Thunderstuck

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Thunderstuck is a one-movement orchestral composition by the American composer Christopher Rouse. The piece was completed December 29, 2013, and premiered October 9, 2014, in Avery Fisher Hall, New York City. [1] [2] The premiere was performed by conductor Alan Gilbert and the New York Philharmonic, and the work is dedicated to both. [1]

Contents

Composition

Styles and influences

The style of Thunderstuck celebrates rock and roll music of the 1970s. In the program notes, Rouse called the work "a nine-minute concert opener that reflects my continuing love of the popular music of my younger years. Rock music has had an influence on several of my works, but none more so than this one." [1] Its conception is similar to that of Rouse's 1988 percussion ensemble piece Bonham , a tribute to rock drummers and named after Led Zeppelin drummer John Bonham. [3]

Thunderstuck directly references the 1978 Jay Ferguson song "Thunder Island", which partially inspired the work's title. [1] David Allen of The New York Times has also compared the piece to the music of Jefferson Airplane. [3]

Instrumentation

Thunderstuck is scored for three flutes, three oboes, two clarinets, bass clarinet, two bassoons, contrabassoon, four French horns, three trumpets, three trombones, tuba, harp, timpani, percussion (three players), and strings (violins I & II, violas, violoncellos, and double basses). [1]

Reception

Reviewing the 2014 premiere of Thunderstuck, music critic Lewis M. Smoley lauded the work, saying, "Permeated with syncopated and chugging rhythms, brash outbursts and colorful orchestration, the music splashed across the sonic spectrum, energized by youthful vigor, and at times evocative of the music of Aaron Copland or Roy Harris." [4] Despite criticizing the premiere performance, David Allen of The New York Times also praised the piece, saying, "It's designed to be a fun concert opener, and it is." [3] Eric C. Simpson of the New York Classical Review was slightly more critical, saying, "Rouse says the work is meant to be 'engaging and fun.' It is both those things to some degree, though it is also completely out of left field, both in general and for Rouse specifically. Suave, punchy, and almost oppressively consonant, it sounds as though it could accompany a training montage in a boxing movie." [5]

Related Research Articles

Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.

Lisa Batiashvili Georgian musician (born 1979)

Elisabeth Batiashvili, professionally known as Lisa Batiashvili, is a prominent Georgian violinist active across Europe and the United States. A former New York Philharmonic artist-in-residence, she is acclaimed for her "natural elegance, silky sound and the meticulous grace of her articulation". Batiashvili makes frequent appearances at high-profile international events; she was the violin soloist at the 2018 Nobel Prize concert.

Bonham is a percussion ensemble piece for eight musicians by the American composer Christopher Rouse. It was composed in 1988 and first performed in Boston, Massachusetts, the following year by the New England Conservatory of Music Percussion Ensemble conducted by Frank Epstein, to whom the work is dedicated.

Symphony No. 1 is a symphony in one movement by the American composer Christopher Rouse. The work was commissioned by David Zinman and the Baltimore Symphony Orchestra, completed August 26, 1986, and premiered in Baltimore, January 21, 1988. The piece is dedicated to Rouse's friend and fellow composer John Harbison.

Requiem is a composition for solo baritone, children's choir, chorus, and orchestra by the American composer Christopher Rouse. The piece was commissioned by Soli Deo Gloria for the 2003 bicentennial of the birth of French composer Hector Berlioz. It was completed July 12, 2002 and premiered March 25, 2007 at the Walt Disney Concert Hall in Los Angeles, with the conductor Grant Gershon leading the Los Angeles Master Chorale and their orchestra, the Los Angeles Children's Chorus, and the baritone Sanford Sylvan.

Symphony No. 3 is an orchestral composition in two movements by the American composer Christopher Rouse. The work was jointly commissioned by the St. Louis Symphony, the Baltimore Symphony Orchestra, the Royal Stockholm Philharmonic Orchestra, and the Singapore Symphony Orchestra. It was completed February 3, 2011 and premiered May 5, 2011 by the Saint Louis Symphony under David Robertson at Powell Hall in St. Louis, Missouri. The piece is dedicated to Rouse's high school music teacher, John Merrill.

Symphony No. 4 is an orchestral composition in two movements by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic, for which Rouse was then composer-in-residence. The piece was completed June 30, 2013 and was premiered on June 5, 2014, in Avery Fisher Hall, New York City, by the New York Philharmonic under the direction of Alan Gilbert.

The Oboe Concerto is a concerto for oboe and orchestra by the American composer Christopher Rouse. The work was commissioned by the Minnesota Orchestra and completed in 2004. The piece premiered in 2009 with oboist Basil Reeve and the Minnesota Orchestra performing under conductor Osmo Vanska.

The Clarinet Concerto is a concerto for clarinet and orchestra by the American composer Christopher Rouse. The work was commissioned for the Chicago Symphony Orchestra and its principal clarinetist Larry Combs by the Institute for American Music. It was completed December 11, 2000 and premiered May 17, 2001 at Symphony Center in Chicago with Christoph Eschenbach conducting the Chicago Symphony Orchestra. The piece is dedicated to Rouse's friend and fellow composer Augusta Read Thomas.

The Flute Concerto is a concerto for flute and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by Richard and Jody Nordlof for flutist Carol Wincenc and by Borders Group for the Detroit Symphony Orchestra. It was completed August 15, 1993 and premiered October 27, 1994 at Orchestra Hall in Detroit, with conductor Hans Vonk leading Carol Wincenc and the Detroit Symphony Orchestra. The piece—specifically the third movement—is dedicated to the memory of James Bulger, an English toddler who was infamously murdered in 1993 by two ten-year-old boys.

Der gerettete Alberich is a concerto for percussion and orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the London Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, and the Baltimore Symphony Orchestra. It was completed June 7, 1997, and premiered January 15, 1998 in Cleveland, Ohio with the Cleveland Orchestra under conductor Christoph von Dohnányi. The piece is dedicated to percussionist Evelyn Glennie, who performed the solo during the world premiere. Rouse composed the work as an informal musical sequel to Richard Wagner's four-opera cycle Der Ring des Nibelungen.

The Second Concerto for Orchestra is a concerto for orchestra by the American composer Steven Stucky. The work was commissioned by the Los Angeles Philharmonic while Stucky was their composer-in-residence for the inaugural season of the Walt Disney Concert Hall. It was completed in 2003 and was first performed on March 12, 2004, with the conductor Esa-Pekka Salonen leading the Los Angeles Philharmonic. The piece was awarded the 2005 Pulitzer Prize for Music.

Prospero's Rooms is a single-movement orchestral composition by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic, for which Rouse was composer-in-residence, and was completed in 2011. The title comes from the Edgar Allan Poe short story "The Masque of the Red Death," in which the main character Prince Prospero and his fellow aristocrats try to escape the ravages of a plague known as the "Red Death" by locking themselves away from the outside world during a masquerade ball.

Odna Zhizn is a symphonic poem by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic and was completed in 2009. It was first performed on February 10, 2010, at Avery Fisher Hall in New York City, by the New York Philharmonic under the direction of Alan Gilbert.

Seeing is a concerto for solo piano and orchestra by the American composer Christopher Rouse. The work was commissioned by the New York Philharmonic for the pianist Emanuel Ax, with financial contributions from philanthropists Lillian and Maurice Barbash. It was premiered at Avery Fisher Hall in New York City May 6, 1999, with Leonard Slatkin conducting Emanuel Ax and the New York Philharmonic. The piece is dedicated to Emanuel Ax.

Soundings is a single-movement orchestral composition by the American composer John Williams. It was commissioned by the Los Angeles Philharmonic for the inaugural season of the Walt Disney Concert Hall. It was first performed on October 25, 2003 by the Los Angeles Philharmonic under the direction of Williams.

Gorgon is a composition for orchestra by the American composer Christopher Rouse. The work was commissioned by the Rochester Philharmonic Orchestra with support from the Rochester Sesquicentennial Committee to commemorated the one hundred and fiftieth anniversary of the founding of Rochester. It was completed in the summer of 1984 and was first performed in Rochester on November 15, 1984, by the Rochester Philharmonic Orchestra under the direction of David Zinman, to whom the piece is dedicated.

The Symphony No. 5 is a symphony for orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the Dallas Symphony Orchestra, the Nashville Symphony, and the Aspen Music Festival. It was completed in Baltimore on February 15, 2015, and was first performed by the Dallas Symphony Orchestra under the direction of Jaap van Zweden at the Morton H. Meyerson Symphony Center on February 9, 2017.

Berceuse Infinie is an orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Baltimore Symphony Orchestra and was completed on July 1, 2016. It was first performed by the Baltimore Symphony Orchestra under the direction of Marin Alsop at Joseph Meyerhoff Symphony Hall on November 30, 2017. The piece is dedicated to Marin Alsop.

The Symphony No. 6 is a symphony for orchestra by the American composer Christopher Rouse. The work was commissioned by the Cincinnati Symphony Orchestra and was completed in the composer's Baltimore home on June 6, 2019. It was first performed in Cincinnati Music Hall by the Cincinnati Symphony Orchestra conducted by Louis Langrée on October 18, 2019. Written as a personal epitaph, the symphony was Rouse's last completed work before his death in September 2019.

References

  1. 1 2 3 4 5 Rouse, Christopher. Thunderstuck: Program note by the composer. 2014. Retrieved March 4, 2015.
  2. Huizenga, Tom (September 3, 2014). "Great Expectations: A New Season Of New Music". NPR . Retrieved March 4, 2015.
  3. 1 2 3 Allen, David (October 10, 2014). "The Rock Beat of His Youth, Echoing Again in August Precincts: Rouse's World Premiere and Batiashvili Plays Brahms". The New York Times . Retrieved March 4, 2015.
  4. Smoley, Lewis M. (October 9, 2014). "New York Philharmonic/Alan Gilbert; world premiere of Christopher Rouse's Thunderstuck, Haydn's Drum Roll Symphony; Lisa Batiashvili plays Brahms". Classical Source. Retrieved March 4, 2015.
  5. Simpson, Eric C. (October 10, 2014). "Batiashvili and Brahms triumph in mixed Philharmonic program". New York Classical Review. Retrieved March 4, 2015.