century. The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as Premier Maître de ballet of the St. Petersburg Imperial Theatres. The collection also documents a few ballets by Lev Ivanov, who served as second Maître de ballet. Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively.
Camargo is a grand ballet in three acts and nine scenes, with choreography by Marius Petipa and music by Ludwig Minkus. The libretto by Jules-Henri Vernoy de Saint-Georges and Marius Petipa is based on an incident in the life of the 18th-century dancer Marie Camargo, in which she and her sister Madeleine were abducted by the Comte de Melun in May 1728 and taken to his mansion.
Lydia, the Swiss Milkmaid is a Demi-Caractère ballet in 2 acts, with choreography by Filippo Taglioni and music by Adalbert Gyrowetz.
A Marriage During the Regency is a ballet in 2 acts, with libretto and choreography by Marius Petipa and music by Cesare Pugni.
Terpsichore is a ballet in one act based on the myth of Terpsichore, with choreography by Marius Petipa and music by Cesare Pugni. First presented by the Imperial Ballet on November 15/27, 1861, for the Imperial court at the theatre of Tsarskoe Selo in St. Petersburg, Russia.
The Beauty of Lebanon, or The Mountain Spirit is a fantastic ballet in three acts and seven scenes, with choreography by Marius Petipa and music by Cesare Pugni. Libretto by E. Rappoport and Marius Petipa. The ballet was first presented by the Imperial Ballet on December 12/24, 1863 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, with Mariia Surovshchikova-Petipa and Timofei Stukolkin.
Florida is a ballet in three acts and five scenes, with libretto and choreography by Marius Petipa and music by Cesare Pugni. The work was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre on January 10/22, 1866, in St. Petersburg, Russia, with Mariia Surovshchikova-Petipa as Florida.
The Benevolent Cupid is a ballet in one act, with libretto and choreography by Marius Petipa and music by Cesare Pugni, first presented by students of the Imperial Ballet School on the stage of the school's theatre, on March 6/18, 1868, in St. Petersburg, Russia.
Catarina ou la Fille du bandit is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni. The libretto is based on an incident in the life of the Italian painter Salvator Rosa. The work was first presented by the Ballet of Her Majesty's Theatre on 3 March 1846 in London, England, with Lucile Grahn, Louis-François Gosselin, and Jules Perrot.
The Two Stars or The Stars or The Two Little Stars is an Anacreontic ballet in 1 act, with choreography by Marius Petipa, and music by Cesare Pugni. Libretto by Marius Petipa, based on an ancient Greek myth.
La Vivandière is a ballet in one act with choreography by Arthur Saint-Léon and Fanny Cerrito, and music by Cesare Pugni.
Pâquerette is a ballet in three acts, with choreography by Arthur Saint-Léon and music by François Benoist.
Le Diable à quatre is a ballet in two acts and three scenes, with choreography by Joseph Mazilier, music by Adolphe Adam, and libretto by Adolphe de Leuven, first presented by the Ballet of the Académie Royale de Musique on 11 August 1845, with Carlotta Grisi and Lucien Petipa.
Ludwig Minkus, also known as Léon Fyodorovich Minkus, was an Austrian composer of ballet music, a violin virtuoso and teacher.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
