The Gentleman from America is a 1923 American silent comedy film directed by Edward Sedgwick and featuring Hoot Gibson and Louise Lorraine. It also featured a young Boris Karloff in an uncredited bit part. The screenplay was written by George C. Hull, based on a story by Raymond L. Schrock. The film's tagline was "This might be called the story of a fighting American in sunny Spain - with flashing senoritas and romance in the background! It's something new for Hoot Gibson - but you'll like it, and so will your patrons!" It is considered a lost film.
The Infidel is a 1922 American silent drama film written and directed by James Young and featuring Katherine MacDonald, Robert Ellis, Joseph Dowling and Boris Karloff. Young wrote the screenplay based on a story by Charles A. Logue. The film is considered to be lost. The film's tagline was "Man-Bait! Sent out, willingly, to a Pacific Paradise where the world forgets. Sent there to wreck a two-fisted, fighting gentleman with her faithlessness... And instead wrecking her own heart with her own love.".
The Altar Stairs is a 1922 American silent drama film directed by Lambert Hillyer and featuring Frank Mayo, Louise Lorraine, Lawrence Hughes and Boris Karloff in an early role. The screenplay was written by Doris Schroeder, George Hively and George Randolph Chester, based on the novel of the same name by G. B. Lancaster. It is considered today a lost film.
Omar the Tentmaker is a 1922 American silent drama film directed by James Young and featuring Guy Bates Post, Nigel de Brulier, Virginia Brown Faire, Noah Beery Sr., Patsy Ruth Miller, and Boris Karloff. It was produced and adapted by Richard Walton Tully from his own 1914 Broadway play Omar the Tentmaker. The film's tagline was "Would You Know How Omar Loved? Would you sweep 1,000 years aside to find Shireen, the Persian Rose, who wed Omar and awoke in the harem of the Shah?" 24 May 1923). The film is considered a lost film.
The Prairie Wife is a 1925 American silent Western film directed by Hugo Ballin and featuring Boris Karloff, and based on a story by Arthur Stringer. The film is considered to be lost.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
Flames is a 1926 American silent drama film directed by Lewis H. Moomaw and starring Eugene O’Brien, Virginia Valli, Jean Hersholt, and Boris Karloff. Its plot follows a railroad laborer who, while working on a bridge in rural Oregon, must face off with a desperado who kidnaps his boss's daughter.
Passion's Playground is a 1920 American silent drama film produced by and starring Katherine MacDonald. Rudolph Valentino has a featured part in the film billed as Rudolph Valentine. The film is based on the novel The Guests of Hercules by Charles Norris Williamson and Alice Muriel Williamson. This film is presumed lost.
Too Much Johnson is a lost 1919 American silent comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Donald Crisp during his phase as an important film director. This film stars in the leads Bryant Washburn and Lois Wilson.
The Six Best Cellars is a lost 1920 American silent comedy film directed by Donald Crisp and starring Bryant Washburn and Wanda Hawley. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Love Insurance is a lost 1919 American silent comedy film directed by Donald Crisp, produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on the novel of the same name by Earl Derr Biggers, Love Insurance.
The Career of Katherine Bush is a lost 1919 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. Roy William Neill directed and Catherine Calvert starred. The film is based on a 1916 Elinor Glyn novel.
Putting It Over is a lost 1919 American silent comedy film directed by Donald Crisp and starring Bryant Washburn. The film was produced by Famous Players–Lasky with distribution being handled by Paramount Pictures.
Mrs. Temple's Telegram is a 1920 American silent comedy film directed by James Cruze and starring Bryant Washburn and Wanda Hawley. It is based on the 1905 Broadway play Mrs. Temple's Telegram by Frank Wyatt. It was produced by Famous Players–Lasky and released through Paramount Pictures.
Paris Green is a 1920 American silent comedy film directed by Jerome Storm and written by Julien Josephson. The film stars Charles Ray, Ann May, Bert Woodruff, Gertrude Claire, Donald MacDonald, and Gordon Mullen. The film was released in June 1920, by Paramount Pictures.
Wet Paint is a 1926 American silent comedy film directed by Arthur Rosson and starring Raymond Griffith, Helene Costello, Bryant Washburn, Natalie Kingston, and Henry Kolker. Written by Lloyd Corrigan and Reggie Morris, the film was released on May 3, 1926, by Paramount Pictures.
Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.
The Age of Desire is a 1923 American silent drama film directed by Frank Borzage and starring Josef Swickard, William Collier Jr., and Mary Philbin. It was distributed through Associated First National Pictures.
Chastity is a 1923 American silent drama film directed by Victor Schertzinger and starring Katherine MacDonald, J. Gunnis Davis, and Huntley Gordon.
Other Men's Daughters is a 1923 American silent drama film directed by Ben F. Wilson and starring Mabel Forrest, Bryant Washburn, Kathleen Kirkham, and Wheeler Oakman.
