The tenor aria known as "Then you'll remember me" from its refrain (less commonly[1] as "When other lips" or "When other lips and other hearts" from its first words) is one of the most noted and lastingly popular collaborations of the Irish composer Michael Balfe and the librettist Alfred Bunn. Different editions describe it variously as an air, a cavatina, a cavatine, a romance, and a ballad.[2][3] Marked andantecantabile,[2] it is sung by the character Thaddeus in Act 3 of the opera The Bohemian Girl (1843). It features an obbligato for the cornet, then a newly invented instrument.[4] It has been recorded many times, both in its original form and in instrumental versions.
William Harrison, the tenor who created the role of Thaddeus, later remembered that Balfe had taken the aria through six or seven versions before coming up with one that satisfied him.[5] This is confirmed by manuscript evidence, which shows that many things were altered in the process of composition, including the rhythm and the key.[6] The first performance of The Bohemian Girl took place on 27 November 1843 at the Drury Lane Theatre.[7] Harrison's performance of the aria produced a great uproar in the audience, favourable from the majority but unfavourable from others;[8] in the end it was encored twice.[9]
Reception
The cover illustration by Yumeji Takehisa of sheet music of "Then you'll remember me" published in the early 20th century in Japan
The publishing rights for the songs in The Bohemian Girl were bought by Chappell & Co. for £500.[10] The score of "Then you'll remember me" was being advertised within weeks of the first performance,[11] and was an immediate bestseller, 80,000 copies being sold within a year.[12] It became a favourite of street musicians, including barrel-organists or cornetists.[13][14] In 1885 George Bernard Shaw observed that as a duet for cornet and harp it could "draw tears from a crowd at the door of a gin-palace".[15] In 1898 George Du Maurier believed that it "seems destined to become immortal in this country",[16] and indeed a century later, according to The Rough Guide to Opera, it remained "justifiably famous".[17] It has been praised by the musicologist Nigel Burton, who considered that "Balfe's subtle use of accented passing notes perfectly expresses the genuine pathos of Bunn's lyrics."[18]
↑ Collins, William J. (1993). "The Bohemian Girl". In Larue, C. Steven (ed.). International Dictionary of Opera. Volume 1: A–K. Detroit: St James Press. p.156. ISBN1558621121. Retrieved 20 February 2025.
↑ "Music. Her Majesty's Theatre". The Saturday Review of Politics, Literature, Science, and Art. 5 (120). 13 February 1858. Retrieved 22 February 2025.
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