Thomas P. Riccio

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Thomas Riccio, India 2013 Thomas Riccio.jpg
Thomas Riccio, India 2013

Thomas P. Riccio (born 1955) is an American multimedia artist and academic. He received his BA from Cleveland State University in English Literature in 1978, his MFA from Boston University in 1982, and studied in the PhD program in Performance Studies at New York University from 1983 to 1984. Riccio has directed over one hundred plays at American regional theatres, off-off and off Broadway and has worked extensively in the area of indigenous and ritual performance conducting research and/or creating performances in: South Africa, Zambia, Burkina Faso, Tanzania, Kenya, Ethiopia, Europe, Russia, Siberia, Korea, India, Nepal, China, and Alaska. In 1993 the People's Republic of Sakha (central Siberia) declared him a “Cultural Hero”. Performance ethnography project with the Miao people of SW Hunan, China, 2015-2019.

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Career

In 1980 Riccio was appointed Assistant Literary Director at the American Repertory Theatre, Cambridge, MA and Research Assistant to Robert Brustein. In 1984 he was appointed Dramaturg and Resident Director of the Cleveland Play House. 1985 he served as Artistic Director of the Organic Theatre, Chicago. In 1988 Riccio was appointed as Professor of Theatre at the University of Alaska Fairbanks and Artistic Director of Tuma Theater, an Inuit theatre group. He continued in both of positions until 2003. From 2003-2024 Professor of Visual and Performing Arts, now Emeritus, at the University of Texas at Dallas. Since 2006 Riccio has worked with David Hanson at Hanson Robotics as a Lead Narrative Engineer (2005-2009) and was Creative Director 2017-2019. He has also served as a visiting professor at the Korean National University for the Arts, California Institute of Integral Studies, and the University of Dar es Salaam. He is a producing artist with Project X, a Dallas-based performance collective . He has created two media installations The Invention of Memory (2010) and Not So Indifferent (2012) both at Central Trak Gallery, Dallas. In 2011 with Lori McCarty he formed Dead White Zombies, a Dallas-based experimental, post-disciplinary performance and media group that utilizes ritual and indigenous expressions. Riccio serves as Poo Pa Doo (artistic director) of the group and has written, directed, and created installations for eight works since its founding. Blah Blah (2011); Flesh World (2012), (w)hole (2012), and T.N.B. (2013), Bull Game (2013), , Karaoke Motel (2014) , DP92 (2015) , and Holy Bone (2017) He was a Fulbright Specialist and an artist in residence at the Watermill Arts Center (2016) and is collaborating on 12 Shouts, a performance project with Sibyl Kempson for the Whitney Museum. Visiting Professor in Ethnography and Anthropology, Jisou University, Hunan, China. Principal actor, Wedding Dresses.

Notable works








References

  1. Thomas Riccio (March 2003). Reinventing Traditional Alaska Native Performance . Lewiston, New York: Edwin Mellen Press. ISBN   978-0-7734-6987-7.
  2. Kenya's Community Health Awareness Puppeteers article at Academia.edu, Fall 2004
  3. There is never a reference point review at GuideLive.com, February 2006
  4. Onassis Foundation prize announcement, October 2006
  5. Peter Lang Publishing Announcement April 2007
  6. Pegasus News Theatre Review November 2008
  7. Sojourn Literary Journal December 2009
  8. Dallas Video Festival Schedule November 2009
  9. Dallas Museum of Art Video Excerpt October 2009 to February 2010
  10. Transforming Culture in the Digital Age link April 2010
  11. Springer Publishing link April, 2010
  12. Great Plains Theatre Conference link April 2010