Merle Oberon was a British actress who began her film career in British films as Anne Boleyn in The Private Life of Henry VIII (1933). After her success in The Scarlet Pimpernel (1934), she travelled to the United States to make films for Samuel Goldwyn. She was nominated for the Academy Award for Best Actress for her performance in The Dark Angel (1935). Oberon hid her mixed heritage out of fear of discrimination and the impact it would have had on her career.
Constance Campbell Bennett was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
I Married An Angel is a 1938 musical comedy by Rodgers and Hart. It was adapted from a play by Hungarian playwright János Vaszary, entitled Angyalt Vettem Felesegul. The book was by Richard Rodgers and Lorenz Hart, with music by Rodgers and lyrics by Hart. The story concerns a wealthy banker who, disillusioned with women, decides that the only mate for him would be an angel. An angel soon arrives, and he marries her, but finds out that her perfection and guilelessness are inconvenient.
Florence Vidor was an American silent film actress.
Fritzi Brunette was an American actress.
Susan and God is a 1940 American comedy-drama film released by Metro-Goldwyn-Mayer directed by George Cukor and starring Joan Crawford and Fredric March. The screenplay was written by Anita Loos and was based upon a 1937 play by Rachel Crothers. The supporting cast features Rita Hayworth and Nigel Bruce.
Blanche Mehaffey was an American showgirl and film actress.
Resurrection is a 1909 American silent short film made by the Biograph Company. It is based on Leo Tolstoy's 1899 novel Resurrection. Adapted for the screen by Frank E. Woods, it was directed by D. W. Griffith and stars several pioneering legends of American cinema such as Arthur V. Johnson, Florence Lawrence, Marion Leonard, Owen Moore, Mack Sennett, and Linda Arvidson, who was Griffith's first wife.
Sheila Terry was an American film actress.
That Forsyte Woman is a 1949 American romantic drama film directed by Compton Bennett and starring Greer Garson, Errol Flynn, Walter Pidgeon, Robert Young and Janet Leigh. It is an adaptation of the 1906 novel The Man of Property, the first book in The Forsyte Saga by John Galsworthy.
Gertrude Dolores Messinger was an American film actress known for her B-movie roles from the 1930s through the 1950s. She began as a child actor in silent films, but found her greatest fame in talkies of the 1930s. During her career she appeared in more than 50 motion pictures, with particular success in westerns.
The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.
24 Hours is a 1931 American pre-Code romantic drama film directed by Marion Gering and starring Clive Brook, Kay Francis, Miriam Hopkins and Regis Toomey. It was based on the novel Twenty-Four Hours by Louis Bromfield and the play Shattered Glass by Will D. Lengle and Lew Levenson. In the film, an alcoholic married man is accused of murdering the woman with whom he has been carrying on an affair. The title comes from the fact that the film takes place from 11 pm one night to the same time the following night.
The Autumn Garden is a 1951 play by Lillian Hellman. The play is set in September, 1949 in a summer home in a resort on the Gulf of Mexico, about 100 miles from New Orleans. The play is a study of the defeats, disappointments and diminished expectations of people reaching middle age. For inspiration, Hellman drew on her memories of her time in her aunts' boardinghouse. Dashiell Hammett, who had been Hellman's lover for 20 years, helped her write the play and received 15 percent of the royalties. Of all Hellman's plays it was her favorite.
Man-Proof is a 1938 American romantic comedy film directed by Richard Thorpe. The film is based on the 1937 novel The Four Marys written by Fannie Heaslip Lea.
Constance Worth was an Australian actress who became a Hollywood star in the late 1930s. She was also known as Jocelyn Howarth.
Confessions of a Vice Baron is a 1943 American crime film directed by S. Roy Luby, William A. O'Connor, Melville Shyer, and Herman E. Webber. The film was created using edited footage for the flashback scenes from Mad Youth (1940), The Wages of Sin (1938), Smashing the Vice Trust (1937), Race Suicide (1937), and The Pace That Kills (1935). Willy Castello appeared in each of these films except for The Pace That Kills.
Willis Kent was an independent American film producer, active from 1928 to 1958 under at least three different corporate names.
Smashing the Vice Trust is a 1937 American crime drama film directed by Melville Shyer and starring Willy Castello, Veola Vonn and Selmer Jackson. Marketed as an exploitation film, it was produced and distributed by the Poverty Row studio Willis Kent Productions. Castello later reprised the role for another Kent film Confessions of a Vice Baron (1942).
Willy Castello (1910–1953) was a Dutch-American film actor, also sometimes credited as William Castello. While he spent much of his screen career playing supporting roles, he appeared for producer William Kent in several Poverty Row exploitation films.
