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Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century.
Martin Eybl is an Austrian musicologist.
The Bibliography of Music Literature is an international bibliography of literature on music. It considers all kind of music and includes both current and older literature. Since 1968, the BMS editorial staff has also been working as the German committee for the Répertoire International de Littérature Musicale (RILM). The bibliography includes monographs, master’s theses and doctoral dissertations, articles and reviews from journals, Festschriften, conference proceedings, yearbooks, anthologies, and essays from critical reports. It contains printed media as well as online resources, data media, sound recordings, audiovisual media, and microforms. Each record provides the title in the original language, full bibliographic data, a keyword index, and mostly an abstract. Currently, BMS online has more than 315,000 records of literature on music. It is supplemented by the OLC-SSG Musicology, which incorporates the contents of some more 150 music journals from 1993 onward. BMS online participates actively on Virtual Library of Musicology (ViFaMusik), the central gateway for music and musicology in Germany.
Christoph-Hellmut Mahling was a German musicologist and lecturer at various universities.
Bernhard R. Appel is a German musicologist. His research focuses on the life and work of the composer Robert Schumann, music history of the 18th and 19th centuries, Ludwig van Beethoven's works, compositional creative processes as well as methodology, theory and practice of music philology, in particular genetic textual criticism and digital music edition. In addition, Appel deals with the history of the viola da gamba.
Anselm Gerhard is a German musicologist and opera scholar.
Rainer Cadenbach was a German musicologist and University professor.
Matthias Schmidt is a German musicologist.
André Doehring is a German musicologist, who is active in pop music and jazz research.
Georg von Dadelsen was a German musicologist, who taught at the University of Hamburg and the University of Tübingen. He focused on Johann Sebastian Bach, his family and his environment, and the chronology of his works. As director of the Johann Sebastian Bach Institute in Göttingen, he influenced the Neue Bach-Ausgabe (NBA), the second complete edition of Bach's works.
Hanns-Werner Heister is a German musicologist.
Helga de la Motte-Haber is a German musicologist focusing on the study of systematic musicology.
Klaus Pietschmann is a German musicologist. Since 2009 he has been teaching at the University of Mainz.
Conny Restle is a German musicologist, Museum director and lecturer at the Berlin University of the Arts.
Dagmar Droysen-Reber was a German musicologist and museum director.
Günter Mayer was a German cultural academic and musicologist.
Peter Wicke is a German musicologist, who is particularly interested in popular music; he teaches as a university professor at Humboldt-Universität zu Berlin.
Tiburtius Tibor Kneif was a German-Hungarian lawyer and musicologist.
Ludwig Holtmeier is a German music theorist and piano player.
Jürgen Elsner is a German music ethnologist and author.
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