The Idle Rich | |
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Directed by | William C. deMille |
Written by | Clara Beranger (scenario) Robert E. "Hoppy" Hopkins (uncredited) [1] |
Based on | White Collars: a Comedy in Three Acts (1923 play) by Edith Ellis [2] [3] |
Produced by | Louis B. Mayer Irving Thalberg |
Starring | Conrad Nagel Bessie Love Leila Hyams |
Cinematography | Leonard Smith |
Edited by | Conrad A. Nervig |
Distributed by | MGM |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | English |
The Idle Rich is a 1929 American Pre-Code early sound comedy film produced and released by Metro Goldwyn Mayer and directed by William C. deMille. [2] It is based on the Broadway play White Collars by Edith Ellis, which had played at the Egan Theater in Los Angeles in 1924 before moving to the Cort Theatre in New York. [1] [2] The film is extant, and was released DVD in 2012 from WarnerArchive Collection.
This film was remade in 1938 as Rich Man, Poor Girl with Robert Young and Ruth Hussey.
Wealthy businessman William "Will" Van Luyn (Conrad Nagel) proposes to his secretary, Joan Thayer (Leila Hyams). She accepts, but worries how her family will react. When he meets them for the first time, little sister Helen (Bessie Love) is delighted by the advantages he will bring, but cousin Henry starts lecturing him on the virtues of the downtrodden middle class. The rich can afford medical treatment, and the poor can rely on the government to pay the bills, but the middle class has to shoulder the financial burden on its own. Nevertheless, Will marries Joan.
A month later, their honeymoon is interrupted when he has to return to the city to deal with a lawsuit. Joan insists that they stay in her family's apartment for a few weeks. Her father (James Neill) turns down Will's offer to buy them a luxurious twelve-room apartment in a much better neighborhood, and the rest of the family supports his decision. Will gamely goes along with Joan's plan, but insists her bedroom is too small for the two of them, and sleeps on the living room couch. This does not contribute to the couple's marital bliss; he has insisted that she quit working, so she does not see much of him during either the day or the night.
Will's good intentions only cause trouble. He secretly arranges for Henry to be offered a good job in South America, but Henry finds out about his hand in it and turns the opportunity down. When Will gives Helen expensive jewelry as a belated birthday present, her fiancé, truck driver Tom Gibney, is furious. He picks a fight, but Will easily knocks him down with a couple of punches.
To teach his in-laws a lesson, Will announces that he is going to become one of them by giving away his fortune to charity. Joan's father has just lost his job, and the entire family admit they have been wrong and try to talk Will out of it. Finally, he reveals that it was all a ploy to get them to realize that his wealth is not something to be ashamed of. They no longer object when he showers them with gifts.
The film received negative reviews. [4]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930.
The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths.
John Conrad Nagel was an American film, stage, television and radio actor. He was considered a famous matinée idol and leading man of the 1920s and 1930s. He was given an Honorary Academy Award in 1940, and three stars on the Hollywood Walk of Fame in 1960.
Way for a Sailor is a 1930 American pre-Code film starring John Gilbert. The supporting cast includes Wallace Beery, Jim Tully, Leila Hyams, and Polly Moran. The film was directed by Sam Wood, who insisted on no screen credit. Louis B. Mayer's insistence that Gilbert had no future in talkies is attributed to two causes: Mayer's personal animosity toward the man and/or the poor quality of his voice. Modern sources note that Gilbert's voice is no worse than other actors' who made the transition with a little coaching.
The Only Thing is a 1925 American silent romantic drama film starring Eleanor Boardman. The film's scenario was written by author Elinor Glyn, and was based on a story adapted from Glyn's novel of the same name.
Surrender is a 1931 American pre-Code drama film directed by William K. Howard, written by S.N. Behrman, and starring Warner Baxter, Leila Hyams, Ralph Bellamy, C. Aubrey Smith, and Alexander Kirkland. It is based on Axelle, a novel by Pierre Benoit. The film is widely considered to have exerted an enormous influence upon Jean Renoir's subsequent Grand Illusion.
James F. Neill was an American stage actor and film actor of the silent era. He appeared in more than 110 films between 1913 and 1930.
Dynamite is a 1929 American pre-Code drama film produced and directed by Cecil B. DeMille and starring Conrad Nagel, Kay Johnson, Charles Bickford, and Julia Faye. Written by Jeanie MacPherson, John Howard Lawson, and Gladys Unger, the film is about a convicted murderer scheduled to be executed, whom a socialite marries simply to satisfy a condition of her grandfather's will. Mitchell Leisen was nominated for the Academy Award for Best Art Direction.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
The Thirteenth Chair is a 1929 American mystery film directed by Tod Browning. The picture is based on a 1916 play of the same name by Bayard Veiller. It stars Conrad Nagel, Leila Hyams and Margaret Wycherly.
Girl Trouble is a 1942 American comedy film made by 20th Century Fox, directed by Harold D. Schuster, and starring Don Ameche and Joan Bennett. It is also known as Between You and Me and Man from Brazil.
The Kiss is a 1929 American synchronized sound drama film directed by Jacques Feyder, starring Greta Garbo, Conrad Nagel, and Lew Ayres in his first feature film. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems.
The Constant Woman (1933), also known as Auction in Souls and Hell in a Circus, is an American Pre-Code film directed by Victor Schertzinger. It is based on the 1913 Eugene O'Neill play Recklessness.
Sweethearts and Wives is a 1930 American pre-Code mystery film with comedic elements produced and released by First National Pictures and directed by Clarence G. Badger. The film stars Billie Dove, Clive Brook, Sidney Blackmer and Leila Hyams. The film was based on the 1928 West End play Other Men's Wives by Walter C. Hackett.
Rich Man, Poor Girl is a 1938 American comedy film directed by Reinhold Schünzel and starring Robert Young, Ruth Hussey and Lew Ayres. The film is a remake of the 1929 film The Idle Rich. This was Lana Turner's second appearance as an MGM star.
Affairs of a Gentleman is a 1934 American Pre-Code drama film directed by Edwin L. Marin and written by Cyril Hume, Peter Ruric and Milton Krims, adapted from the play by Edith Ellis and Edward Ellis (actor). The film stars Paul Lukas, Leila Hyams, Patricia Ellis, Phillip Reed, Onslow Stevens and Dorothy Burgess. The film was released on May 1, 1934, by Universal Pictures.
Love Takes Flight is a 1937 American drama film directed by Conrad Nagel and written by Lionel Houser and Mervin J. Houser. The film stars Bruce Cabot, Beatrice Roberts, John Sheehan, Astrid Allwyn, Elliot Fisher and Wild Bill Elliott. The film was released on November 5, 1937, by Grand National Films Inc.
A perfect example of a stage play that doesn't belong on the screen.