Max Reinhardt was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avant-garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century.
The Salzburg Festival is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play Jedermann (Everyman).
Jürgen Flimm was a German theatre and opera director, theatre manager, and academic teacher. Flimm was first active in drama, and made the Thalia Theater in Hamburg one of the most successful German theatres when he managed it from 1985 to 2000. He was general manager of the Salzburg Festival and RuhrTriennale festivals, and intendant of the Berlin State Opera from 2010 to 2018. He directed internationally, including Beethoven's Fidelio at the Metropolitan Opera, the 2000 Ring cycle production at the Bayreuth Festival, and the 2002 world premiere of Friedrich Cerha's Der Riese vom Steinfeld at the Vienna State Opera.
Peter Ruzicka is a German composer and conductor of classical music. He was director of the Hamburg State Opera, the Philharmonic Orchestra of Hamburg and the Salzburg Festival. Ruzicka was managing director and Intendant of the Salzburg Easter Festival and is professor at the Hochschule für Musik und Theater Hamburg. The list of his compositions includes numerous orchestral and chamber music works as well as the opera "Celan", about the poet Paul Celan, which was premiered in Dresden in 2001. His opera "Hölderlin" had its premiere at the Berlin State Opera in 2008. Ruzicka's third opera "Benjamin", about the philosopher Walter Benjamin, was written in 2015/16 for the Hamburg State Opera and premiered in 2018.
Peter Sellars is an American theatre director, noted for his unique stagings of classical and contemporary operas and plays. Sellars is a professor at the University of California, Los Angeles (UCLA), where he teaches Art as Social Action and Art as Moral Action. He has been described as a key figure of theatre and opera for the last 50 years.
Daniel César Martín Brühl González is a German-Spanish actor. He has received various accolades, including three European Film Awards and three German Film Awards, along with nominations for two Golden Globe Awards and a BAFTA Award. He received his first German Film Award for Best Actor for his roles in Das Weisse Rauschen (2001), Nichts Bereuen (2001), and Vaya con Dios (2002). His starring role in the German film Good Bye, Lenin! (2003) received widespread recognition and critical acclaim, and garnered him the European Film Award for Best Actor and another German Film Award for Best Actor.
Harry Alfred Robert Kupfer was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978 and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986 and Der Rosenkavalier by Richard Strauss in 2014.
The Salzburg Easter Festival is a classical music and opera festival held every year over the extended week before Easter in Salzburg, Austria since 1967.
L'Amour de loin is an opera in five acts with music by Kaija Saariaho and a French-language libretto by Amin Maalouf. The opera received its world premiere performance on 15 August 2000 at the Salzburg Festival.
Peter Zadek was a German director of theatre, opera and film, a translator and a screenwriter. He is regarded as one of the greatest directors in German-speaking theater.
Jonas Kaufmann is a German-Austrian tenor opera singer. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recital and concert each season. Some of his standout roles include Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, Don Alvaro in La forza del destino, Siegmund in Die Walküre, and the title roles in Parsifal, Werther, Don Carlos, and Lohengrin. In 2014 The New York Times described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."
Johannes Schaaf was a German film, theatre and opera director and actor. Several of his films have been internationally recognized. His focus shifted to opera in the 1980s and he worked with many of the leading international opera houses within Europe, and was invited to direct at several renowned opera houses in the United States and Asia.
Willy Decker is a German theatre director and opera producer. He staged the world premières of Hans Werner Henze's Pollicino in Montepulciano in 1980, of Antonio Bibalo's Macbeth for the Norwegian Opera in Oslo in 1990 and Aribert Reimann's Das Schloss at the Deutsche Oper Berlin in 1992.
Martin Kušej is an Austrian theatre and opera director, and is director of the Burgtheater Vienna. According to German news magazine Focus, Kušej belongs to the ten most important theatre directors who have emerged in the German-speaking world since the millennium. He is considered one of the most important directors working today, acclaimed for his dark and incisive productions.
Damiano Michieletto is an Italian stage director especially known for opera. He has staged productions at leading opera houses and festivals worldwide. His awards include the 2015 Laurence Olivier Award for the production of Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci at the Royal Opera House in London.
Georg Quander is a German opera and film director, music journalist, writer and culture manager. From 1991 to 2002, he was artistic director of the Deutsche Staatsoper Berlin. From 2005 to 2013, he was councillor for arts and culture of the city of Cologne. Since 2018, he has been the artistic director of the Musikkultur Rheinsberg gGmbH.
Elsa Dreisig is a French-Danish operatic soprano. Based at the Berlin State Opera, she made a European career in both opera and concert. Her opera roles include, besides the standard lyric soprano repertoire such as Mozart's Fiordiligi and Bizet's Micaëla, Baroque opera such as Rameau's Hippolyte et Aricie, and the world premiere of Beat Furrer's Violetter Schnee.
Christoph Strehl is a German tenor in opera and concert. He has appeared at major opera houses internationally, regarded as a specialist for Mozart roles, but performing a broad repertoire. He appeared as Don Ottavio in Mozart's Don Giovanni at the Salzburg Festival conducted by Nikolaus Harnoncourt and as Tamino in Die Zauberflöte with Claudio Abbado on the conductor's first recording of the opera. He is professor of voice at the Mozarteum in Salzburg.
Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.
Daniel Sträßer is a German actor and member of the ensemble of the Burgtheater in Vienna.
