The Word from Mose | ||||
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Studio album by | ||||
Released | March 10, 1964 | |||
Recorded | 1964 [1] | |||
Genre | Jazz | |||
Label | Atlantic | |||
Producer | Nesuhi Ertegun | |||
Mose Allison chronology | ||||
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The Word from Mose is a 1964 jazz album by the jazz pianist and singer Mose Allison. [2] The album, described by Allmusic as "light, swinging jazz with a distinctly rural, Southern influence", [3] has been listed as one of the "core collection" albums for jazz fans by the Penguin Guide to Jazz . [4] Originally released on Atlantic Records 1424, the album was released on CD by WEA International in 2000 and subsequently by Rhino in 2001 and 2005.
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz Recordings | [4] |
At the time of its release, Stereo Review dubbed it "one of Mose's best recordings", praising it as "one of his most consistently intriguing albums". [5] Much later, Allmusic reviewer Eugene Chadborne noted that some of the songs do not rise to the level of quality of others, but overall praised Allison's reworking "material from the real country blues heritage...into his own style, to brilliant effect", calling out specifically the track "New Parchman" as "a performance that only the most hardened individual would be able to listen to without a smile cracking their face". [3] The Penguin Guide to Jazz includes the album as part of its recommended "core collection" for fans of jazz music. [4]
Coltrane Plays the Blues is an album of music by jazz musician John Coltrane, released in July 1962 on Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Mose John Allison Jr. was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.
Oh Yeah is a studio album by the American jazz bassist and composer Charles Mingus, released in April 1962 by Atlantic Records. It was recorded in 1961, and features Mingus singing on three of the cuts and playing piano throughout.
Blues & Roots is an album by Charles Mingus, recorded in 1959 and released on the Atlantic label in 1960. It has been reissued on CD by both Atlantic and Rhino.
Art Blakey's Jazz Messengers with Thelonious Monk is a studio album released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano.
The Best of Mose Allison is a compilation album by Mose Allison. It includes some of the jazz pianist and singer's best-known recordings for Atlantic Records. The album was originally released in 1970 as an LP record with 12 songs. The album was re-issued on a CD in 1988 with an additional eight songs and new sequencing.
Coltrane's Sound is an album credited to jazz musician John Coltrane, recorded in 1960 and released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse! Records. Like Prestige and Blue Note Records before them, as Coltrane's fame grew during the 1960s Atlantic used unissued recordings and released them without either Coltrane's input or approval.
"Parchman Farm" or "Parchman Farm Blues" is a blues song first recorded by American Delta blues musician Bukka White in 1940. It is an autobiographical piece, in which White sings of his experience at the infamous Mississippi State Penitentiary, otherwise known as Parchman Farm.
Cactus is the debut studio album by American hard rock band Cactus, released on July 1, 1970, by Atco Records. The eight tracks consist of six original songs written by the band, plus covers of Mose Allison's version of blues standard "Parchman Farm", and Willie Dixon's "You Can't Judge a Book by the Cover". The track "Let Me Swim" loosely inspired the 1978 guitar solo "Eruption" composed by Eddie Van Halen.
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.
Back Country Suite is the debut album by blues/jazz pianist and vocalist Mose Allison which was recorded in 1957 and later released on the Prestige label. The album features the first recording of Allison's "Young Man Blues" which was later covered by The Who on their album Live at Leeds.
Local Color is the second album by blues/jazz pianist and vocalist Mose Allison which was recorded in 1957 and released on the Prestige label. The album features the first recording of Allison's "Parchman Farm" which was later covered by John Mayall & the Bluesbreakers on their album Blues Breakers with Eric Clapton.
Creek Bank is the fourth album to be released by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label. It was reissued on CD, coupled with Young Man Mose, by Original Jazz Classics.
Ramblin' with Mose is the sixth album to be released by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label.
Autumn Song is the fifth album released by blues/jazz pianist and vocalist Mose Allison which was recorded in 1959 and released on the Prestige label.
Lee Konitz with Warne Marsh is a 1955 studio album by jazz saxophonists Lee Konitz and Warne Marsh. The Atlantic catalogue number was SD 1217. It was recorded on June 14, 1955, at Coastal Studios in New York City.
I Don't Worry About a Thing is an album by American pianist, vocalist and composer Mose Allison recorded for the Atlantic label in 1962.
I've Been Doin' Some Thinkin' is an album by American pianist, vocalist and composer Mose Allison recorded for the Atlantic label in 1968.
Mose in Your Ear is a live album by American pianist, vocalist and composer Mose Allison recorded at the "In Your Ear" club in Palo Alto, California for the Atlantic label in 1972.
Western Man is an album by American pianist, vocalist and composer Mose Allison recorded for the Atlantic label in 1971.