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"The Wind" | ||||
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Single by Nolan Strong & The Diablos | ||||
from the album Fortune of Hits: Vol. 1 | ||||
B-side | "Baby Be Mine" | |||
Released | 1954 | |||
Genre | Doo-wop, soul | |||
Length | 3:03 | |||
Label | Fortune Records Fortune 511 | |||
Songwriter(s) | Nolan Strong, Bob Edwards, Devora Brown | |||
Producer(s) | Devora Brown | |||
Nolan Strong & The Diablos singles chronology | ||||
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"The Wind" is a 1954 doo-wop song by Nolan Strong & The Diablos. The song appeared originally on the group's second 45rpm single, "The Wind" b/w "Baby Be Mine" (Fortune Records). [1] The lyrics describe a man who feels the summer wind blow as he thinks about a lover who left him. [2]
In 2007, The Metro Times listed "The Wind" at no. 11 in The 100 Greatest Detroit Songs list - which was the November 11 cover story. [3]
"The Wind" was the group's only national hit,[ citation needed ] though most of the group's other hits were local successes in Detroit, including "Mind Over Matter" (1962), which went to no. 1 on local radio station play lists in 1962.[ citation needed ]
The Jesters reached no. 110 on the Billboard chart in 1960 with a cover of the song.[ citation needed ]
Mark Sultan of King Khan & BBQ Show, recorded a version of it for the 2010 tribute album, Daddy Rockin Strong: A Tribute to Nolan Strong & The Diablos. The vinyl LP was released by The Wind Records and distributed by Norton Records. [4]
Laura Nyro covered the song live in concert and on her album, Gonna Take a Miracle. [5]
The Chenille Sisters covered the song on their album, Mamma, I Wanna Make Rhythm (1991). [6]
The Calveys featuring Gino Romano, a doo-wop group, released "The Wind" on a Comma Records 45rpm (C-445). [7]
Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.
Clarence Eugene "Fuzzy" Haskins was an American singer. He performed with 1950s and 1960s doo-wop group, The Parliaments, and was a founding member of the groundbreaking and influential 1970s funk bands Parliament and Funkadelic, also known as Parliament-Funkadelic. He left Parliament-Funkadelic in 1977 to pursue a solo career. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards.
Laura Nyro was an American songwriter and singer. She achieved critical acclaim with her own recordings, particularly the albums Eli and the Thirteenth Confession (1968) and New York Tendaberry (1969), and had commercial success with artists such as Barbra Streisand and the 5th Dimension recording her songs. Wider recognition for her artistry was posthumous, while her contemporaries such as Elton John idolized her. She was praised for her emotive three-octave mezzo-soprano voice.
Cruising with Ruben & the Jets is the fourth album by the Mothers of Invention, and fifth overall by Frank Zappa, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We're Only in It for the Money and Uncle Meat.
Eli and the Thirteenth Confession is the second album by New York City-born singer, songwriter, and pianist Laura Nyro, released in 1968.
New York Tendaberry is the third album by New York City-born singer, songwriter and pianist Laura Nyro. It was released in the autumn of 1969, on Columbia Records, some eighteen months after its predecessor, Eli and the Thirteenth Confession. It was helmed by her, with the assistance of producer and engineer Roy Halee. The cover photograph was taken by David Gahr.
Gonna Take a Miracle is the fifth album by New York City-born singer, songwriter and pianist Laura Nyro, with assistance by vocal trio Labelle. It was released on Columbia Records in November 1971, one year after its predecessor Christmas and the Beads of Sweat. The album is Nyro's only all-covers album, and she interprets mainly 1950s and 1960s soul and R&B standards, using Labelle as a traditional back-up vocal group.
Fortune Records was an American family operated, independent record label located in Detroit, Michigan from 1946 to 1995. The label owners were Jack and Devora Brown, their son Sheldon Brown recorded for the label. Original releases tapered off after 1972 aside from a few albums in the mid-1980s. Fortune specialized in R&B, blues, soul and doo-wop music, although the label also released pop, big band, hillbilly, gospel, rock and roll, and polka records.
Nolan Strong and the Diablos, also billed as The Diablos Featuring Nolan Strong, were an American, Detroit-based, R&B and doo-wop vocal group, best known for their songs "The Wind" and "Mind Over Matter". They had one record that spent a week on the Billboard R&B chart, "The Way You Dog Me Around", which reached no. 12 in January 1956. The group was one of the more popular pre-Motown R&B acts in Detroit during the mid-1950s, through the early 1960s. Its original members were Nolan Strong, Juan Gutierrez, Willie Hunter, Quentin Eubanks, and Bob Edwards.
The Jesters were a doo-wop group based in New York City who achieved success in the late 1950s. They were students at Cooper Junior High School in Harlem, who graduated from singing under an elevated train station near 120th Street to the amateur night contest at the Apollo Theater, where Paul Winley discovered them and later signed them to his Winley Records.
"Who Put the Bomp " is a doo-wop style novelty song from 1961 by the American songwriter Barry Mann, who wrote it with Gerry Goffin. It was originally released as a single on the ABC-Paramount label (10237).
Gregory Johnathon Cartwright, also known by his stage name Greg Oblivian, is an American singer, songwriter, and guitarist from Memphis, Tennessee. From 2001 to 2022 he fronted Reigning Sound which was signed to Merge Records. After moving away from Memphis in the mid-2000s, he has since lived with his family in Asheville, North Carolina.
The Charts were an American doo-wop group of the 1950s, most famous for their recording "Deserie".
You Are What You Is is a 1981 double album by American musician Frank Zappa. His 34th album, it consists of three musical suites which encompass pop, doo-wop, jazz, hard rock, reggae, soul, blues, new wave and country. The album's lyrics satirize a number of topics, including hippies, socialites, fashion, narcotics use, cultural appropriation, religion, televangelists and the military draft.
"It's Gonna Take a Miracle" is a song written by Teddy Randazzo, Bobby Weinstein, and Lou Stallman. It was first an R&B hit in 1965 for The Royalettes, which reached the Top 30 on the U.S. R&B chart and peaked at number 41 on the Billboard Hot 100 and number 37 on Cash Box.
Bible Belt is the debut release by soul singer-songwriter Diane Birch. The lead single is "Nothing But a Miracle". An acoustic version of the song "Rewind" appears on a season 3 episode of The Vampire Diaries.
James "Jay" Johnson established himself as one of the top bass-baritone singers in the Detroit doo-wop and soul music scene during the pre-Motown years. He was a member of the Detroit group Nolan Strong & The Diablos and can be heard on the group's Fortune Records recordings from late 1956 on.
Daddy Rockin' Strong: A Tribute to Nolan Strong & the Diablos is a vinyl-only tribute album released by The Wind Records and distributed by Norton Records. On January 21, 2013, Burger Records re-issued the compilation on cassette tape.
The Demon's Claws are a Canadian garage rock band from Montreal. They are known for blending a trashy 1960s punk sound with raw folk and country melodies. The band is signed to In the Red Records.