This article needs additional citations for verification .(January 2017) |
In historiography, querelle des femmes ("dispute of women"), indicates an early-modern debate on the nature of women. This literary genre developed in Italian and French early humanist circles and was led by numerous women scholars, who wrote in Latin and vernacular to counter dominant misogynistic literature.
While the French phrase querelle des femmes deals specifically with the late medieval and Renaissance periods, the phrase woman question came to indicate feminist campaigns for social change after the 1700s, culminating in the later 19th century, with women's struggle to gain more recognition and relevance in modern industrialized societies. Issues of women's suffrage, reproductive rights, bodily autonomy, property rights, legal rights, medical rights, and marriage increasingly concerned public opinion in newspapers, political rallies and manifestos, conferences, pamphlets, and intellectual discussion. While women were leading the debate over a change in the roles played by women in the society, they initially represented a minority voice. Issues of marriage and sexual freedom often divided female public opinion.[ citation needed ]
The querelle des femmes or "dispute of women" originally referred to a literary genre and broad debate, that originated in humanistic and aristocratic circles in the Italian peninsula and France during the early modern period, regarding the nature of women, their capabilities, and whether they should be permitted to study, write, or govern in the same manner as men. Both in the scholarly and popular sphere, authors criticized and praised women's natures, arguing for or against their capacity to be educated in the same manner as men. As classical Aristotelianism held that women are incapable of reason, many argued that women's nature prevented them from higher learning. [1] As the debate developed, some agreed that men were not naturally more intelligent than women – but argued that the female nature also prevented them from taking higher learning seriously. [1] In addition, there was great controversy over Classical notions of women as inherently defective; literate women such as Christine de Pizan, Laura Cereta, Marguerite de Navarre, or Moderata Fonte refuted misogynistic attacks against women as a whole. [2] While this debate was deeply meaningful and personal to some of the authors who wrote in support of or against women, participation in the querelle des femmes was also viewed as an intellectual exercise. [2]
A resurgence in the debate over the nature and role of women is illustrated by the Romantic movement's exploration in fiction and drama (and opera) of the nature of "man", of human beings as individuals and as members of society. Conflict between women's prescribed roles, their own values, and their perceptions of self are prominent in such works as Die Walküre , Effi Briest , Madame Bovary , Middlemarch , Anna Karenina , A Doll's House , and Hedda Gabler . Each of these addresses women's emotional, social, economic, and religious lives, highlighting the ways in which "the woman question" had disrupted notions of a static nature which all women share.[ citation needed ]
The term was first used in France: the querelle des femmes (literally, 'dispute of women'). From 1450 into the years that witnessed the beginning of the Reformation, institutions controlled by the Catholic Church, had come into question. Secular states had begun to form in early modern Europe, and the feudal system was overtaken by centralized governments. This disruption extended to the relationships between men and women, and the Renaissance created a contraction of individual freedom for women, unlike men. [2] These changes were justified through a number of arguments which referred to the inherent nature of women as subordinate to men.
On one side of the quarrel, many argued that women were inferior to men because man was created by God first, and were therefore stronger and more important. Also, much of Christianity throughout the ages, has viewed women as the Daughters of Eve, the original temptress responsible for humanity being expelled from the Garden of Eden. [3] Augustine in particular understood women as having souls that were 'naturally more seductive', and emphasized their 'powerful inborn potential to corrupt'. [4]
Religious justifications were not the only sources of information regarding woman's nature. As Renaissance humanism developed, there was great interest in returning to classical Greek and Roman philosophy. Classical philosophy held that women were inferior to men at a physical level, and this physical inferiority made them intellectually inferior as well. [1] While the extent of this inferiority was hotly debated by the likes of Christine de Pizan and Moderata Fonte, women continued to be understood as inherently subordinate to men, and this was the basis for preventing women from attending universities or participating in the public sphere. [1]
The 'defenders of women' on one side of the debate, according to Joan Kelly, "pointed out that the writings of the literate and the learned were distorted by what we now call sexism." [2] They pointed out that accounts of women's deeds and nature were almost entirely written by men, many of whom had reasons to speak poorly of women. These writers, who were referred to as 'ladies' advocates' by the 17th and 18th centuries, promoted an empirical approach, which would measure the deeds and capabilities of women without bias. These arguments did not always insist that women were individuals, as modern feminists would argue, but often simply attempted to defend the 'nature' of women from slander.
One of the first women to answer 'the woman question' was Christine de Pizan. She published The Book of the City of Ladies in 1405, in which de Pizan narrated her learning of the value of women and their virtue. The book is also a response to the Romance of the Rose, one of the most widely read books of the period, which attacked women and the value of marriage. While de Pizan wrote this book to justify her place in the world of literature and publishing at the time, The Book of the City of Ladies can be considered one important source in early feminism. [2]
In the 1480s, Bartolomeo Goggio argued the superiority of women in his "De laudibus mulierum" [On the Merits of Women], which was dedicated to Eleanor of Naples, Duchess of Ferrara. [5]
Baldassare Castiglione contributed to the querelle in The Courtier in 1527, which voiced some support for the 'gentle' side of the debate, which favored women. [2] In 1529, Heinrich Agrippa contended that men in society did not oppress women because of some natural law, but because they wanted to keep their social power and status. [6] Agrippa argued for the nobility of women and thought women were created better than men. He argued that in the first place, women being made better than man, received the better name. Man was called Adam, which means Earth; woman Eva, which is by interpretation Life. [7] Man was created from the dust of the earth, while woman was made from something far purer. Agrippa's metaphysical argument was that creation itself is a circle that began when God created light and ended when he created woman. Therefore, women and light occupy adjacent points on the circle of creation and must have similar properties of purity.[ citation needed ]
Moderata Fonte's The Worth of Women was published in 1600, with a preface from her daughter Cecilia and her son Pietro. According to her daughter, Moderata Fonte (Modesta di Pozzo di Zorzi) finished writing the dialog in 1592, before dying in childbirth. The dialog collected poetry and dialogues which proclaimed the value of women, arguing that their intelligence and capability to rule cannot be recognized if they are not educated. [1] The tradition of defending women from specific attacks continued into the 1600s and 1700s:
Another poet, Sarah Fyge Field Egerton, appears to have written The Female Advocate (1686) – at age 14! – in reply to the "late satire on women" quoted for its obscenity; Judith Drake penned An Essay in Defence of the Female Sex (1696); and women of low and high station continued the polemic in the eighteenth century. – Joan Kelly, "Early Feminist Theory and the Querelle des Femmes. [2]
The social and religious more and norms effecting the perception of women's behavior in the early modern era depended on the woman's social class, not only in terms of the expectations society had of them, but because their autonomy and ability to make choices, the legal protections and dignity privilege afforded, and access to education was not available for all women. The inequality in society was not only between men and women, but also among women of differing social and economic status. These matters took their place in the social discourse beginning only in the early 1700s, and there is little evidence that the querelle des femmes occupied a significant role in the public consciousness prior to the 18th century. [8]
The term querelle des femmes was used in England in the Victorian era, stimulated, for example, by the Reform Act 1832 and the Reform Act 1867. The Industrial Revolution brought hundreds of thousands of lower-class women into factory jobs, presenting a challenge to traditional ideas of a woman's place. [9]
A prime issue of contention was whether what was referred to as women's "private virtue" could be transported into the public arena; opponents of women's suffrage claimed that bringing women into public would dethrone them, and sully their feminine virtue. [10] [11]
The woman question was raised in many different social areas. For example, in the second half of the 19th century, in the context of religion, extensive discussion within the United States took place on the participation of women in church. In the Methodist Episcopal Church, the woman question was the most pressing issue in the 1896 conference. [12]
Christine de Pizan or Pisan, was an Italian-born French court writer for King Charles VI of France and several French royal dukes, in both prose and poetry.
The Book of the City of Ladies, or Le Livre de la Cité des Dames, is a book written by Christine de Pizan believed to have been finished by 1405. Perhaps Pizan's most famous literary work, it is her second work of lengthy prose. Pizan uses the vernacular French language to compose the book, but she often uses Latin-style syntax and conventions within her French prose. The book serves as her formal response to Jean de Meun's popular Roman de la Rose. Pizan combats Meun's statements about women by creating an allegorical city of ladies. She defends women by collecting a wide array of famous women throughout history. These women are "housed" in the City of Ladies, which is actually the book. As Pizan builds her city, she uses each famous woman as a building block for not only the walls and houses of the city, but also as building blocks for her thesis. Each woman introduced to the city adds to Pizan's argument towards women as valued participants in society. She also advocates in favour of education for women.
Heinrich Cornelius Agrippa von Nettesheim was a German Renaissance polymath, physician, legal scholar, soldier, knight, theologian, and occult writer. Agrippa's Three Books of Occult Philosophy published in 1533 drew heavily upon Kabbalah, Hermeticism, and Neoplatonism. His book was widely influential among esotericists of the early modern period, and was condemned as heretical by the inquisitor of Cologne.
Equality feminism is a subset of the overall feminism movement and more specifically of the liberal feminist tradition that focuses on the basic similarities between men and women, and whose ultimate goal is the equality of both genders in all domains. This includes economic and political equality, equal access within the workplace, freedom from oppressive gender stereotyping, and an androgynous worldview.
The history of feminism comprises the narratives of the movements and ideologies which have aimed at equal rights for women. While feminists around the world have differed in causes, goals, and intentions depending on time, culture, and country, most Western feminist historians assert that all movements that work to obtain women's rights should be considered feminist movements, even when they did not apply the term to themselves. Some other historians limit the term "feminist" to the modern feminist movement and its progeny, and use the label "protofeminist" to describe earlier movements.
Marie de Gournay was a French writer, who wrote a novel and a number of other literary compositions, including The Equality of Men and Women and The Ladies' Grievance. She insisted that women should be educated. Gournay was also an editor and commentator of Michel de Montaigne. After Montaigne's death, Gournay edited and published his Essays.
The Declaration of the Rights of Woman and of the Female Citizen, also known as the Declaration of the Rights of Woman, was written on 14 September 1791 by French activist, feminist, and playwright Olympe de Gouges in response to the 1789 Declaration of the Rights of Man and of the Citizen. By publishing this document on 15 September, de Gouges hoped to expose the failures of the French Revolution in the recognition of gender equality. As a result of her writings, de Gouges was accused, tried and convicted of treason, resulting in her immediate execution, along with the Girondists.
Gabrielle Suchon was a French moral philosopher who participated in debates about the social, political and religious condition of women in the early modern era. Her most prominent works are the Traité de la morale et de la politique and Du célibat volontaire.
La Voix des Femmes was a French socialist feminist newspaper, founded by Eugénie Niboyet in 1848. It was the first female-led paper to be published daily in France, and grew to encompass an entire organization known as the Société de la Voix des Femmes. Some of its members included Jeanne Deroin, Suzanne Voilquin, Desirée Gay, and Amélie Pray.
Protofeminism is a concept that anticipates modern feminism in eras when the feminist concept as such was still unknown. This refers particularly to times before the 20th century, although the precise usage is disputed, as 18th-century feminism and 19th-century feminism are often subsumed into "feminism". The usefulness of the term protofeminist has been questioned by some modern scholars, as has the term postfeminist.
Jeanne Deroin was a French socialist feminist. She spent the latter half of her life in exile in London, where she continued her organising activities.
Moderata Fonte, directly translating to Modest Well, is a pseudonym of Modesta di Pozzo di Forzi, also known as Modesto Pozzo, (1555–1592) a Venetian writer and poet. Besides the posthumously-published dialogues, Giustizia delle donne and Il merito delle donne, for which she is best known, she wrote a romance and religious poetry. Details of her life are known from the biography by Giovanni Niccolò Doglioni (1548-1629), her uncle, included as a preface to the dialogue.
Feminist political theory is an area of philosophy that focuses on understanding and critiquing the way political philosophy is usually construed and on articulating how political theory might be reconstructed in a way that advances feminist concerns. Feminist political theory combines aspects of both feminist theory and political theory in order to take a feminist approach to traditional questions within political philosophy.
Lucrezia Marinella (1571-1653) was an Italian poet, author, philosopher, polemicist, and women's rights advocate. She is best known for her polemical treatise The Nobility and Excellence of Women and the Defects and Vices of Men (1600). Her works have been noted for bringing women into the philosophical and scientific community during the late Renaissance.
Bartolomeo Goggio was an Italian author and notary. He was born in Ferrara circa 1430 and died some time after 1493. He is most recognized for De laudibus mulierum [On the Merits of Women], written in the late 1480s, which was dedicated to Eleanor of Naples, Duchess of Ferrara. Only one surviving manuscript of De laudibus mulierum, held at the British Library, is known to exist. For this work, Goggio is recognized as a contributor to the pro-woman side of the querelle des femmes — "a debate about the nature and worth of women that unfolded in Europe from the medieval to the early modern period". In De laudibus mulierum Goggio argues for the superiority of women. After Eleanor's death, Goggio wrote another philosophical work, De nobilitate humani animi opus.
Agostino Strozzi was an Augustinian abbot and author. Strozzi is recognized for his contribution to the pro-woman side of the querelle des femmes — "a debate about the nature and worth of women that unfolded in Europe from the medieval to the early modern period." Strozzi, commissioned by his cousin Margherita Cantelmo, wrote La defensione delle donne [The Defense of Women] in the 16th century.
Marguerite Buffet was a French writer, grammarian, and teacher. Buffet is recognized for her contribution to the pro-woman side of the querelle des femmes – " a debate about the nature and worth of women that unfolded in Europe from the medieval to the early modern period." Her "only extant work", published in 1668, "is the Nouvelles observations sur la langue françoise, Où il est traitté des termes anciens & inusitez, & du bel usage des mots nouveaux. Avec les Éloges des Illustres Sçavantes, tant Anciennes que Modernes ".
Il merito delle donne, most commonly translated The Worth of Women: Wherein is Clearly Revealed Their Nobility and Their Superiority to Men, is a dialogue by Moderata Fonte first published posthumously in 1600. The work is a dialogue between seven Venetian women discussing the worth of women and the differences between the sexes more generally. The title has also been translated The Merits of Women.
A noblewoman is a female member of the nobility. Noblewomen form a disparate group, which has evolved over time, having the main point in common of being linked to the nobility by a man: the father or the husband. Ennoblement of women is a rare occurrence. However, women of the nobility assumed political functions, participated in the art of war and took on religious responsibilities. This is why there is an art of living, of dressing, and access to education and the arts, which are specific to them. The theme is a subject that is studied by the social sciences.
"Sophia, a Person of Quality" was a pen name used by the author of two English protofeminist treatises published in the mid-18th century, following a period trend of women's histories and political tracts arguing in favor of equal rights known as the querelle des femmes. The first tract under the Sophia name, Woman Not Inferior to Man, was published in 1739. Largely adapting François Poullain de la Barre's 1676 De l'Égalité des deux sexes, Sophia expands on the text using Cartesian rhetoric to attack male superiority, with a focus on establishing the equality of women's abilities with men, as well as stating that women hold an inherent moral superiority. Following the publication in 1739 of an anonymous rebuttal tract, Man Superior to Woman, Sophia wrote a follow-up tract titled Woman's Superior Excellence Over Man. Published in 1740, the text accepts the rebuttal's challenge to prove the moral superiority of women in order to justify women's rights. All three of these tracts were later compiled and published as a single volume in 1751, entitled Beauty's Triumph.