The Wild and Wonderful Whites of West Virginia

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The Wild and Wonderful Whites of West Virginia
The Wild and Wonderful Whites of West Virginia poster.jpg
Directed by Julien Nitzberg
Produced byKatie Doering
Julien Nitzberg
Storm Taylor
Starring Jesco White
Edited byBen Daughtrey
Music by Deke Dickerson
Hank Williams III
Production
companies
Distributed by Tribeca Films
Release dates
  • April 2009 (2009-04)(Tribeca Film Festival)
  • May 5, 2010 (2010-05-05)(United States)
Running time
88 minutes
LanguageEnglish

The Wild and Wonderful Whites of West Virginia is a 2009 documentary film directed by Julien Nitzberg chronicling the White family of Boone County, West Virginia.

Contents

Synopsis

The film follows the White family over the course of a year in their daily life through first-person interviews. The film mentions the details of the death of patriarch Donald Ray "D. Ray" White, as well as his rise to stardom as one of the most famous mountain dancers of his time. The illness of his widow, Bertie Mae White, is documented throughout the course of the film. Locals consider Bertie Mae "The Miracle Woman" because of her lifelong dedication to raising abandoned children. Throughout the film, Bertie is seen supporting her family despite her intolerance of their dangerous and reckless behavior. The younger generations of Whites are followed to drug deals, criminal trials, hospital beds, and jail cells to recount the wild and outlandish events in their lives. A group of local professionals in Boone County act as a Greek chorus as they speak about the Whites, mostly criticizing their negative influence on the community. [1]

Stemming from generations of coal miners working in risky job conditions, most of the White family possesses a fatalistic attitude and lack a fear of death. Various members recall violent fights with neighbors, family members, and other locals. Other legal troubles include larceny, prescription fraud, shootings, armed robbery, forgery, stabbings, and child custody battles. D. Ray worked in the coal mines during the scrip payment era; Mamie explains how D. Ray's frustration with his employers' corrupt practices led him to "outsmarting the system." D. Ray legally signed each of his children up for "crazy checks" during their early adolescence. Mamie discloses to the audience that each month, she (and all the other offspring of D. Ray and Bertie Mae) receive social security checks monthly from the government due to their inability to hold employment because of alleged psychiatric disability. [1]

The Whites

Six of D. Ray and Bertie's 13 children are featured in the film. [2]

D. Ray and Bertie's children

Grandchildren/cousins

Production

The film, by Dickhouse Productions, was the first non-Jackass feature produced by Johnny Knoxville and Jeff Tremaine.

Knoxville had been a fan of Director Nitzberg's documentary about Hasil Adkins, and of The Beastly Bombing. Having seen Nitzberg's early footage of Jesco White, Knoxville and Nitzberg convinced Nitzberg to return to West Virginia, in order to film a feature around the rest of the White family. Nitzberg spent eighteen months with the notorious family of Jesco White, documenting their history as dancers, criminals and the impact of the coal mining culture upon them.

Shot cinéma vérité style, the film followed four generations of the White family as they flowed in and out of prison and scrambled to get by in rural West Virginia. The film also featured sequences featuring Jesco White tap dancing, accompanied by Hank Williams III. [6]

Critical response

The film debuted at the Tribeca Film Festival and was one of the first films distributed by Tribeca Film's distribution arm. It was an immediate success, knocking Best Picture Oscar winner, The Hurt Locker, from Amazon's top video-on-demand spot. It also aired on Showtime. [7]

Upon release, Xeni Jardin of Boing Boing proclaimed it “a masterpiece.” [8] Chris Morris in Variety said “Drinking, gas-huffing, drug dealing and drug-taking (and rehab), brawling, infidelity, armed robbery, attempted murder, incarceration and parole – it's all here. The Whites make Faulkner's Snopeses look like the Royal Family.” [9] A.O. Scott in The New York Times reviewed it favorably, noting, “Its governing spirit, captured in the raucous music that punctuates the story (including songs performed live by Hank Williams III), is one of outlaw celebration. An anthology of country standards unfolds in real life and real time: murder ballads, cheating songs and rebel hollers, with an occasional pause for fatalistic spiritual meditation. One thing is certain, and is in a way the whole point of this fascinating and problematic documentary: The Whites don't care what you or anyone else thinks of them.” [10]

On Rotten Tomatoes it has an approval rating of 60% based on reviews from 10 critics. [11]

Soundtrack

No.TitleMusicLength
1."Simple Gifts"Greg Herzenach & Al Wolovitch 
2."D-Ray White"Hank Williams III 
3."Jessico"The Kentucky Headhunters 
4."Mama"Deke Dickerson 
5."Train to Nowhere"Deke Dickerson 
6."Cha Cha Cha-Ching!" Phil Gough  
7."Oh Dem Pills"Deke Dickerson 
8."Straight to Hell"Hank Williams III 
9."Theme of Violence"Deke Dickerson 
10."Party at My Pad"Deke Dickerson 
11."Happy Birthday"Jesco & Mamie White 
12."Lightning When I Need"Five Horse Johnson 
13."No Rules" GG Allin  
14."Whose Baby Are You, Baby?"Deke Dickerson 
15."Sorrow And Pain [Acoustic Mix]"Deke Dickerson 
16."West Virginia White Boy"Deke Dickerson 
17."Diggin’ It"Deke Dickerson 
18."I Love My Job"Deke Dickerson 
19."Mountain Lullaby"Benedikt Brydern 
21."Pine Tree"Ponty’s Camper 
22."Long Day"Jay Hill and The Dirty Coal River Band 
23."Hook and Line"Ponty’s Camper 
24."Darkness Breeds Contempt"Deke Dickerson 
25."Fortified Wine"Deke Dickerson 
26."Big Fat Woman Blues"Voodoo Whiskey 
27."Asphalt Aisle"Deke Dickerson 
28."Double Dealin’ Man"Heather Marie Marsden and Phil Gough  
29."P.F.F"Hank Williams III 
30."Wedding March"Richard Hardelstein 
31."Wedding March Recessional"Felix Mendelssohn 
32."Plague of Angels" Earth  
33."William Morgan"John Haywood 
34."Coal Miner’s Daughter"Mamie White 
35."Coda Maestoso in F (Flat) Minor" Earth  
36."Wild Wild Party"Charlie Feathers 
37."Sick, Sober and Sorry"Lefty Frizzell with Johnny Bond 
38."Fugue for Two Guitars and Spoons"Deke Dickerson 
39."Moss on the Trees"Deke Dickerson 
40."Lonely Holler"Deke Dickerson 
41."Sorrow and Light"Deke Dickerson 
42."Mama [Instrumental Reprise]"Deke Dickerson 
43."Big Ass Happy Family"Roger Alan Wade 

See also

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References

  1. 1 2 "The Wild and Wonderful Whites of West Virginia". Internet Movie Database (IMDB). Retrieved 1 August 2014.
  2. "Meet the Whites: Family Tree". Archived from the original on 2011-04-15. Retrieved 2011-04-15.
  3. "Meet the Whites: Dorsey White". Archived from the original on 2011-07-18. Retrieved 2011-04-15.
  4. "Meet the Whites: Mamie White". Archived from the original on 2011-07-18. Retrieved 2011-04-15.
  5. "Meet the Whites: Poney White". Archived from the original on 2011-07-18. Retrieved 2011-04-15.
  6. Wissot, Lauren (June 2012). "Interview: Julien Nitzberg". Slant Magazine.
  7. "The Big Jewcy: Julien Nitzberg, Film Director". 9 June 2010.
  8. "The Wild and Wonderful Whites". 25 May 2010.
  9. Morris, Christopher (4 October 1998). "Wild and Wonderful Whites: Redneck Wonderland". Variety. Retrieved 23 March 2013.
  10. Scott, A.O. (4 October 2010). "From a Clan That Lives by Its Own Rules, a Tale Made for the Movies". New York Times.
  11. Rotten Tomatoes: The Wonderful Whites of West Virginia