Philip St. John Basil Rathbone MC was an Anglo-South African actor. He rose to prominence in the United Kingdom as a Shakespearean stage actor and went on to appear in more than 70 films, primarily costume dramas, swashbucklers, and, occasionally, horror films.
Louise Dresser was an American actress. She is perhaps best known for her roles in the many films in which she played the wife of Will Rogers, including State Fair and David Harum.
The year 1939 in film is widely considered the greatest year in film history. The ten Best Picture-nominated films that year include classics in multiple genres.
If I Were King is a 1938 American biographical and historical film starring Ronald Colman as medieval poet François Villon, and featuring Basil Rathbone and Frances Dee. It is based on the 1901 play and novel, both of the same name, by Justin Huntly McCarthy, and was directed by Frank Lloyd, with a screenplay adaptation by Preston Sturges.
The Black Sleep is a 1956 American independent horror film directed by Reginald LeBorg, and written by John C. Higgins from a story by Gerald Drayson Adams. It stars Basil Rathbone, Lon Chaney Jr., John Carradine, Bela Lugosi, and Akim Tamiroff. Tor Johnson appears in a supporting role. The film was produced by Aubrey Schenck and Howard W. Koch, as part of a four-picture finance-for-distribution arrangement with United Artists.
The Scarlet Claw is a 1944 American mystery thriller film based on Sir Arthur Conan Doyle's Sherlock Holmes detective stories. Directed by Roy William Neill and starring Basil Rathbone and Nigel Bruce, it is the eighth film of the Rathbone/Bruce series. David Stuart Davies notes on the film's DVD audio commentary that it's generally considered by critics and fans of the series to be the best of the twelve Holmes films made by Universal.
George Zucco was a British character actor who appeared in plays and 96 films, mostly American-made, during a career spanning over two decades, from the 1920s to 1951. In his films, he often played a suave villain, a member of nobility, or a mad doctor.
The Adventures of Marco Polo is a 1938 American historical adventure film directed by Archie Mayo and starring Gary Cooper, Sigrid Gurie, and Basil Rathbone. It was one of the most elaborate and costly of Samuel Goldwyn's productions.
Tovarich is a 1937 American comedy film directed by Anatole Litvak, based on the 1935 play by Robert E. Sherwood, which in turn was based on the 1933 French play Tovaritch by Jacques Deval. It was produced by Litvak through Warner Bros., with Robert Lord as associate producer and Hal B. Wallis and Jack L. Warner as executive producers. The screenplay was by Casey Robinson from the French play by Jacques Deval adapted into English by Robert E. Sherwood. The music score was by Max Steiner and the cinematography by Charles Lang.
Catherine Townsend Johnson was an American stage and film actress.
Voyage to the Prehistoric Planet is a 1965 science fiction film, one of two versions adapted for Roger Corman from the Soviet science fiction film Planeta Bur, scripted by Aleksandr Kazantsev and directed by Pavel Klushantsev. Curtis Harrington oversaw the editing and dubbing of principal portions of the source film, and directed new principal scenes featuring Basil Rathbone and Faith Domergue. The resulting new film was syndicated directly to television by American International Television.
Sherlock Holmes and the Secret Weapon (1942) is the fourth in the Basil Rathbone/Nigel Bruce series of 14 Sherlock Holmes films which updated the characters created by Sir Arthur Conan Doyle to the then present day. The film is credited as an adaptation of Conan Doyle's 1903 short story "The Adventure of the Dancing Men," though the only element from the source material is the dancing men code. Rather, it is a spy film taking place on the background of the then ongoing Second World War with an original premise. The film concerns the kidnapping of a Swiss scientist by their nemesis Professor Moriarty, to steal a new bomb sight and sell it to Nazi Germany. Sherlock Holmes and Dr. John Watson have to crack a secret code in order to save the country.
Sherlock Holmes and the Voice of Terror is a 1942 American mystery thriller film based on Sir Arthur Conan Doyle's Sherlock Holmes detective stories. The film combines elements of Doyle's short story "His Last Bow", to which it is credited as an adaptation, and the real-life activities of Lord Haw-Haw.
Sherlock Holmes in Washington (1943) is the fifth film in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes movies. The plot is an original story not based on any of Sir Arthur Conan Doyle's Holmes tales.
The Great Deception is a 1926 American silent drama film starring Basil Rathbone, Ben Lyon, and Aileen Pringle. It is based on the 1915 novel The Yellow Dove by George Gibbs about World War I era espionage, previously adapted as the 1919 film Shadows of Suspicion. This film is currently a lost film. A New York Times review considered "this photoplay possesses an element of mystery and suspense".
The Mad Doctor is a 1941 American crime thriller film directed by Tim Whelan and starring Basil Rathbone as a physician whose successive wealthy wives die. Ellen Drew plays his latest bride. John Howard plays her ex-fiancé, who grows increasingly suspicious of her new husband. It was produced and distributed by Hollywood studio Paramount Pictures.
Loyalties is a 1933 British drama film directed by Basil Dean and starring Basil Rathbone, Heather Thatcher and Miles Mander. It is based on the 1922 John Galsworthy play Loyalties.
International Lady is a 1941 American spy-drama film directed by Tim Whelan and starring George Brent, Ilona Massey and Basil Rathbone.
A Notorious Affair is a 1930 American pre-Code drama film, produced and released by First National Pictures. It was directed by Lloyd Bacon, starred Billie Dove, and featured Basil Rathbone and Kay Francis. The film was adapted from the play Fame, which was written by Audrey and Waverly Carter.
Rio is a 1939 American crime film directed by John Brahm and starring Basil Rathbone and Victor McLaglen. The film's title sequence doesn't credit a producer.
