The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
Elizabeth Southerden Thompson, later known as Lady Butler, was a British painter who specialised in painting scenes from British military campaigns and battles, including the Crimean War and the Napoleonic Wars. Her notable works include The Roll Call, The Defence of Rorke's Drift, and Scotland Forever!. She wrote about her military paintings in an autobiography published in 1922: "I never painted for the glory of war, but to portray its pathos and heroism." She was married to British Army officer William Butler, becoming Lady Butler after he was knighted.
William Powell Frith was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting The Sleeping Model as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth".
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Joy St Clair Hester was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism. Hester is best known for her bold and expressive ink drawings. Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood, the threat of war, and her personal experience with Hodgkin's disease. Hester is most well known for the series Face, Sleep, and Love (1948–49) as well as the later works, The Lovers (1956–58).
Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.
Minnie Pwerle was an Australian Aboriginal artist. She came from Utopia, Northern Territory, a cattle station in the Sandover area of Central Australia 300 kilometres (190 mi) northeast of Alice Springs.
George Frederick Folingsby was an Irish-born Australian painter and art educator.
Clarice Marjoribanks Beckett was an Australian artist and a key member of the Australian tonalist movement. Known for her subtle, misty landscapes of Melbourne and its suburbs, Beckett developed a personal style that contributed to the development of modernism in Australia. Disregarded by the art establishment during her lifetime, and largely forgotten in the decades after her death, she is now considered one of Australia's greatest artists.
Harold Septimus Power, usually known as H. Septimus Power or H. S. Power, was a New Zealand-born Australian artist, who was an official war artist for Australia in World War I.
Galatea of the Spheres is a painting by Salvador Dalí made in 1952. It depicts Gala Dalí, Salvador Dalí's wife and muse, as pieced together through a series of spheres arranged in a continuous array. The name Galatea refers to a sea nymph of Classical mythology renowned for her virtue, and may also refer to the statue beloved by its creator, Pygmalion.
Shearing the Rams is an 1890 painting by Australian artist Tom Roberts. It depicts sheep shearers plying their trade in a timber shearing shed. Distinctly Australian in character, the painting is a celebration of pastoral life and work, especially "strong, masculine labour", and recognises the role that the wool industry played in the development of the country.
Australian tonalism was an art movement that emerged in Melbourne during the 1910s. Known at the time as tonal realism or Meldrumism, the movement was founded by artist and art teacher Max Meldrum, who developed a unique theory of painting, the "Scientific Order of Impressions". He argued that painting was a pure science of optical analysis, and believed that a painter should aim to create an exact illusion of spatial depth by carefully observing in nature tone and tonal relationships and spontaneously recording them in the order that they had been received by the eye.
Nasturtiums is an oil painting by the Australian Impressionist painter Emanuel Phillips Fox painted in 1912 during a period of great creativity for the artist in which he produced some of his finest works. It shows a woman, Edith Susan Gerard Anderson, wearing a printed mauve dress, black hat and black gloves, reading in a garden seated in a cane chair against a background of climbing nasturtium leaves and flowers growing up a trellis.
Florence Ada Fuller was a South African-born Australian artist. Originally from Port Elizabeth, Fuller migrated as a child to Melbourne with her family. There she trained with her uncle Robert Hawker Dowling and teacher Jane Sutherland and took classes at the National Gallery of Victoria Art School, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for Cecil Rhodes, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the Paris Salon and London's Royal Academy.
The Finding of Moses, sometimes called Moses in the Bulrushes, Moses Saved from the Waters, or other variants, is the story in chapter 2 of the Book of Exodus in the Hebrew Bible of the finding in the River Nile of Moses as a baby by the daughter of Pharaoh. The story became a common subject in art, especially from the Renaissance onwards.
The Gilded Cage is a 1908 oil painting by Irish artist Saint George Hare, one of several of his shackled female images including his more famous TheVictory of Faith.
Leon Pole was an Australian artist who was associated with the Heidelberg School art movement, also known as Australian Impressionism.
Ulysses and the Sirens is an 1891 painting by the Pre-Raphaelite artist John William Waterhouse. It is currently held in the National Gallery of Victoria, Melbourne, Australia.
