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Charles VIII, called the Affable, was King of France from 1483 to his death in 1498. He succeeded his father Louis XI at the age of 13. His elder sister Anne acted as regent jointly with her husband Peter II, Duke of Bourbon until 1491, when the young king turned 21 years of age. During Anne's regency, the great lords rebelled against royal centralisation efforts in a conflict known as the Mad War (1485–1488), which resulted in a victory for the royal government.
Francis II was Duke of Brittany from 1458 to his death. He was the grandson of John IV, Duke of Brittany. A recurring theme in Francis' life would be his quest to maintain the quasi-independence of Brittany from France. As such, his reign was characterized by conflicts with King Louis XI of France and with his daughter, Anne of France, who served as regent during the minority of her brother, King Charles VIII. The armed and unarmed conflicts from 1465 to 1477 and 1484–1488 have been called the "War of the Public Weal" and the Mad War, respectively.
The union of the Duchy of Brittany with the Crown of France was the culmination of a political process begun at the end of the 15th century in the wake of the Mad War. It resulted in the Edict of Union of 13 August 1532 and the incorporation of the duchy into the Crown lands of France, a critical step in the formation of modern-day France.
The Female Fortune Teller is a 1726 comedy play by the British writer Charles Johnson. It is a reworking of Edward Ravenscroft's 1683 restoration comedy Dame Dobson.
As You Find It is a 1703 comedy play by the English writer Charles Boyle, later Earl of Orrery. His grandfather Roger Boyle, 1st Earl of Orrery had also been a playwright. In style it is much closer to traditional Restoration comedy, than the developing trend for Sentimental comedy.
The Wife's Relief, or, The Husband's Cure is a 1711 comedy play by the British writer Charles Johnson. The plot revolves around a virtuous wife who tries to mend her husband's rakish ways.
The Traitor is a tragedy published anonymously in 1718 and commonly attributed to the British writer and actor Christopher Bullock. It is a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Masquerade is a 1719 comedy play by the British writer Charles Johnson.
Merope is a 1731 tragedy by the British writer George Jeffreys. It takes place in Ancient Greece, based around the myth of Merope. Voltaire wrote his own play Mérope on the subject in 1743.
The Fatal Secret is a 1733 tragedy by the British writer Lewis Theobald.
The Roman Maid is a 1724 tragedy by the British writer Robert Hurst. It is set during the reign of the Roman Emperor Diocletian.
Edwin is a 1724 tragedy by the British writer George Jeffreys.
Love in a Forest is a 1723 comedy play by Charles Johnson. It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things.
The Fatal Legacy is a 1723 tragedy by the British writer Jane Robe. It was inspired by Jean Racine's 1664 play La Thébaïde. It concerns the children of Oedipus in Ancient Thebes.
The Married Philosopher is a 1732 comedy play by the writer John Kelly. It was inspired by the 1727 play Le Philosophe Marié by the French writer Philippe Néricault Destouches.
Philip of Macedon is a 1727 tragedy by the British writer David Lewis. It is set during the reign of Philip of Macedon.
The Country Lasses: or, The Custom of the Manor is a 1715 comedy play by the British writer Charles Johnson.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
Tamerlane is a 1701 history play by the English writer Nicholas Rowe. A tragedy, it portrays the life of the Timur, the fourteenth century conqueror and founder of the Timurid Empire. Rowe, a staunch Whig, used the historical story as an allegory for the life of William III who resembles his portrayal of Tamerlane while his opponent the Ottoman leader Bayezid I was equivalent to William's longstanding opponent Louis XIV of France. An earlier version of the story Tamburlaine was written by Christopher Marlowe during the Elizabethan era with a very different focus in the context of the English Renaissance.
