The Visitor | |
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Directed by | Bruce LaBruce |
Screenplay by |
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Based on | Teorema by Pier Paolo Pasolini |
Produced by |
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Starring |
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Cinematography | Jack Hamilton |
Edited by | Judy Landkammer |
Music by | Hannah Holland |
Production company | A/POLITICAL |
Distributed by | Best Friend Forever |
Release date |
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Running time | 101 minutes |
Country | United Kingdom |
Language | English |
The Visitor is a 2024 British film directed by Bruce LaBruce. The film, starring burlesque actor Bishop Black in titular role, is a new interpretation of Pier Paolo Pasolini's 1968 allegorical film Teorema , depicted in explicit sex scenes. [1] [2]
It was selected in the Panorama section at the 74th Berlin International Film Festival where it was screened on 17 February 2024. [3]
The Visitor is a British-set reimagining of Pier Paolo Pasolini’s 1968 film Teorema. Pasolini’s enigmatic protagonist, known to everyone as “the visitor”, arrives at the house of an upper-class family and seduces each family member one after the other. When he suddenly departs, he leaves behind an emptiness for which the rest attempt to compensate in different ways. In Bruce LaBruce’s The Visitor, it is a refugee who washes up in a small suitcase on the banks of the River Thames in London. He is one of several identical-looking men who simultaneously emerge from suitcases in other locations around the city. Dressed in the guise of a homeless man, he arrives at the house of an upper-class family and gets to know the maid. When she passes him off as her nephew, the family invites him to also work for them as a live-in servant. The guest makes love with each of the residents of the house one after the other, depicted in explicit sex scenes. Each member of the household experiences a radical sexual and spiritual transformation.
The film is produced by A/POLITICAL [4]
The Visitor had its world premiere on 17 February 2024, as part of the 74th Berlin International Film Festival, in Panorama. [5] [6] [7]
In January 2024, Brussels-based Best Friend Forever acquired the sales rights of the film. [4]
Catherine Bray writing in Variety said, "Jack Hamilton’s camera stays close to the squelchy action throughout, to the extent that you may find yourself wondering whether there was a line in the budget for tissues and lens cleaner, or perhaps some sort of splatter guard." [8] Serena Seghedoni reviewing at Berlinale for Loud And Clear Reviews awarded 3.5 stars and wrote, "It’s a revolutionary movie, in the sense that it subverts what we’re used to seeing in film, in more than one way." [9]
Muriel Del Don reviewing the film at Berlinale for Cineuropa wrote, "Transgressive and proud of it, Bruce LaBruce shows us, with his latest powerful film, that he has lost none of his subversive energy." [10]
David Opie of IndieWire, reviewing at Berlinale, graded the film A and wrote, "Brilliantly depraved... It’s hard to imagine anyone better suited to sticking two middle fingers up at contemporary Britain than LaBruce, and it’s even harder to imagine anyone else doing so with such disruptive, subversive glee." [11]
Award | Date | Category | Recipient | Result | Ref. |
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Berlin International Film Festival | 25 February 2024 | Panorama Audience Award for Best Feature Film | The Visitor | Nominated | [5] |
Teddy Award for Best Feature Film | Nominated | [12] | |||
Bruce LaBruce is a Canadian artist, writer, filmmaker, photographer, and underground director based in Toronto.
Teorema, known as Theorem in the United Kingdom, is a 1968 Italian surrealist psychological drama film written and directed by Pier Paolo Pasolini and starring Silvana Mangano, Terence Stamp and Massimo Girotti, with Anne Wiazemsky, Laura Betti, Andrés José Cruz Soublette, Alfonso Gatto and Carlo De Mejo. Pasolini's sixth film, it was the first time he worked primarily with professional actors. In this film, an upper-class Milanese family is introduced to, and then abandoned by, an otherworldly man with a mysterious divine force. Themes include the timelessness of divinity and the spiritual corruption of the bourgeoisie.
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