Author | Tom Heehler |
---|---|
Country | United States |
Language | English |
Subject | Style guide |
Publisher | Sourcebooks |
Publication date | 2011 |
Media type | Paperback book |
Pages | 400 |
ISBN | 1-4022-4305-7 |
413.12 | |
LC Class | PE1591 .H397 2011 |
The Well-Spoken Thesaurus by Tom Heehler (Sourcebooks 2011), is an American style guide and speaking aid. The Chicago Tribune calls The Well-Spoken Thesaurus "a celebration of the spoken word". [1] The book has also been reviewed in the Winnipeg Free Press , [2] and by bloggers at the Fayetteville Observer , [3] and the Seattle Post-Intelligencer . [4]
The book consists of two sections—a 50-page style guide entitled "Rhetorical Form and Design", and a 350-page thesaurus section. However, what distinguishes this thesaurus from all conventional thesauri is the inclusion of what the author calls rhetorically related words, or powernyms—as opposed to merely synonymous words. According to Heehler, these powernyms allow users to more readily transform rough drafts into more eloquent improvements.
In "Rhetorical Form and Design," Heehler serves up 17 lessons from such writers and speakers as T.S. Eliot, Margaret Atwood, John Steinbeck, Ernest Hemingway, Barack Obama, Martin Luther King Jr., and Cintra Wilson. Rhetorical and literary techniques covered include the objective correlative, rhetorical objectification, verb displacement, rhetorical agency, rhetorical tension, poetic articles, preposition exchange, creative number, and intuitive description.
According to Heehler, the idea for The Well-Spoken Thesaurus came to him while attending the Harvard Extension School, where he came to realize just how poorly spoken he truly was. And because there were no books available with which to solve his problem, he began to create a database of eloquent words. Whenever he would chance upon a well-spoken word or phrase at Harvard, he would pair that with what he would have said. After three years of doing this, of "collecting words like butterflies," he decided that his "butterfly collection" could be of use to others. [2]
Rapping is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years.
Rhetoric is the art of persuasion, which along with grammar and logic, is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style, memory, and delivery.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.
Mary Theresa Schmich is an American journalist. She was a columnist for the Chicago Tribune from 1992 to 2021, winning the Pulitzer Prize in 2012. Her columns were syndicated nationally by Tribune Content Agency. She wrote the comic strip Brenda Starr, Reporter for the last 28 of its 60 years and she wrote the 1997 column 'Advice, like youth, probably just wasted on the young', with the often quoted "Do one thing every day that scares you", frequently misattributed to Eleanor Roosevelt. The article is often referred to as, 'Wear Sunscreen'.
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In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. Rhetorical devices evoke an emotional response in the audience through use of language, but that is not their primary purpose. Rather, by doing so, they seek to make a position or argument more compelling than it would otherwise be.
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The Free Dictionary is an American online dictionary and encyclopedia that aggregates information from various sources. It is accessible in fourteen languages.
Parataxis is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis.
An interrogative clause is a clause whose form is typically associated with question-like meanings. For instance, the English sentence "Is Hannah sick?" has interrogative syntax which distinguishes it from its declarative counterpart "Hannah is sick". Also, the additional question mark closing the statement assures that the reader is informed of the interrogative mood. Interrogative clauses may sometimes be embedded within a phrase, for example: "Paul knows who is sick", where the interrogative clause "who is sick" serves as complement of the embedding verb "know".
Bungi is a dialect of English with substratal influence from Scottish English, the Orcadian dialect of Scots, Norn, Scottish Gaelic, French, Cree, and Ojibwe (Saulteaux). It was spoken by the Scottish Red River Métis in present-day Manitoba, Canada.
Dictionary.com is an online dictionary whose domain was first registered on May 14, 1995. The primary content on Dictionary.com is a proprietary dictionary based on Random House Unabridged Dictionary, with editors for the site providing new and updated definitions. Supplementary content comes from the Collins English Dictionary, American Heritage Dictionary and others.
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Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It examines the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film Perversion for Profit. Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.
Benjamin Zimmer is an American linguist, lexicographer, and language commentator. He is a language columnist for The Wall Street Journal and contributing editor for The Atlantic. He was formerly a language columnist for The Boston Globe and The New York Times Magazine, and editor of American dictionaries at Oxford University Press. Zimmer was also an executive editor of Vocabulary.com and VisualThesaurus.com.
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